Leonardo Giustiniani (1388–1446), brother of the preceding, was for some years a senator of Venice, and in 1443 was chosen procurator of St. Mark. He translated into ItalianPlutarch's Lives of Cinna and Lucullus, and was the author of some poetical pieces, amatory and religious strambotti and canzonettas as well as of rhetorical prose compositions. Some of the popular songs set to music by him became known as giustiniani.[3]
Bernardo Giustiniani (1408–1489), son of Leonardo, was a pupil of Guarino and George of Trebizond, and entered the Venetian senate at an early age. He served on several important diplomatic missions both to France and Rome, and about 1485 became one of the Council of Ten. His orations and letters were published in 1492; but his title to any measure of fame he possesses rests upon his history of Venice, De origine urbis Venetiarum rebusque ab ipsa gestis historia (1492), which was translated into Italian by Domenichi in 1545, and which at the time of its appearance was undoubtedly the best work on that subject. It is to be found in vol. 1 of the Thesaurus of Graevius.[3]
Pietro Giustiniani, also a senator, lived in the 16th century, and wrote on Historia rerum Venetarum in continuation of that of Bernardo. He was also the author of chronicles De gestis Petri Mocenigi and De bello Venetorum cum Carolo VIII. The latter has been reprinted in the Scriptores rerum Italicarum, vol. xxi.[3]
Marcantonio Giustinian (1619-1688), 107th Doge of Venice, from January 26, 1684 until his death. Son of Pietro Giustinian.
The Venetian branches of the Giustiniani family are extinct. The family name and arms have been assumed by Baron Girolamo de Massa (1946) and his sons, Sebastiano, Andrea, Nicolò, Pio, Giorgio and Lorenzo, and their descendants, by testamentary disposition of the mother, Elisabetta Giustiniani (Giulio Giustiniani of St. Barnabas's daughter, sister of Maria Giustiniani married Vettor Giusti del Giardino and of Sebastiano Giustiniani, both without descendants).[3]
In Genoa
Coat of arms of the Giustiniani of Genoa
Of the Genoese branch of the family the most prominent members were the following:
Giovanni Giustiniani (died 1453), a Genoese condottiero, who personally financed and led 700 men to the defense of Constantinople against the final Ottoman siege of 1453. Gravely wounded in the hand and chest during the fall of the city, he died a few days later on the island of Chios.
Paolo Giustiniani, from Moneglia (1444–1502), a member of the order of Dominicans, was, from a comparatively early age, prior of their convent at Genoa. As a preacher he was very successful, and his talents were fully recognized by successive popes, by whom he was made master of the sacred palace, inquisitor-general for all the Genoese dominions, and ultimately bishop of Skios and legate in Hungary. He was the author of a number of Biblical commentaries (no longer extant), which are said to have been characterized by great erudition.[3]
Paolo Giustiniani (1476-1528) was trained as a lawyer then chose to become a monk in the Camaldolese order. He felt called to a more primitive and eremitical way of life, as it was followed in the early period of that order. He formed communities which followed the original way of life as established by its founder, St. Romuald. The monks who followed him were organized into the Company of Hermits of St. Romuald, which was eventually accepted as an authentic expression of the order by the monks based at the original motherhouse. Finally, in 1523, the full order voted to recognize the followers of Guistiniani as a separate congregation within the tradition of the order. They took the title of Monte Corona, which was established as their own motherhouse.
Pompeo Giustiniani (1569–1616), a native of Corsica, who served in the Low Countries under Alessandro Farnese and Ambrogio Spinola, 1st Marquis of the Balbases, where he lost an arm, and, from the artificial substitute which he wore, came to be known by the sobriquet Bras de Fer. He also defended Crete against the Turks; and subsequently was killed in a reconnaissance in Friuli. He left in Italian a personal narrative of the war in Flanders, which has been repeatedly published in a Latin translation (Bellum Belgicum, Antwerp, 1609).[3]
Geronimo Giustiniani, a Genoese, flourished during the latter half of the 16th century. He translated the Alcestis of Euripides and three of the plays of Sophocles; and wrote two original tragedies, Jephte and Christo in Passione.[3]
Vincenzo Giustiniani, who in the beginning of the 17th century built the Roman Palazzo Giustiniani and made the art collection known by his name and published as Galleria Giustiniana (Rome, 1631). The collection was removed in 1807 to Paris, where it was to some extent broken up.[3] In an 1808 Paris auction Russian Emperor Alexandre I, through his personal art advisor Valily Rudanovsky, purchased The Lute Player, one of the most famous paintings by Caravaggio. The acquisition was facilitated by Dominique Vivant Denon.[citation needed] In 1815 all that remained of the collection, about 170 pictures, was purchased by the king of Prussia and removed to Berlin, where it is conserved in the Berlin museums.[3]
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
