A blouse is a loose-fitting upper garment that may be worn by workmen, peasants, artists, women, and children. It is typically gathered at the waist or hips so that it hangs loosely ("blouses") over the wearer's body. Today, the word most commonly refers to a girl's or woman's dress shirt, although there is considerable confusion between a true blouse and a women's shirt. It can also refer to a man's shirt if it is a loose-fitting style, though it rarely is. Traditionally, the term has been used to refer to a shirt which blouses out or has an unmistakably feminine appearance, although even many "standard" shirts today have a somewhat blousy fit, and the numbers of men wearing such shirts may match that of women wearing actual blouses.
A kaftan or caftan is a variant of the robe or tunic. Originating in Asia, it has been worn by a number of cultures around the world for thousands of years. In Russian usage, kaftan instead refers to a style of men's long suit with tight sleeves.
Mess dress uniform is the most formal type of evening-wear uniform used by military personnel, police personnel, and other uniformed services members. It frequently consists of a mess jacket, trousers, white dress shirt and a black bow tie, along with orders and medals insignia. Design may depend on regiment or service branch, e.g. army, navy, air force, marines, etc. In modern Western dress codes, mess dress uniform is the supplementary alternative equivalent to the civilian black tie for evening wear. Mess dress uniforms are typically less formal than full dress uniform, but more formal than service dress uniform.
1870s fashion in European and European-influenced clothing is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the 1850s and 1860s.
1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth, initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
A kebaya is an upper garment traditionally worn by women in Southeast Asia, notably in Brunei, Indonesia, Malaysia, Singapore and Southern Thailand. It is also worn in parts of southern Philippines and Cambodia.
The formal Thai national costume, known in Thai as ชุดไทยพระราชนิยม, includes several sets of clothing, or chut thai, designed for use as national costume on formal occasions. Although described and intended for use as national costume, they are of relatively modern origins, having been conceived in the second half of the twentieth century.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff, which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or embroidery, and shaped into crisp, precise folds with starch and heated irons.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation became prominent. The tall, narrow lines of the late Medieval period were replaced with a wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders. Sleeves were a center of attention, and were puffed, slashed, cuffed, and turned back to reveal contrasting linings.
The Armenian Taraz, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were utilized by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.
Fashion in 15th-century Europe was characterized by a series of extremes and extravagances, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing doublets and hose of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.
Vera Borea is a French fashion house founded in 1931 in Paris, France, by Countess Borea de Buzzaccarini Regoli.
The Gandoura, also Gandura, is a kind of light tunic, in wool or cotton, with or without sleeves. It normally comes in colored stripes, or more simply white, and is worn primarily in North Africa and Western Asia. The term gandoura is Arabic in origin. In Algeria, there are two varieties of gandoura. The first is worn by women and is also known as Jebba Fergani. It is a traditional Algerian garment made of thick velvet that originated in the Constantine region. The other form of gandoura is one worn by Algerian men; it is a casual clothing similar to the Jellaba but it lacks a hood.
The uniforms of the United States Space Force are the standardized military uniforms worn by U.S. Space Force personnel, known as guardians.
The Karakou is a long-sleeved fitted velvet jacket embroidered with golden and silvered threads, it is a traditional Algerian garment originating from Algiers.
The Bniqa is an embroidered shower cap that originated in Algiers.
The Sarma or Serma is a cone-shaped metallic headdress that originated in Algiers.
