American International Pictures is an American motion picture production label of Metro-Goldwyn-Mayer, owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
Larry Buchanan, born Marcus Larry Seale Jr., was a film director, producer and writer, who proclaimed himself a "schlockmeister". Many of his extremely low-budget films have landed on "worst movie" lists or in the public domain, but all at least broke even and many made a profit. Most of his films were made for television and were never shown theatrically.
It Conquered the World is an independently made 1956 American black-and-white science fiction film, produced and directed by Roger Corman, starring Peter Graves, Lee Van Cleef, Beverly Garland, and Sally Fraser. It Conquered the World was released theatrically by American International Pictures as a double feature with The She-Creature.
The Brain That Wouldn't Die is a 1962 American science fiction horror film directed by Joseph Green and written by Green and Rex Carlton. The film was completed in 1959 under the working title The Black Door but was not theatrically released until May 3, 1962, under its new title as a double feature with Invasion of the Star Creatures.
The beach party film is an American film genre of feature films which were produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party, in July 1963. With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.
In the Year 2889 is a 1969 American made-for-television horror science fiction film from American International Pictures about the aftermath of a future nuclear war. The film stars Paul Petersen, Quinn O'Hara, Charla Doherty, Neil Fletcher and Hugh Feagin. AIP commissioned low-budget cult film auteur Larry Buchanan to produce and direct this film as a color remake of Roger Corman's 1956 film Day the World Ended.
The Eye Creatures is a 1967 American made-for-television comedy horror science fiction film about an invasion by a flying saucer and its silent, shambling alien occupants.
Ghost in the Invisible Bikini is a 1966 American fantasy comedy film. It is the seventh and last of American International Pictures' beach party films. The film features the cast cavorting in and around a haunted house and the adjacent swimming pool.
How to Make a Monster is a 1958 American horror film drama that is notable for its inclusion of props and studios that created actual sci-fi horror movies.
The Giant Gila Monster is an American 1959 science fiction horror film directed by Ray Kellogg and produced by Ken Curtis. This low-budget B-movie starred Don Sullivan, a veteran of several low budget monster and zombie films, and Lisa Simone, the French contestant for the 1957 Miss Universe, as well as comedic actor Shug Fisher and KLIF disc jockey Ken Knox. The effects included a live Mexican beaded lizard filmed on a scaled-down model landscape.
First Man into Space is a 1959 independently made British-American black-and-white science fiction-horror film. It was produced by John Croydon, Charles F. Vetter, and Richard Gordon for Amalgamated Films and was distributed by Metro-Goldwyn-Mayer. Directed by Robert Day, it stars Marshall Thompson, Marla Landi, Bill Edwards, and Robert Ayres. The film is based on a story by Wyott Ordung, while the plot was developed from a script that had been pitched to and rejected by AIP.
Invasion of the Saucer Men, is a 1957 black-and-white comic science fiction/comedy horror film produced by James H. Nicholson for release by American International Pictures. The film was directed by Edward L. Cahn and stars Stephen Terrell, Gloria Castillo, Raymond Hatton and Frank Gorshin.
The Monster of Piedras Blancas is a 1959 independently made American black-and-white science fiction-monster film. It was produced by Jack Kevan, directed by Irvin Berwick, and stars Jeanne Carmen, Les Tremayne, John Harmon, Don Sullivan, Forrest Lewis, and Pete Dunn. The film was released by Filmservice Distributors Corporation as a double feature with Okefenokee.
The She-Creature, or The She Creature, is a 1956 American black-and-white science fiction horror film, released by American International Pictures from a script by Lou Rusoff. It was produced by Alex Gordon, directed by Edward L. Cahn, and stars Chester Morris, Marla English and Tom Conway, and casting Frieda Inescort and El Brendel in smaller roles. The producers hired Marla English because they thought she bore a strong resemblance to Elizabeth Taylor.
Terror Is a Man is a 1959 black-and-white Filipino/American horror film directed by Gerardo de Leon.
Creature of Destruction is a 1967 American made-for-television film produced and directed by Larry Buchanan. It is an uncredited color remake of the 1956 movie The She Creature directed by Edward L. Cahn.
Cat Girl is a 1957 British-American horror film, produced by Herbert Smith and Lou Rusoff, directed by Alfred Shaughnessy, that stars Barbara Shelley, Robert Ayres, and Kay Callard. It was an unofficial remake of Val Lewton's Cat People (1942). AIP released Cat Girl on a double bill with their 1957 film The Amazing Colossal Man.
Dragstrip Girl is a 1957 film starring John Ashley in his first lead role. American International Pictures released the film as a double feature with Rock All Night and it proved an early success for the studio.
Paul Blaisdell was an American painter, sculptor and visual effects creator, best remembered for his work in science fiction and horror B movies of the 1950s.
Homebodies is a 1974 comedy horror film directed by Larry Yust. The film features a cast of veteran actors, including Ian Wolfe, Ruth McDevitt, Peter Brocco, and Douglas Fowley. The film centers on elderly residents resorting to murder to protect their condemned building.
