Pewabic Pottery is a ceramic studio and school in Detroit, Michigan. Founded in 1903, the studio is known for its iridescent glazes, some of which grace notable buildings such as the Shedd Aquarium and Basilica of the National Shrine of the Immaculate Conception. The pottery continues in operation today, and was designated a National Historic Landmark in 1991.
Peter Voulkos was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. He established the ceramics department at the Los Angeles County Art Institute and at UC Berkeley.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
D. Wayne Higby is an American artist working in ceramics. The American Craft Museum considers him a "visionary of the American Crafts Movement" and recognized him as one of seven artists who are "genuine living legends representing the best of American artists in their chosen medium."
The Overbeck sisters were American women potters and artists of the Arts and Crafts Movement who established Overbeck Pottery in their Cambridge City, Indiana, home in 1911 with the goal of producing original, high-quality, hand-wrought ceramics as their primary source of income. The sisters are best known for their fanciful figurines, their skill in matte glazes, and their stylized designs of plants and animals in the Art Nouveau and Art Deco styles. The women owned and handled all aspects of their artistic enterprise until 1955, when the last of the sisters died and the pottery closed. As a result of their efforts, the Overbecks managed to become economically independent and earned a modest living from the sales of their art.
Jae Won Lee is a Korean American ceramic artist living and working in Michigan in the United States. She received her Master of Fine Arts from the New York State College of Ceramics at Alfred University in 1995 and is currently an associate professor at Michigan State University in East Lansing, where she teaches Foundation Courses and Senior Seminar. She hand-builds porcelain and uses other materials such as paper and hair. Much of Lee's work is derived from an isolation that is created by her trans-cultural identity of both Korea and the United States.
Karen Karnes was an American ceramist, best known for her salt glazed, earth-toned stoneware ceramics.[1] She was born in 1925 in New York City, where she attended art schools for children. Her garment worker parents were Russian and Polish Jewish immigrants, and the family lived in the Bronx Coops. Karen was influenced in many ways by her parents', communist philosophies, and has professed respect for working in small communities.
Mary Chase Perry Stratton was an American ceramic artist. She was a co-founder, along with Horace James Caulkins, of Pewabic Pottery, a form of ceramic art used to make architectural tiles.
Margaret Ponce Israel was a painter and ceramicist who lived and worked in New York City.
Frances Maude Senska was an art professor and artist specializing in ceramics who taught at Montana State University – Bozeman from 1946 to 1973. She was known as the "grandmother of ceramics in Montana". During her career, she trained a number of now internationally known ceramic artists.
Brahmdeo Ram Pandit is an Indian studio potter and craftsman, known for his expertise in making pottery. He was honoured by the Government of India, in 2013, by bestowing on him the Padma Shri, the fourth highest civilian award, for his contributions to the field of art.
Greenwich House is a West Village settlement house in New York City.
Polia Pillin, née Sukonic or Sunockin, was a Polish-American ceramist during the 20th century. Born in Częstochowa, Poland, in 1909, she immigrated to the United States in 1924 and settled in Chicago, Illinois. In 1927, she met and married Ukrainian immigrant William Pillin. They lived near Albuquerque, New Mexico, from 1936-1940; Chicago from 1940-1948; and finally Los Angeles, California, from 1946 until their deaths.
Donald Lester Reitz was an American ceramic artist, recognized for inspiring a reemergence of salt glaze pottery in United States. He was a teacher of ceramic art at the University of Wisconsin–Madison from 1962 until 1988. During this period, he adapted the pottery firing technique developed in the Middle Ages, which involved pouring salt into the pottery kiln during the firing stage. The method was taught in European ceramic art schools, but largely unknown in United States studio pottery.
John Parker Glick was an American ceramicist. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. His experience working with ceramics led him to publish several articles about the craft. In addition to producing pottery, Glick began making "landscape oriented" wall panels during the latter part of his career. Known as "the people's potter," he is primarily remembered for his contributions to art and the field of ceramics.
Chris Gustin is an American ceramicist. Gustin models his work on the human form, which is shown through the shape, color, and size of the pieces.
Karl Martz was an American studio potter, ceramic artist, and teacher whose work achieved national and international recognition.
Don Schreckengost was an American industrial ceramic designer who was active from the 1930s through the 1990s. He is considered to be the first American industrial ceramic designer.
Elise Siegel is an American sculptor and installation artist based in New York City. She is known for several bodies of figurative work that use subtle and ambiguous gesture and facial expression to evoke psychic and emotional states. In the 1990s, she first gained recognition for garment-like constructions that blurred boundaries between clothing, skin and body, critiquing the roles fashion and plastic surgery play in the construction of sexual and cultural identity; writer Mira Schor included Siegel among the cohort of artists she dubbed "Generation 2.5" and credited for developing the tropes of feminist art. After shifting to clay as her primary material, Siegel was one of a number of artists in the 2000s whose work spurred a rebirth in figurative ceramics emphasizing emotional expression, social conditions, identity and narrative. Her ceramic work—which ranges from roughly modeled portrait busts to highly charged, theatrical installations—is said to capture fleeting moments of internal struggle, conflict and vulnerability, creating a psychological tension with the viewer.
Donald Chisholm Towner was a collector and historian of British ceramics and painter. He is noted for his championship of creamware and his ground-breaking studies of this ceramic type in particular.
