Grace Lavery

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Grace Elisabeth Lavery is an associate professor of English critical theory and gender and women's studies at UC Berkeley, whose research focuses on the history of language and aestheticism in 19th century Victorian English society, along with topics involving the language and literature of sexuality and gender.

Contents

Education

Lavery graduated under advisor Paul Saint-Amour with an English Ph.D. in 2013, with a thesis titled "Empire in a Glass Case: Japanese Beauty, British Culture, and Transnational Aestheticism". [1]

Career

As a first publication, Lavery released Quaint, Exquisite in 2019 on a subject connected to her post-doctoral research: Victorian era sensibilities in relation to Japan as viewed through a queer theory lens. One major focus of the book is on the idea of orientalism and how that colored English understanding of Japan as the "Other Empire". [2] A 2022 memoir titled Please Miss was her second published book and covered a wide range of topics beyond her own life and background. An introspection on being trans through a wide variety of genres and non-sequitur asides, the book psychoanalyzes the trans experience and aspects of life that represent it. [3]

Lavery's third book, Pleasure and Efficacy, was released in 2023 and discussed the meaning of being transgender and how transitioning works in relation to how the topic is discussed in various genres of literature. The book also includes philosophical views of writers from the 19th century and how understanding of "transness" is complicated and nuanced, unlike how it can commonly be portrayed in current times. [4] Pleasure and Efficacy was announced as a finalist for the 2024 National Book Critics Circle Award for Criticism. [5] In 2024, Closures, her fourth book, was published on the topic of the American sitcom and its usage of heterosexuality to define the nuclear family and cause conflict and issues that reinforce the scenario. Lavery explains how the storylines in sitcoms use "external agents" to create strife that ultimately promotes the heteronormativity seen in the nuclear family value system. [6]

She received a $125,000 advance from Substack to publish a newsletter on their platform. [7]

Personal life

In 2018, Lavery officially began transitioning and noted in later interviews that she was happy to have done so before the publication of her first book and her bid for tenure, as it allowed her to enter the academic space with her chosen name. [8] [9]

Lavery married Daniel M. Lavery in 2019 and they moved from California to New York. In 2020, they formed a throuple with Lily Woodruff and they had a son in 2024. [10]

Bibliography

Related Research Articles

Aesthetics is the branch of philosophy concerned with the nature of beauty and the nature of taste; and functions as the philosophy of art. Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature".

<span class="mw-page-title-main">Beauty</span> Characteristic that provides pleasure or satisfaction

Beauty is commonly described as a feature of objects that makes them pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, art and taste are the main subjects of aesthetics, one of the fields of study within philosophy. As a positive aesthetic value, it is contrasted with ugliness as its negative counterpart.

<span class="mw-page-title-main">Dandy</span> Historically, a man who emphasised good looks, refined language, and leisurely hobbies

A dandy is a man who places particular importance upon physical appearance and personal grooming, refined language and leisurely hobbies. A dandy could be a self-made man both in person and persona, who emulated the aristocratic style of life regardless of his middle-class origin, birth, and background, especially during the late 18th and early 19th centuries in Britain.

Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.

<span class="mw-page-title-main">Heterosexuality</span> Attraction between people of the opposite sex or gender

Heterosexuality is romantic attraction, sexual attraction or sexual behavior between people of the opposite sex or gender. As a sexual orientation, heterosexuality is "an enduring pattern of emotional, romantic, and/or sexual attractions" to people of the opposite sex. It "also refers to a person's sense of identity based on those attractions, related behaviors, and membership in a community of others who share those attractions." Someone who is heterosexual is commonly referred to as straight.

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Will & Grace is an American television sitcom created by Max Mutchnick and David Kohan. Set in New York City, the show focuses on the friendship between best friends Will Truman, a gay lawyer, and Grace Adler, a straight interior designer. The show was originally broadcast on NBC from September 21, 1998, to May 18, 2006, for a total of eight seasons, and returned to NBC on September 28, 2017, and permanently ended on April 23, 2020. Will & Grace has been one of the most successful television series with gay principal characters.

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Feminist aesthetics first emerged in the 1970s and refers not to a particular aesthetic or style but to perspectives that question assumptions in art and aesthetics concerning gender-role stereotypes, or gender. Feminist aesthetics has a relationship to philosophy. The historical philosophical views of what beauty, the arts, and sensory experiences are, relate to the idea of aesthetics. Aesthetics looks at styles of production. In particular, feminists argue that despite seeming neutral or inclusive, the way people think about art and aesthetics is influenced by gender roles. Feminist aesthetics is a tool for analyzing how art is understood using gendered issues. A person's gender identity affects the ways in which they perceive art and aesthetics because of their subject position and that perception is influenced by power. The ways in which people see art is also influenced by social values such as class and race. One's subject position in life changes the way art is perceived because of people's different knowledge's about life and experiences. In the way that feminist history unsettles traditional history, feminist aesthetics challenge philosophies of beauty, the arts and sensory experience.

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<span class="mw-page-title-main">Male gaze</span> Concept in feminist theory

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Deborah Lutz is an American academic and writer. She is currently the Thruston B. Morton Endowed Chair at the University of Louisville. Her scholarship focuses on Victorian literature, material culture, the history of sexuality, gender and LGBTQ+ studies, and the history of the book. Lutz has received fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, the American Council of Learned Societies, the Mellon Foundation at the Huntington Library, and the New York Public Library’s Dorothy and Lewis B. Cullman Center for Scholars and Writers. She is also a fellow of the New York Institute for the Humanities.

References

  1. "Grace Lavery". english.upenn.edu. University of Pennsylvania. 2024. Retrieved July 3, 2024.
  2. Friedman, Dustin (Summer 2020). "Lavery, Grace. Quaint, Exquisite: Victorian Aesthetics and the Idea of Japan". Nineteenth-Century Gender Studies . 16 (2). Retrieved July 3, 2024.
  3. 1 2 Wark, McKenzie (February 2022). "Cocky as Hell". Liber . Vol. 1, no. 1. Archived from the original on January 18, 2023. Retrieved January 17, 2023.
  4. Plagmann, Saeri (June 1, 2023). "The Pen Ten: An Interview With Grace E. Lavery". PEN America . Retrieved July 3, 2024.
  5. Stewart, Sophia (January 25, 2024). "2024 National Book Critics Circle Awards Finalists Announced". Publishers Weekly . Retrieved July 6, 2024.
  6. Watson-Fore, McKenzie (June 3, 2024). "Closures: Heterosexuality and the American Sitcom – Grace Lavery". Full Stop. Retrieved July 3, 2024.
  7. Smith, Ben (April 11, 2021). "Why We're Freaking Out About Substack". The New York Times . Retrieved July 3, 2024.
  8. Pettit, Emma (January 20, 2019). "The Anxiety of 'Doing Womanhood Correctly' in Academe". The Chronicle of Higher Education . Retrieved July 4, 2024.
  9. Clifton, Mallen (February 9, 2022). "An Exchange of Letters: Interview with Grace Lavery, author of Please Miss". Berkeley Fiction Review . Archived from the original on November 27, 2022. Retrieved July 4, 2024.
  10. Sicha, Choire (April 10, 2024). "Keeping Up With the Laverys". The Cut . Retrieved July 3, 2024.
  11. Reviews for Closures:
  12. Clare, Stephanie D. (April 2024). "Grace E Lavery. Pleasure and Efficacy: Of Pen Names, Cover Versions and Other Trans Techniques". The Review of English Studies . 75 (319): 245–247. doi:10.1093/res/hgad122 . Retrieved July 6, 2024.
  13. Reviews for Quaint, Exquisite: