Goin' Down Home | ||||
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Studio album by Don Patterson | ||||
Released | 1966 | |||
Recorded | January 22, 1963 Ter Mar Recording Studios, Chicago, Illinois | |||
Genre | Jazz | |||
Label | Cadet LP-787 | |||
Producer | Esmond Edwards | |||
Don Patterson chronology | ||||
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Goin' Down Home is an album by organist Don Patterson recorded in Chicago in 1963 and released on the Cadet label in 1966. [1] Although it is the earliest recordings led by Patterson it as not released until after he had produced several albums for Prestige Records.
Don Patterson was an American jazz organist.
Cadet Records was an American record label that began as Argo Records in 1955 as the jazz subsidiary of Chess Records. Argo changed its name in 1965 to Cadet to avoid confusion with the similarly named label in the UK. Cadet stopped releasing records around 1974, when its artists were moved to Chess.
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them under subsidiaries. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Allmusic awarded the album 4 stars stating simply "Includes the Nat Adderley tune "Worksong". [2]
All compositions by Sonny Stitt except as indicated
The Hammond organ is an electric organ, invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Various models have been produced, most of which use sliding drawbars to specify a variety of sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier so it can drive a speaker cabinet. Around two million Hammond organs have been manufactured. The organ is commonly used with, and associated with, the Leslie speaker.
The guitar is a fretted musical instrument that usually has six strings. It is typically played with both hands by strumming or plucking the strings with either a guitar pick or the finger(s)/fingernails of one hand, while simultaneously fretting with the fingers of the other hand. The sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker.
Why Am I Treated So Bad! is a live album by the Cannonball Adderley Quintet, recorded at the Capitol studios in Los Angeles in 1967.
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Julian "Cannonball" Adderley is the second album by jazz saxophonist Cannonball Adderley, and his first released on the EmArcy label, featuring an octet with Nat Adderley, Jerome Richardson, Cecil Payne, John Williams, Paul Chambers, Jimmy Cleveland or J. J. Johnson, and Kenny Clarke or Max Roach arranged by Quincy Jones.
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The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1971 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. After many years of being out of print, The Black Messiah was reissued in 2014 by Real Gone Music; the new 2CD reissue included liner notes by music journalist/blogger Bill Kopp.
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Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
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The Exciting New Organ of Don Patterson is the debut album by organist Don Patterson recorded in 1964 and released on the Prestige label.
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