 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Greg Colson | |
|---|---|
 | |
| Born | Greg Colson April 23, 1956 Seattle, Washington, U.S. |
| Known for | Painting, sculpture, drawing, printmaking, photography |
| Movement | Assemblage, conceptual art, arte povera |
Greg Colson (born April 23, 1956) is an American artist known for his works and sculptures using scavenged materials.
Colson was born in Seattle, Washington and grew up in Bakersfield, California, in the nearby suburb of Oildale with his parents and two brothers Doug and Jeff, who is also an artist. His father Lewis Colson was a social worker but was also a skilled mechanic and inventive with makeshift repairs and adapting materials to new uses – which inspired his son's appreciation of the ordinary and the rejected. The industrial environment of the Bakersfield/Oildale area, and its accompanying attitudes and outlook, also affected Colson – particularly in its contrast to the large urban/cultural centers he would later inhabit as an artist.[ citation needed ]
He received his BA from California State University Bakersfield where he studied with George Ketterl, Ted Kerzie, Michael Heively, and visiting artists John McCracken, Joe Goode, Ed Ruscha, James Turrell, and Ed Moses. From 1978-80 he attended Claremont Graduate School, studying with Tom Wudl, Michael Brewster, and Roland Reiss and earned his MFA. During the 1980s he apprenticed for artists Vija Celmins, Ruscha, and Wudl. In 1987 he had his first solo exhibition with Angles Gallery. Colson currently[ when? ] works and lives in Venice, California with his wife, writer Dinah Kirgo. [1] [2]
Colson's diagrams and maps speak to the detached, abstract quality of much human analysis, at the same time smuggling social critique into each work. Roberta Smith of The New York Times described Colson's 1990 debut exhibition at Sperone Westwater Gallery: "In nearly all of Mr. Colson's works, the combination of modesty and grandiosity, of mental exactness and physical imprecision adds up to an odd, sad beauty. Elliptical as they are, his pieces often seem to scrutinize the conflict between the active center and deserted margins of industrialized society." [3]
Colson's series of ‘Stick Maps’ of cities such as Cleveland, San Jose, and Baton Rouge are built of found lengths of assorted materials; ski poles, curtain rods, plastic pipe, wood molding – the structure becoming a metaphor for the manifold influences on a city.[ citation needed ] His constructed ‘Pie Chart’ paintings based on socio-cultural surveys, mock analysis. Colson's 'Elliptical Models' paintings incorporate, the ordinary and the profound and suggest preposterous hierarchies using the formal through-line of the circle. Sharon Mizota, in her Los Angeles Times review of Colson's 2010 exhibition at William Griffin Gallery (now Kayne Griffin Corcoran), characterized these works as "grand and hilarious testaments to the leveling effect of data overload. "One [piece] includes concentric circles depicting ‘5 Steps to Happiness,’ ‘Flea Life Cycle,’ ‘The Cycle of Addiction,’ and for good measure, a flange gasket. The piece levels the distinctions between these wide-ranging phenomena in an absurdly uninformative information graphic." [4] More recently, Colson has designed and created large-scale outdoor sculptures.[ citation needed ]
Colson has had solo exhibitions throughout the United States and Europe, including Sperone Westwater (New York), Patrick Painter Inc. (Los Angeles), Galerie Konrad Fischer (Düsseldorf), Gian Enzo Sperone (Rome), Galleria Cardi (Milan), Kunsthalle Lophem (Bruges, Belgium), Baldwin Gallery (Aspen), Krannert Art Museum (University of Illinois Urbana-Champaign), and the Lannan Museum (Lake Worth, Florida). Colson's work is in many public collections, including the Whitney Museum of American Art (New York), Metropolitan Museum of Art (New York), Museum of Contemporary Art (Los Angeles), Hirshhorn Museum and Sculpture Garden (Washington, D.C.), Panza Collection (Varese, Italy), Sammlung Rosenkranz (Berlin), and Moderna Museet (Stockholm). [5]
| This section of a biography of a living person needs additional citations for verification .(April 2019) |
Greg Colson's work is included in collections at the Getty Research Institute, Los Angeles, CA; Hammer Museum, Los Angeles, CA; Henry Art Gallery, Seattle, WA; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Krannert Art Museum, Urbana-Champaignm Illinois; Los Angeles County Museum of Art, CA; Metropolitan Museum of Art, New York, NY; Moderna Museet, Stockholm, Sweden; Museum of Contemporary Art, Los Angeles, CA; Museum of Contemporary Art, San Diego, CA; Museum of Modern Art, New York, NY; New York Public Library, New York, NY; Panza Collection, Lugano, Switzerland; Sammlung Rosenkranz, Berlin, Germany; Tsaritsino Museum of Contemporary Art, Moscow, Russia; UBS Art Collection, Zurich, Switzerland; Vancouver Art Gallery, British Columbia, Canada; Whitney Museum of American Art, New York, NY. [5]
Bruce Nauman is an American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico.
Richard Dean Tuttle is an American postminimalist artist known for his small, casual, subtle, intimate works. His art makes use of scale and line. His works span a range of formats, from sculpture, painting, drawing, printmaking, and artist’s books to installation and furniture. He lives and works in New York City, Abiquiú, New Mexico, and Mount Desert, Maine.
Wim Delvoye is a Belgian neo-conceptual artist widely recognized for combining in his inventive and often shocking projects philosophical ideas, innovative use of materials, and a passion for craftsmanship. He blurs the boundaries between traditional art and the digital realm of contemporary artistic practices, creating aerodynamic, mathematically precise, and intricate sculptures that take the art and design to new levels of invention, while offering a perceptive and playful commentary on contemporary society. As the critic Robert Enright wrote in the art magazine Border Crossings, "Delvoye is involved in a way of making art that reorients our understanding of how beauty can be created". Wim Delvoye has an eclectic oeuvre, exposing his interest in a range of themes, from bodily function, and scatology to the function of art in the current market economy, and numerous subjects in between. He lives and works in Ghent (Belgium).
Robert Natkin was an American abstract painter whose work is associated with abstract expressionism, color field painting, and Lyrical Abstraction.
Rachel Harrison is an American visual artist known for her sculpture, photography, and drawing. Her work often combines handmade forms with found objects or photographs, bringing art history, politics, and pop culture into dialogue with one another. She has been included in numerous exhibitions in Europe and the US, including the Venice Biennale, the Whitney Biennial and the Tate Triennial (2009). Her work is in the collections of major museums such as The Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Tate Modern, London; among others. She lives and works in New York.
Kim Dingle is a Los Angeles-based contemporary artist working across painting, sculpture, photography, found imagery, and installation. Her practice explores themes of American culture, history, and gender politics through both figurative and abstract approaches.
Karl Gunnar Vougt Pontus Hultén was a Swedish art collector and museum director. Pontus Hultén is regarded as one of the most distinguished museum professionals of the twentieth century. He was the pioneering former head of the Museum of Modern Art in Stockholm and in the 1970s he was invited to participate in the creation of the Centre Georges Pompidou in Paris, where he was the first director of the Musée National d'Art Moderne (MNAM) in 1974–1981.
Alighiero Fabrizio Boetti known as Alighiero e Boetti was an Italian conceptual artist, considered to be a member of the art movement Arte Povera.
Susan Charna Rothenberg was an American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation.
Peter Shelton is a contemporary American sculptor born in 1951 in Troy, Ohio.
Walter Maciel Gallery is an art gallery founded in 2005, located at 2642 S. La Cienega Boulevard, in the Culver City Arts District in Los Angeles, California, United States. Walter Maciel worked as a gallery director in San Francisco for fourteen years before he moved to Southern California and opened his own space. Maciel has served on many boards and committees, including Southern Exposure, Headlands Center for the Arts, Hospitality House in San Francisco, and the San Francisco Art Dealers Association. He has been on lecture panels at UCLA, the San Francisco Art Institute, California College of the Arts, UC Berkeley, Pacific Northwest College of Art, University of Missouri, Kansas City, Ulrich Museum of Art, Wichita State University, Wichita, KS and the Institute of Contemporary Art, San Jose.
Giuseppe Panza di Biumo was a collector of modern art. He lived in Milan and Varese, Italy.
Roland Conrad Petersen is a Danish-born American painter, printmaker, and professor. His career spans over 50 years, primarily in the San Francisco Bay Area and is perhaps best-known for his "Picnic series" beginning in 1959 to today. He is part of the Bay Area Figurative Movement.
Nabil Nahas is a Lebanese artist and painter living in New York.
Jeff Colson is an American artist.
Accidentalism represents a loosely affiliated art movement related to assemblage, conceptual art and process art during the late 1980s and early 1990s. It is characterized by the interplay and tension between human systems and their physical instantiations often to surprising and humorous outcomes. Artists associated with the movement are Peter Fischli & David Weiss, Greg Colson, Terry Winters, and Tim Hawkinson.
Mary Weatherford is a Los Angeles–based painter. She is known for her large paintings incorporating neon lighting tubes. Her work is featured in museums and galleries including the Hirshhorn Museum and Sculpture Garden, Brooklyn Museum, Museum of Modern Art, and the High Museum of Art. Weatherford's solo exhibitions include Mary Weatherford: From the Mountain to the Sea at Claremont McKenna College, I've Seen Gray Whales Go By at Gagosian West, and Like The Land Loves the Sea at David Kordansky Gallery, Los Angeles. Her work has been part of group exhibitions at the Museum of Modern Art and the Rose Art Museum at Brandeis University.
Lily Stockman is an American painter who lives and works in Los Angeles and Yucca Valley, CA.
Sue Williams is an American artist born in 1954. She came to prominence in the early 1980s, with works that echoed and argued with the dominant postmodern feminist aesthetic of the time. In the years since, her focus has never waned yet her aesthetic interests have moved toward abstraction along with her subject matter and memories. She lives and works in New York.
Tishan Hsu is an American contemporary artist based in New York. Hsu's practice examines the "embodiment of technology," or technology's impact on phenomenology and affect. Hsu's works span across painting, sculpture, drawing, and computer-generated media and often incorporate unusual materials such as digital media, silicone, and Styrofoam. Recently, after his mother's death in 2013, Hsu's works have turned towards the relationship between technology and race, history, and heritage. From 1994-2018, Hsu was Professor of Visual Arts at Sarah Lawrence College in New York, as well as a visiting professor at Pratt Institute and Harvard University. Hsu has served as a Member of the Board of White Columns and a Governor of the Skowhegan School of Painting and Sculpture.
| International | |
|---|---|
| National | |
| Artists | |
