Joseph Elmer Yoakum was an American self-taught painter. He was of African-American and possibly of Native American–descent, and was known for his landscape paintings in the outsider art-style. He was age 76 when he started to record his memories in the form of imaginary landscapes and produced over 2,000 drawings during the last decade of his life.
The Hyde Park Art Center (HPAC) is a visual arts organization and the oldest alternative exhibition space in the city of Chicago. Since 2006, HPAC has been located just north of Hyde Park Boulevard, at 5020 S.Cornell Avenue, in the Kenwood neighborhood of Chicago, Illinois.
The Ukrainian Institute of Modern Art (UIMA) (Ukrainian: Український Інститут Модерного Мистецтва (Ukrayinskyi Instytut Modernoho Mystetstva)) is a modern art museum serving the Chicago area with an ongoing program of cultural exhibitions, literary events, film screenings, and music recitals. UIMA was founded in 1971 by Dr. Achilles Chreptowsky, Konstantin Milonadis and Mychajlo Urban in the heart of Chicago's Ukrainian Village, Chicago. It is a core member of the Chicago Cultural Alliance, a consortium of 25 ethnic museums and cultural centres in Chicago.
Karl Wirsum was an American artist. He was a member of the Chicago artistic group The Hairy Who, and helped set the foundation for Chicago's art scene in the 1970s. Although he was primarily a painter, he also worked with prints, sculpture, and even digital art.
Roger Brown was an American artist and painter. Often associated with the Chicago Imagist groups, he was internationally known for his distinctive painting style and shrewd social commentaries on politics, religion, and art.
Arthur Green was one of the original Hairy Who members from Chicago, a group of students from the School of the Art Institute of Chicago who exhibited together in the 1960s and 1970s and made representational art with a slight surrealist touch. He was also a member of the University of Waterloo's faculty for over 30 years. His painting style mixes pop-art motifs with surrealist tendencies. His upbringing in Chicago and its vicinity may have influenced him, from the accessibility of the Art Institute of Chicago to the architecture of Louis Sullivan, but he also may have been influenced by advertisements from the 1940s and 1950s that had undertones of sexuality. His paintings drew from American popular imagery, but complicated it, often using the full spectrum of vibrant colors and combining trompe l'oeil effects to play with the viewer's sense of balance.
James T. Nutt is an American artist who was a founding member of the Chicago surrealist art movement known as the Chicago Imagists, or the Hairy Who. Though his work is inspired by the same pop culture that inspired Pop Art, journalist Web Behrens says Nutt's "paintings, particularly his later works, are more accomplished than those of the more celebrated Andy Warhol and Roy Lichtenstein." According to Museum of Contemporary Art curator Lynne Warren, Nutt is "the premier artist of his generation". Nutt attended the School of the Art Institute of Chicago, in Chicago, Illinois. He is married to fellow-artist and Hairy Who member Gladys Nilsson.
The Chicago Imagists are a group of representational artists associated with the School of the Art Institute of Chicago who exhibited at the Hyde Park Art Center in the late 1960s.
Visual arts of Chicago refers to paintings, prints, illustrations, textile art, sculpture, ceramics and other visual artworks produced in Chicago or by people with a connection to Chicago. Since World War II, Chicago visual art has had a strong individualistic streak, little influenced by outside fashions. "One of the unique characteristics of Chicago," said Pennsylvania Academy of Fine Arts curator Bob Cozzolino, "is there's always been a very pronounced effort to not be derivative, to not follow the status quo." The Chicago art world has been described as having "a stubborn sense ... of tolerant pluralism." However, Chicago's art scene is "critically neglected." Critic Andrew Patner has said, "Chicago's commitment to figurative painting, dating back to the post-War period, has often put it at odds with New York critics and dealers." It is argued that Chicago art is rarely found in Chicago museums; some of the most remarkable Chicago artworks are found in other cities.
Suellen Rocca was an American artist, one of the original Chicago Imagists, a group in the 1960s and 1970s who turned to representational art. She exhibited with them at the Hyde Park Art Center from 1966 through 1969. She was curator of the art collection and director of exhibitions at Elmhurst College.
Culture Coast Chicago is a collection of artistically vibrant neighborhoods on the South Side of Chicago, Illinois, United States. Known for its high concentration of museums, music and theater ensembles, performance venues, cultural nonprofits, and arts education opportunities, the region spans from just south of McCormick Place to the South Shore Cultural Center and is bordered by Lake Michigan to the east and the Dan Ryan Expressway to the west.
Mary Heilmann is an American painter based in New York City and Bridgehampton, NY. She has had solo shows and travelling exhibitions at galleries such as 303 Gallery and Hauser & Wirth (Zurich) and museums including the Wexner Center for the Arts and the New Museum. Heilmann has been cited by many younger artists, particularly women, as an influential figure.
Sabina Ott was an American artist known for her broad range of work—from painting to installation to sculpture—and her central role in the art world as teacher, administrator, and recently, as the founder of the exhibition space Terrain, which invites artists to create installations and performances using the exterior of her Oak Park home.
Christina Ramberg was an American painter associated with the Chicago Imagists, a group of representational artists who attended the School of the Art Institute of Chicago in the late 1960s. The Imagists took their cues from Surrealism, Pop, and West Coast underground comic illustration, and were "enchanted with the abject status of sex in post-war America, particularly as writ on the female form." Ramberg is best known for her depictions of partial female bodies forced into submission by undergarments and imagined in odd, erotic predicaments.
Maureen Gallace is an American painter based in New York City. She has exhibited extensively internationally, including solo exhibitions at MoMA PS1, La Conservera, Spain, the Art Institute of Chicago, and Dallas Museum of Art. Gallace's work was included in the 2010 Whitney Biennial.
Candida Alvarez is an American artist and professor, known for her paintings and drawings.
Richard Wetzel is an American artist. He is best known for his oil paintings but also has exhibited collages and sculpture. In 1969 and 1970, Wetzel exhibited with the Chicago Imagists, a grouping of Chicago artists who were ascendant in the late 1960s and early 1970s.
Margaret Wharton (1943-2014) was an American artist, known for her sculptures of deconstructed chairs. She deconstructed, reconstructed and reimagined everyday objects to make works of art that could be whimsical, witty or simply thought-provoking in reflecting her vision of the world.
Don Baum was an American curator, artist and educator, most known as a key impresario and promoter of the Chicago Imagists, a group of artists that had an enduring impact on American art in the later twentieth century. Described by the Museum of Contemporary Art, Chicago (MCA) as "an indispensable curator of the Chicago school," Baum was known for lively and irreverent exhibitions that offered fresh perspectives combining elements of Surrealism and Pop and that broke down barriers between schooled and untrained, or so-called outsider artists. From 1956 to 1972, Baum was exhibitions director at Chicago's Hyde Park Art Center. It was there, in the 1960s, that he became involved with a group of young artists he exhibited as "Hairy Who" that later expanded to become the Chicago Imagists. That group included Ed Paschke, Jim Nutt, Roger Brown, Gladys Nilsson, and Karl Wirsum. Baum mounted two major shows at the MCA that featured the emerging artists in their first museum exhibitions: "Don Baum Sez: 'Chicago Needs Famous Artists'" (1969) and "Made in Chicago" (1973), which shaped a vision of Chicago's art world as a place of meticulous craftsmanship and vernacular inspiration.
Phyllis Barbara Kind was an American art dealer active in Chicago and New York. She promoted the work of the Chicago Imagists and outsider artists.
