Give Me Take You | ||||
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Studio album by | ||||
Released | July 1968 | |||
Genre | ||||
Length | 41:24 | |||
Label | Immediate | |||
Producer | Andrew Loog Oldham | |||
Duncan Browne chronology | ||||
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Give Me Take You is the debut studio album by English singer-songwriter and musician Duncan Browne. It was released in 1968 through Andrew Loog Oldham's Immediate Records. On the record, Browne employs a folk music sound that is informed by rock, pop, and classical elements, with baroque-inspired arrangements. [2] [3] The album spawned the single, "On the Bombsite," which failed to chart. [2]
Prior to his solo career, Browne was a member of the folk rock band Lorel, which was signed to Immediate Records. After their single, "A Whiter Shade of Pale", was rejected by the label, the band dissolved. Andrew Oldham, who was impressed by Browne's arrangement work for other Immediate Records acts, wanted a solo album from him. David Bretton served as a lyricist for the record and the two composed a dozen songs together. [3]
The album's commercial failure coincided with Immediate Records' financial collapse. Following the company's collapse in 1970, Browne was presented with a bill for 2,000 pounds to cover the recording cost of the album. As with most of the Immediate library, the master tapes to Browne's work for the record are considered as lost. [3]
The record was reissued mid-'70s on the Canadian-based Daffodil label. [3] In 1991, Sony Music Special Products issued a CD edition that was mastered from three different vinyl sources, due to lost master tapes. Castle Records reissued the CD for the first time in the United Kingdom, with five bonus tracks. In 2009, Grapefruit Records released an expanded reissue, containing rehearsal recordings, demos, and an unfinished track. [2]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Despite its commercial failure, the album was received positively and gained attention, particularly from musicians from the respective music scenes at the time of its release.[ clarification needed ] The Village Voice critic Richard Goldstein described the record as an example of "Pre-Raphaelite Rock." [3] Billboard magazine regarded the record and its lyrics as auspicious and notable, respectively. [4] Over the decades following its release, the album drew comparisons to the works of Paul McCartney, the Moody Blues, Van Morrison and Nick Drake. [2] [3]
In a retrospective review, AllMusic critic Bryan Thomas described the record as "one wonderfully tender album". [2]
All tracks are written by Duncan Browne and David Bretton.
Album personnel as adapted from album liner notes. [5]
Immediate Records was a British record label, started in 1965 by The Rolling Stones' manager Andrew Loog Oldham and Tony Calder, and concentrating on the London-based blues and R&B scene.
Andrew Loog Oldham is an English record producer, talent manager, impresario and author. He was manager and producer of the Rolling Stones from 1963 to 1967, and was noted for his flamboyant style.
Small Faces is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden. As a result of the switch of label and management, Decca and Arden released an outtakes compilation album, From the Beginning in early June 1967 in order to sabotage the chart success of the Immediate Small Faces release - something that it managed to do to some extent when From the Beginning reached number 17 in the UK charts. The Immediate album shares its name with their 1966 Decca debut album, which has led to some confusion regarding the titles. As a result of this, it has been unofficially dubbed The First Immediate Album by several fans.
Between the Buttons is the fifth British and seventh American studio album by the English rock band the Rolling Stones, released on 20 January 1967 in the UK and on 11 February in the US as the follow-up to Aftermath. It reflected the Stones' brief foray into psychedelia and baroque pop balladry during the era. It is among the band's most musically eclectic works; multi-instrumentalist Brian Jones abandoned his guitar on much of the album, instead playing a wide variety of other instruments including organ, marimba, vibraphone, and kazoo. Piano contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor Jack Nitzsche. It would be the last album produced by Andrew Loog Oldham, who had to this point acted as the band's manager and produced all of their albums.
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The Rolling Stones is the debut studio album by the English rock band of the same name, released by Decca Records in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled England's Newest Hit Makers, which later became its official title.
Got Live If You Want It! is an album of mostly live recordings by the English rock band the Rolling Stones. It was released on 3 December 1966 by London Records in the United States. With its release, the label attempted to fill a marketing gap between the Stones' studio albums and capitalise on their popularity in the US market, which was heightened that year by a famously successful North American concert tour supporting their hit album Aftermath (1966).
Five by Five is the second EP by The Rolling Stones and was released in 1964. Captured during a prolific spurt of recording activity at Chess Studios in Chicago that June, Five by Five was released that August in the UK shortly after their debut album, The Rolling Stones, had appeared. The title of Five by Five is a play on words—five tracks recorded by the five members of the band.
More Hot Rocks is a compilation album by the Rolling Stones released in December 1972 on London Records. The album was a follow-up to the successful Hot Rocks 1964–1971.
Singles Collection: The London Years is a compilation album by the Rolling Stones, released in 1989. It was released as a 3-CD and a 4-LP set.
Just Another Diamond Day is the debut album by the English folk singer-songwriter Vashti Bunyan, and was released on Philips Records in December 1970. Much of the album is a musical reflection on Bunyan and travelling partner Robert Lewis's experiences while travelling by horse and wagon through Scotland in 1968. It highlighted Bunyan's vocals with minimal instrumental accompaniment that was arranged by contemporary musical artists supervised under record producer Joe Boyd.
"As Tears Go By" is a song written by Mick Jagger, Keith Richards, and Rolling Stones' manager Andrew Loog Oldham. Marianne Faithfull recorded and released it as a single in the United Kingdom in 1964. Her song peaked at number nine on both the UK and Irish singles charts. Later, the Rolling Stones recorded their own version, which was included on the American album December's Children . London Records released it as a single, which reached number six in the Billboard Hot 100 singles chart.
Duncan John Browne was an English singer-songwriter and musician. He is most remembered for his moderate hit single "Journey," which peaked at No. 23 in the U.K in 1972, and its corresponding 1973 album Duncan Browne, which has since garnered a cult status among fans of 1970s folk rock.
Would You Believe is an album by Billy Nicholls released in 1968.
The Art of Chris Farlowe is the third 1966 album by British singer Chris Farlowe, featuring his band the Thunderbirds, but only credited to him.
Twice as Much was a British musical duo, composed of Dave Skinner and Andrew Rose, harmony singers who wrote much of their own material.
From the Beginning is the first compilation album by the English rock band Small Faces. It was released by Decca Records of group material after the band had left the record label; it consisted of the band's Decca hit singles combined with various unreleased recordings. The album rose to Number 17 in the UK Album Chart.
The Apostolic Intervention were a British rock band in the mid-1960s, who are best known for their 1967 single "(Tell Me) Have You Ever Seen Me?".
Duncan Browne is the self-titled second studio album by English singer-songwriter and musician Duncan Browne, released in 1973 through Mickie Most's Rak Records. Stylistically, the album is a continuation of Browne's folk-indebted debut album, Give Me Take You (1968), and features progressive rock and electronic music elements.
"(Tell Me) Have You Ever Seen Me?" is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently had a working title of "Mystery" in 1966. Initially planned as the Small Faces debut single on Immediate in mid-1967, it was shelved due to threats from Decca.