Great Bed of Ware

Last updated
Great Bed of Ware
Bed of Ware.jpg
Designer Hans Vredeman de Vries [1]
Jonas Fosbrooke (carpenter)
Datec.1590–1600
Made in Ware, Hertfordshire, England (probably)
MaterialsOak, carved and originally painted
Marquetry panels
Height267 cm (105 in)
Width326 cm (128 in)
Depth338 cm (133 in)
Collection Victoria and Albert Museum
no. W.47:1 to 28-1931

The Great Bed of Ware is an extremely large oak four poster bed, carved with marquetry, that was originally housed in the White Hart Inn in Ware, England. Built by Hertfordshire carpenter Jonas Fosbrooke about 1590, the bed measures 3.38m long and 3.26m wide (ten by eleven feet) [2] and can "reputedly... accommodate at least four couples". [3] Many of those who have used the bed have carved their names into its posts.

Contents

Like many objects from that time, the bed is carved with patterns from European Renaissance art. Originally it would have been brightly painted, and traces of these colours can still be seen on the figures on the bed-head. The design of the marquetry panels is derived from the work of Dutch artist Hans Vredeman de Vries (1527–1604) and the panels were probably made by English craftsmen working in London in the late Elizabethan period. The bed-hangings are modern re-creations of fabrics of the period.

By the 19th century, the bed had been moved from the White Hart Inn to the Saracen's Head, another Ware inn. In 1870, William Henry Teale, the owner of the Rye House, acquired the bed and put it to use in a pleasure garden. When interest in the garden waned in the 1920s, the bed was sold. In 1931, it was acquired by the Victoria and Albert Museum in London, which had previously turned down an opportunity to acquire the bed in 1865, describing it as a "coarse and mutilated relic in no wise appropriate as a new acquisition". [2] [4]

In 2012, the bed was exhibited in Ware Museum, on loan from the Victoria and Albert Museum. [5]

References to the Great Bed in literature

The Great Bed in Saracen's Head Great Bed of Ware 1877.png
The Great Bed in Saracen's Head

The bed, which has been described as "one of the most famous pieces of furniture in history", [6] has been referenced by writers since shortly after it was made: [7]

Related Research Articles

<span class="mw-page-title-main">Furniture</span> Objects used to support human activities

Furniture refers to objects intended to support various human activities such as seating, eating (tables), storing items, working, and sleeping. Furniture is also used to hold objects at a convenient height for work, or to store things. Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture.

<span class="mw-page-title-main">Victoria and Albert Museum</span> Art museum in London, England

The Victoria and Albert Museum in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.8 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert.

<span class="mw-page-title-main">Giambologna</span> Flemish-born Mannerist sculptor in Italy

Giambologna, also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style.

<span class="mw-page-title-main">White Hart</span> Heraldic badge of Richard II of England

The White Hart was the personal badge of Richard II, who probably derived it from the arms of his mother, Joan "The Fair Maid of Kent", heiress of Edmund of Woodstock. It may also have been a pun on his name, as in "Rich-hart". In the Wilton Diptych, which is the earliest authentic contemporary portrait of an English king, Richard II wears a gold and enamelled white hart jewel, and even the angels surrounding the Virgin Mary all wear white hart badges. In English Folklore, the white hart is associated with Herne the Hunter.

<span class="mw-page-title-main">Ware, Hertfordshire</span> Town in Hertfordshire, England

Ware is a town and civil parish in the East Hertfordshire district, in the county of Hertfordshire, England. It is close to the county town of Hertford. In 2011 the parish had a population of 18,799.

<span class="mw-page-title-main">Celadon</span> Term for ceramics with two different types of glazes

Celadon is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware", and a type of transparent glaze, often with small cracks, that was first used on greenware, but later used on other porcelains. Celadon originated in China, though the term is purely European, and notable kilns such as the Longquan kiln in Zhejiang province are renowned for their celadon glazes. Celadon production later spread to other parts of East Asia, such as Japan and Korea, as well as Southeast Asian countries, such as Thailand. Eventually, European potteries produced some pieces, but it was never a major element there. Finer pieces are in porcelain, but both the color and the glaze can be produced in stoneware and earthenware. Most of the earlier Longquan celadon is on the border of stoneware and porcelain, meeting the Chinese but not the European definitions of porcelain.

<span class="mw-page-title-main">Kraak ware</span>

Kraak ware or Kraak porcelain is a type of Chinese export porcelain produced mainly in the late Ming dynasty, in the Wanli reign (1573–1620), but also in the Tianqi (1620–1627) and the Chongzhen (1627–1644). It was among the first Chinese export wares to arrive in Europe in mass quantities, and was frequently featured in Dutch Golden Age paintings of still life subjects with foreign luxuries.

<span class="mw-page-title-main">Restoration style</span> Decorative and literary arts style in England, mid-1600s

Restoration style, also known as Carolean style from the name Carolus, refers to the decorative and literary arts that became popular in England from the restoration of the monarchy in 1660 under Charles II until the late 1680s. Similar shifts appeared in prose style.

<span class="mw-page-title-main">Pieter Coecke van Aelst</span> Flemish painter and sculptor

Pieter Coecke van Aelst or Pieter Coecke van Aelst the Elder was a Flemish painter, sculptor, architect, author and designer of woodcuts, goldsmith's work, stained glass and tapestries. His principal subjects were Christian religious themes. He hailed from the Duchy of Brabant, worked in Antwerp and Brussels, and was appointed court painter to Charles V, Holy Roman Emperor.

<span class="mw-page-title-main">Hans Vredeman de Vries</span> Dutch architect and painter

Hans Vredeman de Vries was a Dutch Renaissance architect, painter, and engineer. Vredeman de Vries is known for his publication in 1583 on garden design and his books with many examples on ornaments (1565) and perspective (1604).

<span class="mw-page-title-main">The Tower House</span> Late-Victorian townhouse in London, England

The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade I listed building in 1949.

<span class="mw-page-title-main">Nationality Rooms</span> Group of classrooms in the University of Pittsburghs Cathedral of Learning

The Nationality Rooms are a group of 31 classrooms in the University of Pittsburgh's Cathedral of Learning depicting and donated by the national and ethnic groups that helped build the city of Pittsburgh. The rooms are designated as a Pittsburgh History and Landmarks Foundation historical landmark and are located on the 1st and 3rd floors of the Cathedral of Learning, itself a national historic landmark, on the University of Pittsburgh's main campus in the Oakland neighborhood of Pittsburgh, Pennsylvania, United States. Although of museum caliber, 29 of the 31 rooms are used as daily classrooms by University of Pittsburgh faculty and students, while the other two are display rooms viewed through glass doors, utilized primarily for special events, and can only be explored via special guided tour. The Nationality Rooms also serve in a vigorous program of intercultural involvement and exchange in which the original organizing committees for the rooms remain as participants and which includes a program of annual student scholarship to facilitate study abroad. In addition, the Nationality Rooms inspire lectures, seminars, concerts exhibitions, and social events which focus on the various heritages and traditions of the nations represented. The national, traditional, and religious holidays of the nations represented are celebrated on campus and the rooms are appropriately decorated to reflect these occasions. The Nationality Rooms are available daily for public tours as long as the particular room is not being used for a class or other university function.

<span class="mw-page-title-main">Cizhou ware</span>

Cizhou ware or Tz'u-chou ware is a wide range of Chinese ceramics from between the late Tang dynasty and the early Ming dynasty, but especially associated with the Northern Song to Yuan period in the 11–14th century. It has been increasingly realized that a very large number of sites in northern China produced these wares, and their decoration is very variable, but most characteristically uses black and white, in a variety of techniques. For this reason Cizhou-type is often preferred as a general term. All are stoneware in Western terms, and "high-fired" or porcelain in Chinese terms. They were less high-status than other types such as celadons and Jun ware, and are regarded as "popular", though many are finely and carefully decorated.

<span class="mw-page-title-main">Paul Vredeman de Vries</span> Flemish painter

Paul Vredeman de Vries, was a Flemish painter and draughtsman who specialised in architectural paintings and, in particular, church interiors.

<span class="mw-page-title-main">Isaak van den Blocke</span>

Izaak van den Blocke or Isaak van den Blocke (1574–1626) was a painter of Flemish descent who spent his active career in Poland. He is known for his decorative paintings in various official buildings and residences in Gdańsk. He also completed commissions for churches and painted facades. He was in 1612 one of the founders of the painters' guild of Gdańsk.

<span class="mw-page-title-main">Tick mattress</span>

A tick mattress, bed tick or tick is a large bag made of strong, stiff, tightly-woven material (ticking). This is then filled to make a mattress, with material such as straw, chaff, horsehair, coarse wool or down feathers, and less commonly, leaves, grass, reeds, bracken, or seaweed. The whole stuffed mattress may also, more loosely, be called a tick. The tick mattress may then be sewn through to hold the filling in place, or the unsecured filling could be shaken and smoothed as the beds were aired each morning. A straw-filled bed tick is called a paillasse, palliasse, or pallet, and these terms may also be used for bed ticks with other fillings. A tick filled with flock is called a flockbed. A feather-filled tick is called a featherbed, and a down-filled one is a downbed; these can also be used above the sleeper as a duvet.

<span class="mw-page-title-main">Oxburgh Hangings</span>

The Oxburgh Hangings are needlework bed hangings that are held in Oxburgh Hall in Norfolk, England, made by Mary, Queen of Scots and Bess of Hardwick, during the period of Mary's captivity in England.

<span class="mw-page-title-main">Louis XVI furniture</span> Furniture associated with King Louis XVI of France

Louis XVI furniture is characterized by elegance and neoclassicism, a return to ancient Greek and Roman models. Much of it was designed and made for Queen Marie Antoinette for the new apartments she created in the Palace of Versailles, Palace of Fontainebleau, the Tuileries Palace, and other royal residences. The finest craftsmen of the time, including Jean-Henri Riesener, Georges Jacob, Martin Carlin, and Jean-François Leleu, were engaged to design and make her furniture.

<span class="mw-page-title-main">Rope bed</span> Type of platform bed

A rope bed is a type of platform bed in which the sleeper is supported by a lattice of rope, rather than wooden slats.

<i>Interior of a Gothic Church</i> Painting by Paul Vredman de Vries

Interior of a Gothic Church is an oil on panel painting by Paul Vredeman de Vries. The painting was completed in 1595 and is currently on display at the Memorial Art Gallery in Rochester, New York.

References

  1. Great Bed of Ware - collections record Archived 2018-10-08 at the Wayback Machine , from Victoria & Albert Museum.
  2. 1 2 3 Russell Ash (2007). "Work And Home (Around The House)". In Katie Jennings (ed.). Whitaker's World Of Facts. Penguin Books, India. p. 188.
  3. "The Great Bed of Ware". Victoria and Albert Museum. 2013-10-26. Archived from the original on 2013-12-12. Retrieved 2013-12-08.
  4. The most famous bed in the world? | The Great Bed of Ware | V&A, archived from the original on 2021-02-11, retrieved 2021-03-10
  5. "V&A Museum's Great Bed of Ware makes itself at home". The Guardian. 11 April 2012. Archived from the original on 17 August 2015. Retrieved 3 December 2012.
  6. "The Great Bed of Ware". www.amusingplanet.com. Archived from the original on 2021-04-16. Retrieved 2021-03-10.
  7. "Great Bed of Ware - Vredeman de Vries, Hans". Google Arts & Culture. Archived from the original on 2021-12-16. Retrieved 2021-03-10.

Bibliography