Type | Algerian clothing |
---|---|
Material | Silk |
Place of origin | Algiers [1] |
The Bniqa is an embroidered shower cap that originated in Algiers. [1]
The Bniqa is a traditional Algerian shower cap, it is embroidered with silk and gold threads. [2] The shower cap is used to dry the hair after bathing. [2] The borders and the ends of the Bniqa typically feature golden embroiderey. [3]
• Ghlila
• Frimla
• Karakou
• Sarma (hat)
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.
A towel is a piece of absorbent cloth or paper used for drying or wiping a surface. Towels draw moisture through direct contact.
The mitre or miter, is a type of headgear now known as the traditional, ceremonial headdress of bishops and certain abbots in traditional Christianity. Mitres are worn in the Catholic Church, Eastern Orthodox Church, Oriental Orthodox Churches, the Anglican Communion, some Lutheran churches, for important ceremonies, by the Metropolitan of the Malankara Mar Thoma Syrian Church, and also, in the Catholic Church, all cardinals, whether or not bishops, and some Eastern Orthodox archpriests.
The United States Air Force officer rank insignia in use today.
A cap badge, also known as head badge or hat badge, is a badge worn on uniform headgear and distinguishes the wearer's nationality and/or organisation. The wearing of cap badges is a convention commonly found among military and police forces, as well as uniformed civilian groups such as the Boy Scouts, civil defence organisations, ambulance services, customs services, fire services etc.
Smoking caps, also known as lounging caps, were Victorian headwear worn by men while smoking to stop their hair from smelling of tobacco smoke. They were soft caps, shaped like a squat cylinder or close fitting like a knit cap, and usually heavily embroidered with a tassel on top. They were originally worn for warmth, but continued with their new use after improvements in Victorian heating. They were popular in the period 1840-1880, and usually used by gentlemen in the privacy of their homes. The need for smoking caps, and smoking wear generally, arose from the social more of not smoking in front of women, and not smelling of smoke when one returned to their presence. They were often a gift from women, who made them themselves to give to male partners. They were often worn with a smoking jacket, but while the jacket was more or less de rigueur, the cap was optional. Neither was worn by everyone, as smoking was not as popular as it became in the twentieth century, although they could also be worn as part of a man's loungewear outfit with no connection to smoking. The decoration of the cap was often very ornate and colourful. Designs were particularly influenced by the designs of the Near and Middle East, a common Victorian influence in many other areas.
A skufia is an item of clerical clothing, a cap, worn by Eastern Orthodox and Eastern Catholic monastics or awarded to clergy as a mark of honor.
In sport, a cap is a player's appearance in a game at international level. The term dates from the practice in the United Kingdom of awarding a cap to every player in an international match of rugby football and association football. In the early days of football, the concept of each team wearing a set of matching shirts had not been universally adopted, so each side would distinguish itself from the other by wearing a specific sort of cap.
Fashion in the period 1600–1650 in Western European clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of President Josip Broz Tito's term. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
A kashket is a cap, usually made of felt, worn mainly by Hasidic Jewish children as an alternative to the kippah. It has a crown, a band and peak. From the beginning of the 20th century until World War II, many Russian Jews and Polish Jews wore this cap as part of their everyday dress.
A mariner's cap, variations of which are known as skipper cap, Greek fisherman's cap, fiddler cap or Breton cap, Lenin cap and Mao cap, is a soft, flat-topped cap with a small visor, usually made from black or navy blue wool felt, but also occasionally from corduroy or blue denim. It is distinguished from similar caps, such as the peaked cap and maciejówka, by its soft, unstructured crown. It is often associated with seamanship and maritime settings, especially fishing, yachting and recreational sailing. It has become popular amongst the public in general, rather than staying isolated as an occupational hat. One example of it being put in prominence in popular culture was when it was worn by John Lennon during the British Invasion of the mid-1960s.
A shower cap is a hat worn while showering or bathing to protect hair from becoming wet. Alternatively, shower caps for children can be crowns with wide brims that prevent water and shampoo from getting in the eyes while allowing the hair to be washed.
Palestinian traditional costumes are the types of clothing historically and sometimes still presently worn by Palestinians. Foreign travelers to Palestine in the 19th and early 20th centuries often commented on the rich variety of the costumes worn, particularly by the fellaheen or village women. Many of the handcrafted garments were richly embroidered and the creation and maintenance of these items played a significant role in the lives of the region's women.
Pakistani clothing refers to the ethnic clothing that is typically worn by people in the country of Pakistan and by the people of Pakistani origin. Pakistani clothes express the culture of Pakistan, the demographics of Pakistan, and cultures from the Punjab, Sindh, Balochistan, Khyber Pakhtunkhwa (Pashtun), Gilgit-Baltistan, and Kashmir regions of the country. Dress in each regional culture reflect weather conditions, way of living, and distinctive style which gives it a unique identity among all cultures.
English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses. This style was called Opus Anglicanum or "English work", and was famous throughout Europe.
Šibenik cap is a regional variant of a traditional red cap used in the Balkans that was developed in Šibenik, Croatia.
Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
Embroidery was an important art in the Islamic world from the beginning of Islam until the Industrial Revolution disrupted traditional ways of life.
The academic regalia of Columbia University are the robes, gowns, and hoods which are prescribed by the university for its graduates. As one of the oldest universities in the United States, Columbia University has a long tradition of academic dress dating back to its founding in the 18th century, when it became the second university in the country to formally adopt academic robes. The development of Columbia's academic regalia has strongly influenced those of most universities in the United States. Since the passing of the Intercollegiate Code of Academic Costume in 1895, the style of academic dress worn at the university in the late 20th century has served as the basis of those of most other universities in the country. Though once worn daily by students at the university, caps and gowns now are only worn during commencement.