Girl in a White Kimono | |
---|---|
Dutch: Meisje in witte kimono | |
Artist | George Hendrik Breitner |
Year | 1894 |
Medium | Oil on canvas |
Subject | Geesje Kwak |
Dimensions | 59 cm× 57 cm(23 in× 22 in) |
Location | Rijksmuseum, Amsterdam |
Girl in a White Kimono (Dutch : Meisje in witte kimono) is an 1894 oil painting by George Hendrik Breitner. [1] The subject of the painting is the sixteen-year-old Geesje Kwak, of whom Breitner made a series of photographs and paintings wearing red and white kimono. [2] The painting was inspired by the style of Japanese prints and is an example of Japonisme. [3] The painting is in the collection of the Rijksmuseum in Amsterdam. [1]
George Hendrik Breitner was a Dutch painter and photographer. An important figure in Amsterdam Impressionism, he is noted especially for his paintings of street scenes and harbours in a realistic style. He painted en plein air, and became interested in photography as a means of documenting street life and atmospheric effects – rainy weather in particular – as reference materials for his paintings.
Japonisme is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872.
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
Wilhelmus "Willem" Hendrikus Petrus Johannes de Zwart was a Dutch painter, engraver, and watercolorist with many connections to the Hague School and later associated with the Amsterdam Impressionism movement.
Isaac Lazarus Israëls was a Dutch painter associated with the Amsterdam Impressionism movement.
Cornelis Johannes Maks, known as Kees Maks, was a Dutch painter born in Amsterdam.
Marie Henrie Mackenzie was a Dutch painter. He was a student of the Art School in Rotterdam and later on of the famous Dutch painter George Hendrik Breitner in Amsterdam.
Amsterdam Impressionism was an art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the School of Allebé.
Dutch art describes the history of visual arts in the Netherlands, after the United Provinces separated from Flanders. Earlier painting in the area is covered in Early Netherlandish painting and Dutch and Flemish Renaissance painting.
Willem Arnoldus Witsen was a Dutch painter and photographer associated with the Amsterdam Impressionism movement.
Maria Elisabeth Georgina Ansingh was a Dutch painter.
Pulchri Studio is a Dutch art society, art institution and art studio based in The Hague ('s-Gravenhage), Netherlands.
August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
George Jan Hendrik (Geo) Poggenbeek (1853–1903) was a 19th-century painter from Amsterdam, the Netherlands who maintained close contact with the Hague School.
Modern Times: Photography in the 20th Century was the first exhibition focussed on artists of the 20th century to be held by the Rijksmuseum in Amsterdam. The show, whose title is also Modern Times in Dutch and which ran from November 2014 to January 2015, was also the first exhibition to be held in the re-opened Philips Wing, a part of the museum that was remodeled to host temporary exhibitions. It was the museum's second photography exhibition after its successful A new art: Photography in the 19th century, held in 1996.
The Singel Bridge at the Paleisstraat in Amsterdam is an oil painting made by George Hendrik Breitner in 1896 or 1898. The painting shows people walking on the Singel Bridge at the Paleisstraat in Amsterdam. The work is oil on canvas of 100 cm (39 in) by 152 cm (60 in). The painting is in the collection of the Rijksmuseum in Amsterdam.
Willink van Collenprijs is a former Dutch art award, which was awarded for the first time in 1880 by the Sociëteit Arti et Amicitiae. It was intended as an encouragement award for young artists, and was considered as a national counterpart to the Paris Salon. Its existence of more than 71 years proves the success of Amsterdam's art policy. For many of its winners, it was a valuable boost to their careers in the Dutch art world. Some of the prize winners were also recognized abroad and remain well known today.
Jan Voerman, also known as Jan Voerman Sr., was a Dutch painter.
The Lauriergracht is one of the canals of Amsterdam, located in the Jordaan, west of the Grachtengordel.
Geesje Kwak was a model of the painter and photographer George Breitner. She became known for the series of seven paintings that Breitner made of her in 1893 and 1894 as the girl in a red and white kimono lying on a sofa and standing in front of a mirror in an oriental interior.