L'Atalante, also released as Le Chaland qui passe, is a 1934 French film written and directed by Jean Vigo, and starring Jean Dasté, Dita Parlo and Michel Simon.
The Godless Girl is a 1928 American sound part-talkie dramatic directed by Cecil B. DeMille. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system. The cast features Lina Basquette, Marie Prevost, Tom Keene, and Noah Beery.
Abie's Irish Rose is a 1928 early sound (part-talkie) film directed by Victor Fleming and starring Charles "Buddy" Rogers, Nancy Carroll, Jean Hersholt, and J. Farrell MacDonald. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film based on the 1922 play Abie's Irish Rose by Anne Nichols. The film was later remade in 1946. In the 1930s, author Nichols revealed that her deal with Paramount brought her $300,000 plus half the film's profits.
Sally O'Neil was an American film actress of the 1920s. She appeared in more than 40 films, often with her name above the title.
Sol Lesser was an American film producer. He received a star on the Hollywood Walk of Fame in 1960 and was awarded the Jean Hersholt Humanitarian Award in 1961.
Hold Everything is a 1930 American pre-Code film. This musical comedy film was photographed entirely in early two-color Technicolor. The first all Technicolor musical comedy film was "On With the Show" in 1929. "Hold Everything" was adapted from the DeSylva-Brown-Henderson Broadway musical of the same name that had served as a vehicle for Bert Lahr and starred Winnie Lightner and Joe E. Brown as the comedy duo. The romantic subplot was played by Georges Carpentier and Sally O'Neil. Only three songs from the stage show remained: "You're the Cream in My Coffee", "To Know You Is To Love You", and "Don't Hold Everything". New songs were written for the film by Al Dubin and Joe Burke, including one that became a hit in 1930: "When The Little Red Roses Get The Blues For You". The songs in the film were played by Abe Lyman and his orchestra.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Heidi is a 1937 American musical drama film directed by Allan Dwan and written by Julien Josephson and Walter Ferris, loosely based on Johanna Spyri's 1880 children's book of the same name. The film stars Shirley Temple as the titular orphan, who is taken from her grandfather to live as a companion to Klara, a spoiled, disabled girl. It was a success and Temple enjoyed her third consecutive year as number one box office draw.
Sally, Irene, and Mary is a 1925 American silent comedy drama film starring Constance Bennett, Sally O'Neil, and Joan Crawford. It is based on the 1922 play of the same name by Eddie Dowling and Cyrus Woods and takes a behind-the-scenes look at the romantic lives of three chorus girls and the way their preferences in men affect their lives. The play was adapted again in 1938, again titled Sally, Irene, and Mary and directed by William A. Seiter. That version stars Alice Faye, Joan Davis, and Marjorie Weaver in the title roles, and co-starred Tony Martin, Fred Allen, and Jimmy Durante.
Are You Listening? is a 1932 American pre-Code drama film directed by Harry Beaumont and starring William Haines, Madge Evans and Anita Page. It was based on the novel of the same name by J. P. McEvoy, published the same year.
The Battle of the Sexes is a 1928 American synchronized sound comedy film directed by D. W. Griffith. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using both the sound-on-disc and sound-on-film process. The film starred Jean Hersholt, Phyllis Haver, Belle Bennett, Don Alvarado, and Sally O'Neil. It was released by United Artists. The film was a remake by Griffith of an earlier film he directed in 1914, which starred Lillian Gish. Both films are based on the novel The Single Standard by Daniel Carson Goodman; the story was adapted for this production by Gerrit J. Lloyd.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Broadway Scandals is a 1929 American Pre-Code musical film.
The Vagabond Lover is a 1929 American pre-Code black-and-white musical comedy-drama film about a small-town boy who finds fame and romance when he joins a dance band. The film was directed by Marshall Neilan and is based on the novel of the same name written by James Ashmore Creelman, who also wrote the screenplay. It stars Rudy Vallee, in his first feature film, along with Sally Blane, Marie Dressler and Charles Sellon.
The Younger Generation is a 1929 sound part-talkie American drama film directed by Frank Capra and starring Ricardo Cortez. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was produced by Jack Cohn for Columbia Pictures. It was Capra's first sound film. The screenplay was adapted from a 1927 Fannie Hurst play, It Is to Laugh.
Torment is a 1924 American silent crime drama film produced and directed by Maurice Tourneur and distributed by Associated First National. This film stars Bessie Love, Owen Moore, and Jean Hersholt. The film is based on a story by William Dudley Pelley with script by Fred Myton and titles by Marion Fairfax. It is a lost film.
Alias the Deacon is a 1927 American silent drama film directed by Edward Sloman and starring Jean Hersholt, June Marlowe, and Ralph Graves. It was produced and released by Universal Pictures. Based on a stage play of the same name, it was directed by Edward Sloman and is preserved at the Library of Congress Packard Campus for Audio-Visual Conservation. It was remade as the sound film Alias the Deacon in 1940.
Give and Take is a 1928 American sound part-talkie comedy film directed by William Beaudine. It was Universal's second sound film.
Girl of the Port is a 1930 pre-Code melodramatic adventure/romance American film directed by Bert Glennon. The screenplay was written by Beulah Marie Dix and Frank Reicher based on the short story "The Fire-walker" by John Russell. The film stars Sally O'Neil, Reginald Sharland, Mitchell Lewis and Duke Kahanamoku.
Modern Love is a 1929 American sound part-talkie comedy film directed by Arch Heath and written by Albert DeMond and Beatrice Van. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film stars Charley Chase, Kathryn Crawford, Jean Hersholt, Edward Martindel, Anita Garvin and Betty Montgomery. The film was released on July 21, 1929, by Universal Pictures.
