Greg Broadmore (born 1972) is a New Zealand concept designer, artist, writer and sculptor based in Wellington. [1] He is the creator of Dr Grordbort's, [2] and has worked as a designer, artist and writer at The Lord of the Rings film franchise director Peter Jackson's award-winning special effects and prop company, Weta Workshop since 2002. He was the lead concept designer on District 9 [3] and a concept designer and sculptor on King Kong, The Chronicles of Narnia: The Lion, The Witch and the Wardrobe and The Adventures of Tintin. [2] Broadmore was also one of the illustrators and concept writers for Weta Workshop's first publication, The World of Kong: A Natural History of Skull Island. [1]
Broadmore was born in Whakatāne in 1972 and grew up obsessed with comic books, video games and Star Wars. He was rejected by two New Zealand art schools and spent the next seven years living on social welfare while he played in punk rock bands. [4]
Broadmore moved to Wellington in 2000, where he worked as a children's book illustrator, illustrating over 30 books. After the first Lord of the Rings film was released in 2001, Broadmore sent his portfolio to Weta Workshop creator and head Sir Richard Taylor, who hired him based on the strength of his work. [4] He began working for Weta Workshop as a designer and sculptor in 2002. [1]
Broadmore is best known for his work on the universe of Dr Grordbort's, which he created in-between working on King Kong and District 9. Broadmore designed a series of retro-futuristic ray guns, which he showed to Weta Workshop special effects supervisor Sir Richard Taylor, who saw their potential as a line of collectibles based within their own universe. [5]
In an interview with science fiction blog io9.com, Broadmore says his vision was to "satirize pulp fiction that spans the era from the 1890s to the 1940s". [5] Dr Grordbort's has been featured in other technology magazines including Wired magazine [6] and Boing Boing. In the Wired interview, Greg described Dr Grordbort's as "a parallel universe that uses the late 1800s through to the 1930s as a jumping off point" in terms of inspiration for the world. [6]
In 2011, Broadmore's world of Dr Grordbort's appeared in White Cloud Worlds: An Anthology of Science Fiction and Fantasy Artwork from Aotearoa New Zealand. [7] He was one of the New Zealand authors chosen to speak at the 2012 Frankfurt Book Fair keynote for his Dr Grordbort's books, Victory, [8] Dr Grordbort's Contrapulatronic Dingus Directory and Triumph. [9]
Also in 2011, Broadmore collaborated with Valve to bring current Dr. Grordbort creations and new weapon designs to the popular First-person shooter, Team Fortress 2 . [10] In the first update on July 20, 2011, two weapons, The Righteous Bison and the Cow Mangler 5000 were added, and attendees of the Weta booth at the 2011 San Diego Comic-Con could get a special code to get a Genuine variant of the Righteous Bison. [11] A second update on December 15, 2011, added many other weapons and cosmetic items in the style of Dr. Grordbort.
In 2009, in partnership with Sir Richard Taylor and Tania Rodger, Broadmore launched an internationally touring exhibition, Dr Grordbort's Exceptional Exhibition, which has toured in Hong Kong, [12] Chengdu in China, [13] Germany, France, Switzerland and New Zealand. [14]
Broadmore has co-designed public art pieces around New Zealand including the Rocky Horror Show/Richard O'Brien tribute sculpture located in the south end of Victoria St. in Hamilton. The bronze cast statue, called Riff Raff , celebrates the birthplace of the Rocky Horror Picture Show and pays tribute to the former home of The Embassy Theatre, where scriptwriter Richard O'Brien cut hair from 1954 to 1964. [15]
In 2006 he co-designed and art directed the Tripod Sculpture [16] in downtown Wellington that commemorates the local screen industry.
One of his other public collaborations is the design of the ceiling of the recently revamped Roxy Cinema in Wellington, which was reopened in 2011. Broadmore designed the ceiling, which was covered by a mural featuring a marauding robot, a cluster of flying rocket girls and the landscape of planet Venus. The Sunday Star-Times feature writer Grant Smithies described the mural as "a sepia-tone illustration from an old Jules Verne novel, or perhaps a long-lost dream sequence from Fritz Lang's classic 1927 silent film, Metropolis ". [4] Broadmore also designed a "cloning machine" for BATS Theatre, which featured as the main prop in a play called Gene Pool, his first theatrical collaboration. [17]
Appearing as Greg Broadmore in:
Wētā FX, formerly known as Weta Digital, is a New Zealand–based digital visual effects and animation company based in Miramar, Wellington. It was founded by Peter Jackson, Richard Taylor, and Jamie Selkirk in 1993 to produce the digital special effects for Heavenly Creatures. The company went on to produce some of the highest-grossing films ever made, such as the Lord of the Rings trilogy and the Avatar series. Considered one of the most influential film companies of the 21st century, Wētā FX has won several Academy Awards and BAFTAs. The company is named after the New Zealand wētā, one of the world's largest insects, which was historically featured in the company logo.
Wētā Workshop is a special effects and prop company as well as a board game and miniatures company and video game developer based in Miramar, Wellington, New Zealand. It mainly produces effects for television and film.
Sir Richard Leslie Taylor is the founder, creative director and head of New Zealand film prop and special effects company Wētā Workshop.
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The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is a 2005 high fantasy film directed by Andrew Adamson, who co-wrote the screenplay with Ann Peacock and the writing team of Christopher Markus and Stephen McFeely, based on the 1950 novel The Lion, the Witch and the Wardrobe, the first published and second chronological novel in the children's book series The Chronicles of Narnia by C. S. Lewis. The film is the first installment in The Chronicles of Narnia film series. It was produced by Walt Disney Pictures and Walden Media, and distributed by Buena Vista Pictures Distribution.
The Chronicles of Narnia: Prince Caspian is a 2008 high fantasy film directed by Andrew Adamson, who co-wrote the screenplay with Christopher Markus and Stephen McFeely, based on the 1951 novel Prince Caspian, Produced by Walt Disney Pictures and Walden Media, the second published and fourth chronological novel in the children's book series The Chronicles of Narnia by C. S. Lewis. The sequel to The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), it is the second installment in The Chronicles of Narnia film series.
Benjamin (Ben) Charles Wootten is a graphic artist and designer based in Wellington, New Zealand.
Christian Rivers is a New Zealand storyboard artist, visual effects supervisor, special effects technician, and director. He first met Peter Jackson as a 17-year-old, and storyboarded all of Jackson's films since Braindead. He made his directing debut in the film adaptation of Mortal Engines, and planning a remake of The Dam Busters, both produced by Peter Jackson.
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Bay Leaf Raitt is an American Artist, 3D Graphic Novelist, Animator and Video Game Devoper. He was the Creature Facial Lead for Gollum on the Lord of the Rings movie Trilogy and Worked at Valve Software for 9 years before Founding the Spiraloid Workshop Company and Joining Unity3d. Previously he has worked for Image Comics, providing computer-image coloring for Steve Oliff to use with "Spawn", "The Pitt", and "The Maxx". He later worked at Protozoa, providing 3D animation computer effects. In 1999 Raitt emigrated to New Zealand to work for Weta Digital. In that post he was responsible for creating the computer-generated face for Gollum in The Lord of the Rings. In video games, he is a modeler, animator, and level designer for the videogame Squeezils.
David Long is a musician, composer and producer. In 2020 he won best score at the APRA Silver Scrolls for the BBC drama series, The Luminaries. He composes mainly for film and television but also contemporary dance. He has worked on all of Peter Jackson’s films of the last two decades. He performs with two bands, The Labcoats and Teeth.
James Cunningham is a New Zealand film director and animator. He has directed twelve award-winning short films. He is based in Auckland, New Zealand.
Sir Peter Robert Jackson is a New Zealand film director, screenwriter and producer. He is best known as the director, writer and producer of the Lord of the Rings trilogy (2001–2003) and the Hobbit trilogy (2012–2014), both of which are adapted from the novels of the same name by J. R. R. Tolkien. Other notable films include the critically lauded drama Heavenly Creatures (1994), the horror comedy The Frighteners (1996), the epic monster remake film King Kong (2005), the World War I documentary film They Shall Not Grow Old (2018) and the documentary The Beatles: Get Back (2021). He is the fifth-highest-grossing film director of all-time, his films having made over $6.5 billion worldwide.
Rhian Sheehan is a New Zealand composer and producer born in Nelson and now based in Wellington. He is known for his fusing of orchestral chamber music and piano, with ambient electronic and post-rock cinematic atmospheres. He has also written music for film, television, video games, exhibitions, advertisements, roller coaster rides, and planetarium dome shows.
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Inge Rademeyer is an actress and filmmaker. Born in South Africa she immigrated to New Zealand at 15. After majoring in Film, TV and Media Studies as well as Theatre and Drama at the University of Auckland, Rademeyer moved to Wellington to pursue working in the growing New Zealand film industry. She worked at Academy-Award winning VFX house Weta Digital on projects such as King Kong, Avatar and The Hobbit. During this time she also produced and starred in a critically acclaimed independent feature film Good for Nothing with her partner - writer director Mike Wallis - also Weta Digital alumni. During post-production Oscar-winner Jamie Selkirk came on board as an Executive Producer and investor in the film
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The World of Kong: A Natural History of Skull Island is a 2005 art book released as a tie-in to the film King Kong (2005). The book is written in the form of a field guide and natural history of the version of Skull Island and its creatures as presented in the film.