 | |
| Author | Lance Olsen |
|---|---|
| Country | United States |
| Language | English |
| Genre | Postmodern novel, Metafiction |
| Publisher | FC2 |
Publication date | September 25, 2002 |
| Pages | 328 |
| ISBN | 1573661031 |
Girl Imagined by Chance is a postmodern novel by Lance Olsen, published in 2002 by Fiction Collective Two. It is a work of metafiction designed to trouble the unexamined assumptions of the memoir.
The novel is composed of twelve chapters, each of which is preceded by a photograph. In other words, its structure suggests a single roll of film. Girl Imagined by Chance explores the nature of photography, thereby raising questions about the simulated and the real, the mediatization of consciousness, originality, and the construction of identity. It examines the way images both give rise to and complicate memory. In this way, it is indebted to such theoretical works as Jean Baudrillard's Simulacra and Simulation and Roland Barthes's Camera Lucida , allusions to both of which appear in its pages.
Rain Taxi called Olsen's novel "a book about the image of reality," drew connections between it and Edward Albee's play Who's Afraid of Virginia Woolf? , and emphasized its rare investigation into "couples who consciously elect to remain childless," [1] while Paul Petrovic's essay in Extrapolation limns the relationship of Girl Imagined by Chance to Baudrillard's concepts of simulation and reproduction, and Jean-Luc Marion's phenomenology. [2]
Crash is a novel by English author J. G. Ballard, first published in 1973 with cover designed by Bill Botten. It follows a group of car-crash fetishists who become sexually aroused by staging and participating in car accidents, inspired by the famous crashes of celebrities.
Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).
Jean Baudrillard was a French sociologist, philosopher and poet, with interest in cultural studies. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as hyperreality. Baudrillard wrote about diverse subjects, including consumerism, critique of economy, social history, aesthetics, Western foreign policy, and popular culture. Among his most well-known works are Seduction (1978), Simulacra and Simulation (1981), America (1986), and The Gulf War Did Not Take Place (1991). His work is frequently associated with postmodernism and specifically post-structuralism. Nevertheless, Baudrillard had also opposed post-structuralism, and had distanced himself from postmodernism.
Hyperreality is a concept in post-structuralism that refers to the process of the evolution of notions of reality, leading to a cultural state of confusion between signs and symbols invented to stand in for reality, and direct perceptions of consensus reality. Hyperreality is seen as a condition in which, because of the compression of perceptions of reality in culture and media, what is generally regarded as real and what is understood as fiction are seamlessly blended together in experiences so that there is no longer any clear distinction between where one ends and the other begins.
The Gulf War Did Not Take Place is a collection of three short essays by Jean Baudrillard published in the French newspaper Libération and British paper The Guardian between January and March 1991.
Taxi 2 is a 2000 French action comedy film directed by Gérard Krawczyk and released in March 2000. Starring Samy Naceri, Frédéric Diefenthal and Marion Cotillard. It is the second installment in the Taxi film series. It is a sequel to Taxi, written by Luc Besson and directed by Gérard Pirès in 1999. It was followed by Taxi 3 in January 2003.
White Noise is the eighth novel by Don DeLillo, published by Viking Press in 1985. It won the U.S. National Book Award for Fiction.
Simulacra and Simulation is a 1981 philosophical treatise by the philosopher and cultural theorist Jean Baudrillard, in which he seeks to examine the relationships between reality, symbols, and society, in particular the significations and symbolism of culture and media involved in constructing an understanding of shared existence.
Fiction Collective Two (FC2) is an author-run, not-for-profit publisher of avant-garde, experimental fiction supported in part by the University of Utah, the University of Alabama Press, Central Michigan University, Illinois State University, private contributors, arts organizations and foundations, and contest fees.
Jean-Luc Marion is a French philosopher and Roman Catholic theologian. Marion is a former student of Jacques Derrida whose work is informed by patristic and mystical theology, phenomenology, and modern philosophy. Much of his academic work has dealt with Descartes and phenomenologists like Martin Heidegger and Edmund Husserl, but also religion. God Without Being, for example, is concerned predominantly with an analysis of idolatry, a theme strongly linked in Marion's work with love and the gift, which is a concept also explored at length by Derrida.
Lance Olsen is an American writer known for his experimental, lyrical, fragmentary, cross-genre narratives that question the limits of historical knowledge.
Brothers Jean-Pierre Dardenne and Luc Dardenne, collectively referred to as the Dardenne brothers, are a Belgian filmmaking duo. They write, produce, and direct their films together. They also own the production company Les Films du Fleuve.
Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s. Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea.
King Lear is a 1987 film directed by Jean-Luc Godard, an adaptation of William Shakespeare's play in the style of experimental French New Wave cinema. The script was primarily by Peter Sellars and Tom Luddy. It is not a typical cinematic adaptation of Shakespeare's eponymous tragedy, although some lines from the play are used in the film. Only three characters – Lear, Cordelia and Edgar – are common to both, and only Act I, scene 1 is given a conventional cinematic treatment in that two or three people actually engage in relatively meaningful dialogue.
A simulacrum is a representation or imitation of a person or thing. The word was first recorded in the English language in the late 16th century, used to describe a representation, such as a statue or a painting, especially of a god. By the late 19th century, it had gathered a secondary association of inferiority: an image without the substance or qualities of the original. Literary critic Fredric Jameson offers photorealism as an example of artistic simulacrum, in which a painting is created by copying a photograph that is itself a copy of the real thing. Other art forms that play with simulacra include trompe-l'œil, pop art, Italian neorealism, and French New Wave.
Sylvère Lotringer was a French-born literary critic and cultural theorist. Initially based in New York City, he later lived in Los Angeles and Baja California, Mexico. He is best known for synthesizing French theory with American literary, cultural and architectural avant-garde movements as founder of the journal Semiotext(e) and for his interpretations of theory in a 21st-century context. He is regarded as an influential interpreter of Jean Baudrillard's theories, among others.
Welcome to the Desert of the Real is a 2002 book by Slavoj Žižek. A Marxist and Lacanian analysis of the ideological and political responses to the terrorist attacks on September 11, 2001, Zizek's study incorporates various psychoanalytic, postmodernist, biopolitical, and (Christian) universalist influences into a Marxist dialectical framework.
Calendar of Regrets is a postmodern novel by American writer Lance Olsen, published by Fiction Collective Two in 2010.
Head in Flames is a postmodern novel by Lance Olsen, published by Chiasmus Press in 2009.
10:01 is a postmodern novel by Lance Olsen, published in 2005 by Chiasmus Press. The book incorporates multiple micro-narratives written in various styles from the point of view of many different characters as they wait for a movie to begin playing in a theater.
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