| Gods of Chaos | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | November 17, 1998 | |||
| Recorded | August 19, 1996 | |||
| Genre | Noise rock | |||
| Length | 45:44 | |||
| Label | Skin Graft | |||
| The Flying Luttenbachers chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Gods of Chaos is the fourth album by The Flying Luttenbachers, released on November 17, 1998 through Skin Graft Records. [2]
| No. | Title | Length |
|---|---|---|
| 1. | "The Pointed Stick Variations" | 10:38 |
| 2. | "Stream of Needles" | 10:04 |
| 3. | "The Floatation Method" | 4:00 |
| 4. | "Alien Autopsy" | 3:27 |
| 5. | "The Sun Is Bleeding" | 13:02 |
| 6. | "Cryptosporidium" | 4:42 |
Weasel Walter is an American composer, improviser, multi-instrumentalist, producer, and founder of ugEXPLODE Records. Walter's work has been informed by techniques and traditions of music including Avant-garde, experimental, no wave, free jazz, extreme metal, punk jazz, hardcore punk, noise, new music and free improvisation. He coined the term "brutal prog" to describe the aggressively dissonant strain of prog played by groups like his band The Flying Luttenbachers.
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"Cellular Chaos, black sheep of Brooklyn’s DIY noise-punk underground, have trudged on through myriad iterations, losing bassists at a furious clip and trading in drummers for drum machines while going label-less for a bulk of their lifespan. Still, these provocateurs have managed to churn out their gnarly and sweaty mishmash of glam raunch, rock histrionics and no wave noise-fuckery with a take-no-prisoners attitude.
Despite the roadblocks, Flying Luttenbachers mastermind Weasel Walter and vocalist Admiral Grey, the two constants of Cellular Chaos since its inception a half decade or so ago, have persevered, shoring up their lineup recently with drummer Rad Chaines and signing on with noise-rock institution Skin Graft Records.
That union has yielded fruit in the form of their Skin Graft debut, Diamond Teeth Clenched, a scorched-earth statement propelled by animalistic wailing, neck-snapping guitar blowouts and a rhythm section to die for."
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