Graffiti in Two Parts | ||||
---|---|---|---|---|
Live album by Joe Morris Quartet | ||||
Released | 2012 | |||
Recorded | May 11, 1985 | |||
Venue | The Cambridge Dance Center, Cambridge, Massachusetts | |||
Genre | Free improvisation | |||
Length | 1:09:54 | |||
Label | Rogueart ROG-0039 | |||
Producer | Michel Dorbon | |||
Joe Morris chronology | ||||
|
Graffiti in Two Parts is a live album by the Joe Morris Quartet, led by Morris on guitar and banjouke, and featuring cornetist Lawrence D. "Butch" Morris, violinist Malcolm Goldstein, and, in a rare appearance, multi-instrumentalist Lowell Davidson on drums and aluminum acoustic bass. It was recorded on May 11, 1985, at the Cambridge Dance Center in Cambridge, Massachusetts, and was released in 2012 by the Rogueart label. [1] [2] [3] [4] [5]
In the album liner notes, Joe Morris reflected: "street graffiti was everywhere back then and much was written about the quality, form and the act of 'tagging'. To me, graffiti contained a similar spirit of subversive messaging to that of the music I was making... The symbolism of the other or indefinable... reflected what I sought as a combination of modern and ancient codes... Being aware of this I decided to organize a concert with the title 'Graffiti in Two Parts' meant to display these qualities in sound." [6]
Review scores | |
---|---|
Source | Rating |
All About Jazz | [7] |
DownBeat | [8] |
The Free Jazz Collective | [9] |
John Sharpe of All About Jazz wrote: "Remarkable for its individuals' selflessness, the program is a low-key, undemonstrative affair... Passages of drifting lyrical abstraction, punctuated by off-kilter percussive noises, provide depth to proceedings, but otherwise it's an enigmatic encounter in which Davidson remains elusive." [7]
DownBeat's Alain Drouot stated that, although "there is empathy between the musicians who carefully react as the improvisation process unfolds," "the performance suffers from a lack of dynamics as well as scarcity in terms of change of pace." [8]
In a review for The Free Jazz Collective, Stef Gijssels called the recording "magical," and commented: "the music on this album is hard to grasp and hard to describe, but more than worth looking for... all four musicians move as one, creating a unique sound, one that sounds familiar like everyday objects while at the same time revealing some deeper unfathomable things." [9]
Writing for JazzWord, Ken Waxman remarked: "the textures... are sympathetically aligned, but the presentation is nearly opaque. Combining the trumpeter's ghostly puffs, the guitarist's sharp twangs and the fiddler's angled multiphonics with occasional metallic string thumps and irregular drum beats allows for few pauses... Perhaps the appearance of Graffiti in Two Parts will tempt someone to release those tapes of Davidson's piano playing that are rumored to exist in the Boston area." [10]
Michael Rosenstein of Dusted Magazine noted: "this is only the second recording of Lowell Davidson, and the only one to capture his mature voice is enough to recommend it alone. But this document is far more than that, and nearly four decades on, it sounds as captivating and inspired as the night it was performed." [11]
Point of Departure's Ed Hazell, who attended the concert, described the music as "a dense thicket of sound," and singled out Davidson's contribution on drums: "he used knitting needles instead of drum sticks, sometimes holding four or more between his fingers. He edited himself as he played, hovering over the instruments, moving erratically around the kit, sometimes striking a surface, sometimes not... Noting resemblances to other drummers wouldn't be instructive, for there was never a more singular approach to the instrument." [12]
Composed by Joe Morris, Lowell Davidson, Malcolm Goldstein, and Lawrence D. "Butch" Morris.
Lawrence Douglas "Butch" Morris was an American cornetist, composer and conductor. He was known for pioneering his structural improvisation method, Conduction, which he utilized on many recordings.
Joseph Francis Michael Morris is an American jazz guitarist, bassist, composer, and educator.
Lowell Davidson was a jazz pianist and biochemist from Boston, Massachusetts. He was known for his "sensible and free flowing approach to unconventional linear improvisation", but appeared on only a handful of commercially-available recordings. Davidson also played bass, percussion, organ, electronic keyboards, and reed instruments.
Frank Lowe was an American avant-garde jazz saxophonist and composer.
Thomas Heberer is a trumpeter, quarter-tone trumpeter, cornetist, keyboardist and composer, primarily focused on jazz, creative improvised music and contemporary chamber music. Based in New York City, he currently works as a leader and sideman in a variety of bands in Europe and the US.
Baal: Book of Angels Volume 15 is an album by the Ben Goldberg Quartet performing compositions from John Zorn's second Masada book, "The Book of Angels".
Illuminate is an album by a quartet co-led by jazz guitarist Joe Morris and alto saxophonist Rob Brown, which was recorded in 1993 and released on Leo Lab, a sublabel of Leo Records. Rehearsing and recording this album was the first time the quartet worked together as a band, although Morris played with Brown before on Youniverse and the trio without Morris recorded High Wire.
You Be Me is an album by the American jazz guitarist Joe Morris, recorded in 1995 and released on the Italian Soul Note label. For the record, Morris expanded to a quartet consisting of the trio with whom he recorded Symbolic Gesture, with the addition of violinist Mat Maneri.
Radiant Pools is an album by American jazz saxophonist Rob Brown which was recorded in 2004 and released on the French RogueArt label. He leads a quartet with Steve Swell on trombone, Joe Morris on double bass instead of guitar and Luther Gray on drums.
Live at the Loft is the second album by Danish jazz saxophonist Lotte Anker with her trio with pianist Craig Taborn and drummer Gerald Cleaver, which was recorded in 2005 at the Loft in Cologne and released on the Danish ILK label.
Floating Islands is the third album by Danish jazz saxophonist Lotte Anker with her trio with pianist Craig Taborn and drummer Gerald Cleaver, which was recorded live at the 2008 Copenhagen Jazz Festival and released on the Danish ILK label.
Alien Huddle is an album by a free improvisation trio consisting of Danish saxophonist Lotte Anker, Swiss pianist Sylvie Courvoisier and Japanese electronic artist Ikue Mori, which was recorded in 2006 and released by Intakt Records. It takes its title from a large wooden sculpture by Martin Puryear. The eleven improvisations are inspired by bird songs. Courvoisier and Mori collaborated in two projects previously: Courvoisier's Lonelyville and the improvising trio Mephista with Susie Ibarra.
Celebrating Fred Anderson is an album by American jazz saxophonist Roscoe Mitchell, which was recorded live in 2015 at Chicago's Constellation and released on Nessa. For this tribute to saxophonist Fred Anderson, Mitchell assembled a quartet with cellist Tomeka Reid, bassist Junius Paul and drummer Vincent Davis and prepared four original pieces and adaptations of two Fred Anderson compositions, "Bernice" and "Ladies in Love".
Lowell Davidson Trio is the debut album by American jazz pianist Lowell Davidson, and the only commercially-available recording issued during his lifetime. It was recorded in 1965, and was released on the ESP-Disk label. The album, which contains five original compositions, features Davidson on piano, along with Gary Peacock on bass and Milford Graves on drums.
Live at Vision Festival is a live album by the Stone Quartet: bassist Joëlle Léandre, trumpeter Roy Campbell, pianist Marilyn Crispell, and violist Mat Maneri. It was recorded in June 2010 at the Vision Festival held at the Abrons Arts Center in New York City, and was released in 2011 by Ayler Records.
The Astral Revelations is a live album by the Jemeel Moondoc Quartet, led by saxophonist Moondoc, and featuring pianist Matthew Shipp, double bassist Hilliard Greene, and drummer Newman Taylor Baker. Moondoc's final recording prior to his death in 2021, it was recorded on February 5, 2016, at the Bimhuis in Amsterdam, and was released in 2018 by RogueArt.
Muntu Recordings is a three-CD box-set compilation album by alto saxophonist Jemeel Moondoc and the ensemble known as Muntu. Disc 1 restores to circulation the group's debut album First Feeding, recorded in a New York City studio in 1977, and originally issued on vinyl that year by Moondoc's Muntu Records as the label's inaugural release. On First Feeding, Moondoc is joined by trumpeter Arthur Williams, pianist Mark Hennen, double bassist William Parker, and drummer Rashid Bakr. Disc 2 is a reissue of Muntu's second recording The Evening of the Blue Men, recorded live at St. Mark's Church in New York City in 1979, and originally issued on vinyl that year as the Muntu label's second and final release. On this recording, Moondoc is accompanied by trumpeter Roy Campbell, double bassist Parker, and drummer Bakr. Disc 3 is a previously unissued 1975 live recording from Ali's Alley in New York City featuring Moondoc, Parker, and Bakr. Muntu Recordings, released in 2009 by NoBusiness Records, also includes a 115-page book containing essays, photographs, and a complete Muntu sessionography.
Music Delivery/Percussion is a solo album by percussionist Andrew Cyrille. It was recorded on January 17 and 18, 2022, at Sound On Sound Recording in Montclair, New Jersey, and was released in 2023 by Intakt Records.
New Horizons is the debut album by the Philadelphia-based jazz collective Sounds of Liberation. It was recorded during March 1972 at Impact Sound in Philadelphia, and was released on vinyl later that year by Dogtown Records. In 2010, it was reissued in remastered form on both vinyl and CD by Porter Records with the title Sounds of Liberation, and in 2019, it was reissued on vinyl, with liner notes by writer Francis Davis, by Dogtown. The album features vibraphonist and band leader Khan Jamal, saxophonist Byard Lancaster, guitarist Monnette Sudler, electric bassist Billy Mills, drummer Dwight James, conga player Rashid Salim, and percussionist Omar Hill.
3 Nights in Oslo is a five-disc live box set album by the Peter Brötzmann Chicago Tentet + 1, led by saxophonist Brötzmann, and featuring an eleven-piece ensemble. It was recorded during February 19–21, 2009, at Victoria, Nasjonal Jazzscene in Oslo, Norway, and was released on CD in 2010 by the Norwegian Smalltown Superjazzz label. On the album, Brötzmann is joined by saxophonists Mats Gustafsson and Ken Vandermark, trumpeter and saxophonist Joe McPhee, trombonists Jeb Bishop and Johannes Bauer, tubist Per Åke Holmlander, cellist Fred Lonberg-Holm, double bassist Kent Kessler, and drummers Paal Nilssen-Love and Michael Zerang. The entire ensemble is heard on discs 1 and 5, while the remaining discs feature duo, trio, and quartet combinations.