Gold und Liebe | ||||
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Studio album by | ||||
Released | 1981 | |||
Recorded | August–September 1981 | |||
Studio | Conny Plank's Studio, Neunkirchen, Germany | |||
Genre | Electropunk | |||
Length | 35:38 | |||
Label | Virgin | |||
Producer | Conny Plank | |||
Deutsch Amerikanische Freundschaft chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Gold und Liebe (Gold and Love) is the fourth album by Deutsch Amerikanische Freundschaft, released on Virgin Records in 1981. It was produced by Conny Plank.
The album was in the German charts for 21 weeks, peaking at No. 35, and the Austrian charts for 10 weeks, peaking at No. 4. [2]
The album was reissued on Mute Records in 1998.
In 2007 the album was included in The Guardian list 1000 Albums to Hear Before You Die. [3]
The AllMusic Guide to Electronica describes the album as "a touch less powerful than on Alles " and not as immediately varied. [4] Trouser Press, contrastingly, considers that the album "perfects the advances of Alles ist gut". [5] Simon Reynolds, in Rip It Up and Start Again: Postpunk 1978–1984 , describes it as touching on themes of alchemy: "the notion that instead of chasing the profane gold of material wealth, the true quest is for gold of the spirit." [6]
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Deutsch Amerikanische Freundschaft, or D.A.F., was a German electropunk/Neue Deutsche Welle band from Düsseldorf, formed in 1978 featuring Gabriel "Gabi" Delgado-López (vocals), Robert Görl, Kurt "Pyrolator" Dahlke, Michael Kemner (bass-guitar) and Wolfgang Spelmans (guitar). Kurt Dahlke was replaced by Chrislo Haas in 1979. Since 1981, the band has consisted of Delgado-López and Görl. Gabi Delgado-Lopez died on 22 March 2020 aged 61.
Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
Electronic body music (EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of dance music. It developed in the early 1980s in Western Europe, as an outgrowth of both the punk and the industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and command-like shouts with confrontational or provocative themes.
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music DJs and producers from the area, such as Ron Hardy and Phuture.
In the Garden is the debut studio album by the British new wave duo Eurythmics. It was released on 16 October 1981 by RCA Records.
C81 was a cassette compiled for the British music paper NME in 1981 and released in conjunction with the record label Rough Trade. Featuring a number of contemporary musical acts and performers, it was intended to mark the first five years of the independent label movement in the UK record industry and Rough Trade itself. It was the first in a series of many cassette releases from the paper, including the C86 compilation of 1986.
Alles ist gut is the third album by German electropunk band Deutsch Amerikanische Freundschaft. It was released in 1981 and was the band's first album on the Virgin Records label. It includes the hit single "Der Mussolini". The album was a massive hit in Germany, where it charted for 46 weeks.
Simon Reynolds is an English music journalist and author who began his career at Melody Maker in the mid-1980s. He subsequently worked as a freelancer and published a number of books on music and popular culture.
Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
Kurt Dahlke is a German musician and record producer. He is a founding member of record label/publishing company Ata Tak and has worked and still works in several bands. Dahlke is also known as Pyrolator. Several times he has been commissioned by the Goethe-Institut for workshops or concerts.
Rip It Up and Start Again: Postpunk 1978–1984 is a book by Simon Reynolds on the post-punk musical genre and era. It was first released in the UK in April 2005 by Faber & Faber. The US edition was published by Penguin Books and released in February 2006. It is a shorter version, with several chapters either removed or condensed, and without the large number of illustrations in the UK edition. Reynolds notes this was for space and cost reasons.
Vibing Up the Senile Man (Part One) is the second studio album by English rock band Alternative TV. It was released in March 1979 by record label Deptford Fun City. The band followed a more experimental and avant-garde approach than on The Image Has Cracked (1978).
Robert Görl is a German musician, best known for his work with Deutsch Amerikanische Freundschaft (D.A.F.) and for his solo recordings, particularly Night Full Of Tension and "Darling Don't Leave Me".
Gabriel Delgado-López, commonly known as Gabi Delgado, was a Spanish-born German composer, lyricist and producer, best known as singer and co-founder, with Robert Görl, of the German electronic band Deutsch Amerikanische Freundschaft.
Die Kleinen und die Bösen is the second album by Deutsch Amerikanische Freundschaft, released on 13 June 1980. It was the first album ever released on Mute Records.
Für immer (Forever) is the fifth album by Deutsch Amerikanische Freundschaft, released in 1982. It was their last album for Virgin Records.
Ein Produkt der Deutsch-Amerikanischen Freundschaft is the first album by the German electronic music group Deutsch-Amerikanische Freundschaft. It was the second release, and first album, on Kurt Dahlke's Ata Tak label in 1979.
Fünfzehn neue D.A.F.-Lieder is a 2003 album by Deutsch Amerikanische Freundschaft, their first since 1986.
1st Step to Heaven is a 1986 album by Deutsch Amerikanische Freundschaft, released on Dean Records via Ariola in Europe.