Goin' Down Home

Last updated
Goin' Down Home
Goin' Down Home.jpg
Studio album by Don Patterson
Released 1966
Recorded January 22, 1963
Ter Mar Recording Studios, Chicago, Illinois
Genre Jazz
Label Cadet
LP-787
Producer Esmond Edwards
Don Patterson chronology
Goin' Down Home'
(1963)
Shangri-La
(1964) Shangri-La1964

Goin' Down Home is an album by organist Don Patterson recorded in Chicago in 1963 and released on the Cadet label in 1966. [1] Although it is the earliest recordings led by Patterson it as not released until after he had produced several albums for Prestige Records.

Don Patterson was an American jazz organist.

Cadet Records was an American record label that began as Argo Records in 1955 as the jazz subsidiary of Chess Records. Argo changed its name in 1965 to Cadet to avoid confusion with the similarly named label in the UK. Cadet stopped releasing records around 1974, when its artists were moved to Chess.

Prestige Records American jazz record label

Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them under subsidiaries. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.

Contents

Reception

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [2]

Allmusic awarded the album 4 stars stating simply "Includes the Nat Adderley tune "Worksong". [2]

Track listing

All compositions by Sonny Stitt except as indicated

  1. "Little Duck" - 4:25
  2. "John Brown's Body" (Traditional) - 4:58
  3. "I'm Just a Lucky So-and-So" (Duke Ellington) - 4:35
  4. "Frankie Mc" (Paul Weedon) - 3:54
  5. "It's Magic" - 5:04
  6. "Goin' Down Home" - 4:17
  7. "Trick Bag" (Weedon) - 5:43
  8. "1197 Fair" - 4:49
  9. "Work Song" (Nat Adderley) - 5:07

Personnel

Hammond organ electric organ

The Hammond organ is an electric organ, invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Various models have been produced, most of which use sliding drawbars to specify a variety of sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier so it can drive a speaker cabinet. Around two million Hammond organs have been manufactured. The organ is commonly used with, and associated with, the Leslie speaker.

Guitar fretted string instrument

The guitar is a fretted musical instrument that usually has six strings. It is typically played with both hands by strumming or plucking the strings with either a guitar pick or the finger(s)/fingernails of one hand, while simultaneously fretting with the fingers of the other hand. The sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker.

Related Research Articles

<i>Why Am I Treated So Bad!</i> 1967 live album by The Cannonball Adderley Quintet

Why Am I Treated So Bad! is a live album by the Cannonball Adderley Quintet, recorded at the Capitol studios in Los Angeles in 1967.

<i>Presenting Cannonball Adderley</i> 1955 studio album by Cannonball Adderley

Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. The CD release included bonus tracks of alternate takes of tracks from Adderley's recording debut originally released as Kenny Clarke's Bohemia After Dark (1955).

<i>Julian "Cannonball" Adderley</i> (album) 1955 studio album by Cannonball Adderley

Julian "Cannonball" Adderley is the second album by jazz saxophonist Cannonball Adderley, and his first released on the EmArcy label, featuring an octet with Nat Adderley, Jerome Richardson, Cecil Payne, John Williams, Paul Chambers, Jimmy Cleveland or J. J. Johnson, and Kenny Clarke or Max Roach arranged by Quincy Jones.

<i>In the Land of Hi-Fi with Julian Cannonball Adderley</i> 1956 studio album by Cannonball Adderley

In the Land of Hi-Fi with Julian Cannonball Adderley is the fourth album by jazz saxophonist Cannonball Adderley, and his third released on the EmArcy label, featuring a big band with Nat Adderley, Jerome Richardson, Ernie Royal, Bobby Byrne, Jimmy Cleveland, Danny Bank, Junior Mance, Keter Betts, and Charles "Specs" Wright.

<i>Cannonball Enroute</i> album by Cannonball Adderley

Cannonball Enroute is an album by the jazz saxophonist Cannonball Adderley, released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. The album was recorded in 1957 but would only be released in 1961.

<i>Discoveries</i> (Cannonball Adderley album) compilation album by Cannonball Adderley

Discoveries is a compilation album by jazz saxophonist Cannonball Adderley released on the Savoy label featuring alternate takes of tracks from Adderley's recording debut originally released as Kenny Clarke's Bohemia After Dark (1955) and his first album Presenting Cannonball Adderley (1955) performed by a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke and a septet with Donald Byrd and Jerome Richardson added and Horace Silver replacing Jones.

<i>Live Session!</i> 1964 live album by Cannonball Adderley & Ernie Andrews

Live Session! is a live album by jazz saxophonist Cannonball Adderley recorded at Memory Lane, Los Angeles in 1962 and the Lighthouse, Hermosa Beach in 1964 and released on the Capitol label featuring performances by Adderley with Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes and vocalist Ernie Andrews.

<i>The Price You Got to Pay to Be Free</i> 1970 live album by Cannonball Adderley

The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to turn the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley, Jr. who penned and performed the gospel-influenced protest title song.

<i>African Waltz</i> 1961 studio album by Cannonball Adderley

African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.

<i>The Black Messiah</i> live album by Cannonball Adderley

The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1971 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. After many years of being out of print, The Black Messiah was reissued in 2014 by Real Gone Music; the new 2CD reissue included liner notes by music journalist/blogger Bill Kopp.

<i>Introducing Nat Adderley</i> 1955 studio album by Nat Adderley

Introducing Nat Adderley is an album by jazz cornetist Nat Adderley first released on the Wing label featuring performances by Adderley and his brother Julian "Cannonball" Adderley, Horace Silver, Paul Chambers, and Roy Haynes. The album was later released on the Emarcy label and also rereleased on the Limelight label as Them Adderleys

<i>Naturally!</i> album by Nat Adderley

Naturally! is an album by jazz cornetist Nat Adderley released on the Jazzland label featuring performances by Adderley with two separate groups, the first featuring Joe Zawinul, Sam Jones, and Louis Hayes, and the second with Wynton Kelly, Paul Chambers, and Philly Joe Jones.

<i>Calling Out Loud</i> album by Nat Adderley

Calling Out Loud is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Leo Morris and with brass and woodwinds arranged and conducted by Bill Fischer.

<i>Big Bags</i> album by Milt Jackson

Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.

<i>The Soul Society</i> album by Sam Jones

The Soul Society is the debut album by bassist and cellist Sam Jones featuring performances recorded in early 1960 and originally released on the Riverside label.

<i>The Thumper</i> album by Jimmy Heath

The Thumper is the debut album by saxophonist Jimmy Heath featuring performances recorded in 1959 originally released on the Riverside label.

<i>Black Vibrations</i> album by Sonny Stitt

Black Vibrations is an album by saxophonist Sonny Stitt recorded in 1971 and released on the Prestige label.

<i>The Exciting New Organ of Don Patterson</i> album by Don Patterson

The Exciting New Organ of Don Patterson is the debut album by organist Don Patterson recorded in 1964 and released on the Prestige label.

<i>Pattersons People</i> album by Don Patterson

Patterson's People is an album by organist Don Patterson recorded in 1964 and released on the Prestige label.

<i>Satisfaction!</i> album by Don Patterson

Satisfaction! is an album by organist Don Patterson recorded in 1965 and released on the Prestige label.

References

  1. Edwards, D. & Callahan, M. Cadet Album Discography (1965-1971) accessed March 22, 2013
  2. 1 2 Erlewine, M. Allmusic Review, accessed March 22, 2013