Furniture refers to objects intended to support various human activities such as seating, eating (tables), storing items, working, and sleeping. Furniture is also used to hold objects at a convenient height for work, or to store things. Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture.
The Victoria and Albert Museum in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert.
Giambologna, also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style.
The White Hart was the personal badge of Richard II, who probably derived it from the arms of his mother, Joan "The Fair Maid of Kent", heiress of Edmund of Woodstock. It may also have been a pun on his name, as in "Rich-hart". In the Wilton Diptych, which is the earliest authentic contemporary portrait of an English king, Richard II wears a gold and enamelled white hart jewel, and even the angels surrounding the Virgin Mary all wear white hart badges. In English Folklore, the white hart is associated with Herne the Hunter.
Ware is a town and civil parish in the East Hertfordshire district, in the county of Hertfordshire, England. It is close to the county town of Hertford. In 2011 the parish had a population of 18,799.
Celadon is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware", and a type of transparent glaze, often with small cracks, that was first used on greenware, but later used on other porcelains. Celadon originated in China, though the term is purely European, and notable kilns such as the Longquan kiln in Zhejiang province are renowned for their celadon glazes. Celadon production later spread to other parts of East Asia, such as Japan and Korea as well as Southeast Asian countries, such as Thailand. Eventually, European potteries produced some pieces, but it was never a major element there. Finer pieces are in porcelain, but both the color and the glaze can be produced in stoneware and earthenware. Most of the earlier Longquan celadon is on the border of stoneware and porcelain, meeting the Chinese but not the European definitions of porcelain.
Kraak ware or Kraak porcelain is a type of Chinese export porcelain produced mainly in the late Ming dynasty, in the Wanli reign (1573–1620), but also in the Tianqi (1620–1627) and the Chongzhen (1627–1644). It was among the first Chinese export wares to arrive in Europe in mass quantities, and was frequently featured in Dutch Golden Age paintings of still life subjects with foreign luxuries.
Restoration style, also known as Carolean style from the name Carolus, refers to the decorative and literary arts that became popular in England from the restoration of the monarchy in 1660 under Charles II until the late 1680s. Similar shifts appeared in prose style.
Hans Vredeman de Vries was a Dutch Renaissance architect, painter, and engineer. Vredeman de Vries is known for his publication in 1583 on garden design and his books with many examples on ornaments (1565) and perspective (1604).
The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade I listed building in 1949.
Brighton Museum & Art Gallery is a municipally-owned public museum and art gallery in the city of Brighton and Hove in the South East of England. It is part of Brighton & Hove Museums. It costs £9 for a yearly pass, discounted to £6.75 for Brighton and Hove residents and students at local universities.
Cizhou ware or Tz'u-chou ware is a wide range of Chinese ceramics from between the late Tang dynasty and the early Ming dynasty, but especially associated with the Northern Song to Yuan period in the 11–14th century. It has been increasingly realized that a very large number of sites in northern China produced these wares, and their decoration is very variable, but most characteristically uses black and white, in a variety of techniques. For this reason Cizhou-type is often preferred as a general term. All are stoneware in Western terms, and "high-fired" or porcelain in Chinese terms. They were less high-status than other types such as celadons and Jun ware, and are regarded as "popular", though many are finely and carefully decorated.
Paul Vredeman de Vries, was a Flemish painter and draughtsman who specialised in architectural paintings and, in particular, church interiors.
Izaak van den Blocke or Isaak van den Blocke (1574–1626) was a painter of Flemish descent who spent his active career in Poland. He is known for his decorative paintings in various official buildings and residences in Gdańsk. He also completed commissions for churches and painted facades. He was in 1612 one of the founders of the painters' guild of Gdańsk.
Anne Hvide's House is a two-storey, half-timbered building in Svendborg on the Danish island of Funen. One of the oldest houses in the town, it was built in 1560 by Anne Hvide, a widow of noble descent. It was used as an inn from 1837 to 1867. After being restored in 1916, it became a museum with exhibitions relating to the history of Svendborg.
A tick mattress, bed tick or tick is a large bag made of strong, stiff, tightly-woven material (ticking). This is then filled to make a mattress, with material such as straw, chaff, horsehair, coarse wool or down feathers, and less commonly, leaves, grass, reeds, bracken, or seaweed. The whole stuffed mattress may also, more loosely, be called a tick. The tick mattress may then be sewn through to hold the filling in place, or the unsecured filling could be shaken and smoothed as the beds were aired each morning. A straw-filled bed tick is called a paillasse, palliasse, or pallet, and these terms may also be used for bed ticks with other fillings. A tick filled with flock is called a flockbed. A feather-filled tick is called a featherbed, and a down-filled one a downbed; these can also be used above the sleeper, as a duvet.
The Oxburgh Hangings are needlework bed hangings that are held in Oxburgh Hall in Norfolk, England, made by Mary, Queen of Scots and Bess of Hardwick, during the period of Mary's captivity in England.
Louis XVI furniture is characterized by elegance and neoclassicism, a return to ancient Greek and Roman models. Much of it was designed and made for Queen Marie Antoinette for the new apartments she created in the Palace of Versailles, Palace of Fontainebleau, the Tuileries Palace, and other royal residences. The finest craftsmen of the time, including Jean-Henri Riesener, Georges Jacob, Martin Carlin, and Jean-François Leleu, were engaged to design and make her furniture.
A rope bed is a type of platform bed in which the sleeper is supported by a lattice of rope, rather than wooden slats.
Interior of a Gothic Church is an oil on panel painting by Paul Vredeman de Vries. The painting was completed in 1595 and is currently on display at the Memorial Art Gallery in Rochester, New York.
