Gregory Kramer

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Gregory Paul Kramer (born 14 October 1952, in Los Angeles, California), is an American composer, researcher, inventor, meditation teacher and author. In 1975 he co-founded Electronic Musicmobile, a pioneer synthesizer ensemble later renamed Electronic Art Ensemble, in which Kramer was a musician and composer. His pioneering work extended to developing synthesizer and related equipment. Kramer also co-founded the not-for-profit arts organization Harvestworks in New York City. He is recognized as the founding figure of the intensely cross-disciplinary field of data sonification. Since 1980, Kramer teaches Buddhist meditation. He is credited as developer of Insight Dialogue, an interpersonal meditation practice. Kramer is the author of several books in diverse fields, as well as (co-)author of scientific papers in the field of data sonification.

Contents

Career

Musician/composer

From 1975, Kramer was a founding member [1] of Electronic Musicmobile, an electronic music touring ensemble. [2] Kramer and two other players performed using only synthesizers; Kramer was the musical director and primary composer. [2] In 1979, the personnel stabilized and the group was renamed Electronic Art Ensemble. Its line-up included Stephen Horelick, Clive Smith and Russel Dorwart. [3] From then on, the group also used instruments other than synthesizers, modifying their sounds electronically. [4] The aims of Electronic Musicmobile, and later the Electronic Art Ensemble, were to explore a new timbral and gestural language for music, and to expose a wider portion of the population to electronic music. [5] To this end, the ensemble toured the Northeastern part of the United States for 6 consecutive years. [6] [2] Performances featured music composed by Kramer and other members of the ensemble, as well as contemporary American composers such as John Cage and Christian Wolff. [2] In 2022, the Electronic Art Ensemble reunited and is again actively composing and recording. [7]

Kramer scored numerous films, video, and dance performances. He scored the Emmy Award winning [8] Henry Hudson’s River: A Biography, [9] and Metro: Manhattan Chowder by the same production company, [10] which won the Cine Golden Eagle and other awards. [11] [12]

Kramer was an Assistant Professor of Composition in the Music Department of NYU, from 1975 to 1979. [1] In 1976, Kramer co-founded the Public Access Synthesizer Studio (PASS) in New York City, where anyone could use various contemporary synthesizers for $3 per hour. [1] [13] The studio also hosted seminars and performances on synthesizers and electronic music and featured a design file and tape library. [1]

In 1977, to support PASS and its various programs, Kramer co-founded Harvestworks, [14] a not-for-profit arts organization located in New York City dedicated to providing access to the knowledge and tools of music technology through education programs, publications, artist assistance, and music and sound art presentation projects. He remains as the Chair Emeritus of Harvestworks. [14]

Inventor

In 1973, Kramer founded [1] and since managed Electron Farm, a company that built and sold Buchla 100 synthesizers and custom synthesizer modules in New York City. [15] Through his company Clarity, [16] [17] founded in 1981, Kramer conceived and developed the MIDI XLV, and with it helped launch the recording technique of signal process automation. Through Clarity, Kramer also conceived of and designed the Lexicon MRC (MIDI Remote Control). [18] This product was the first MIDI remote control and fader box, now a major product category in music technology. The MRC won the 1989 TEC Award for Technical Excellence (Ancillary Equipment). [19] Kramer collaborated closely with Robert Moog, who since 1970 had been working on a keyboard controller that would respond to human touch. [20] [21] In 1993, Moog reduced his involvement in the project, stating that "I've given them to Eaton and to one other artist, Gregory Kramer, an experimental composer [...]". [22] Moog continued working with Kramer until his death in 2005,<[ citation needed ] and Kramer continues to work on the project with a team of engineers. [23]

Science

As a member of the Santa Fe Institute, Kramer organized the first International Conference on Auditory Display in 1992. He subsequently established and became the first president of the International Community for Auditory Display (ICAD), [24] a non-profit corporation dedicated to supporting the development of auditory display research and community formation. Kramer edited the Proceedings, [25] which was the first book on auditory display and data sonification and remains possibly the most oft-cited publication in the field. [26]

Buddhist teacher

Kramer has been teaching meditation worldwide since 1980. He teaches vipassana meditation, dharma contemplation, and Insight Dialogue at retreats, and in universities worldwide. In 1995 he co-founded the Metta Foundation in Portland, Oregon, [27] a non-profit corporation dedicated to supporting the growth and development of insight meditation and the teachings of the Buddha as they manifest in our current society, and for which he functions as a meditation teacher, author, and director. In 2020, the Metta Foundation supported the formation of the Insight Dialogue Community, in which Kramer remains involved as a Founding Teacher. [28] His meditation practice since 1974 has included studies with a number of esteemed monastics, including Anagarika Dhammadinna, Ven. Balangoda Ananda Maitreya Mahanayaka Thero, Achan Sobin S. Namto and Ven. Punnaji Mahathera. [23]

Kramer graduated from the California Institute of the Arts (BFA, Music Composition, 1972) and New York University (MA, Music Composition, 1977). He holds a Ph.D. in Learning and Change in Human Systems from the California Institute of Integral Studies. He is married and the father of three grown sons. He lives in Orcas, Washington where he remains focused on writing, training teachers, and living a contemplative life.

Bibliography (selection)

Discography

Patents

Related Research Articles

Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and electric guitar.

<span class="mw-page-title-main">Electronic musical instrument</span> Musical instrument that uses electronic circuits to generate sound

An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.

<span class="mw-page-title-main">Robert Moog</span> American engineer (1934–2005)

Robert Arthur Moog was an American engineer and electronic music pioneer. He was the founder of the synthesizer manufacturer Moog Music and the inventor of the first commercial synthesizer, the Moog synthesizer, which debuted in 1964. In 1970, Moog released a more portable model, the Minimoog, described as the most famous and influential synthesizer in history. Among Moog's honors are a Technical Grammy Award, received in 2002, and an induction into the National Inventors Hall of Fame.

Wendy Carlos is an American musician and composer best known for her electronic music and film scores.

<span class="mw-page-title-main">Music technology (electronic and digital)</span>

Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.

<span class="mw-page-title-main">Electronic keyboard</span> Musical instrument

An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.

<span class="mw-page-title-main">Sonification</span> Use of sounds other than speech to convey information

Sonification is the use of non-speech audio to convey information or perceptualize data. Auditory perception has advantages in temporal, spatial, amplitude, and frequency resolution that open possibilities as an alternative or complement to visualization techniques.

Sequential is an American synthesizer company founded in 1974 as Sequential Circuits by Dave Smith. In 1978, Sequential released the Prophet-5, the first programmable polyphonic synthesizer, which was widely used in the music industry. In the 1980s, Sequential was important in the development of MIDI, a technical standard for synchronizing electronic instruments.

<span class="mw-page-title-main">Buchla Electronic Musical Instruments</span> Synthesizer and MIDI controller manufacturer

Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership.

<span class="mw-page-title-main">Moog synthesizer</span> Electronic musical instrument

The Moog synthesizer is a modular synthesizer invented by the American engineer Robert Moog in 1964. Moog's company, R. A. Moog Co., produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer and established the analog synthesizer concept.

The Memorymoog is a polyphonic electronic music synthesizer manufactured by Moog Music from 1982 to 1985, the last polyphonic synthesizer to be released by Moog Music before the company declared bankruptcy in 1987. While comparable to other polyphonic synthesizers of the time period, such as the Sequential Circuits Prophet-5 and Oberheim OB-Xa, the Memorymoog distinguished itself with an additional, 3rd audio oscillator per voice and greater preset storage capacity.

<span class="mw-page-title-main">Micromoog</span> Monophonic analog synthesizer

The Moog model 2090 Micromoog is a monophonic analog synthesizer produced by Moog Music from 1975 to 1979.

<span class="mw-page-title-main">Don Buchla</span> Musical artist

Donald Buchla was an American pioneer in the field of sound synthesis. Buchla popularized the "West Coast" style of synthesis. He was co-inventor of the voltage controlled modular synthesizer along with Robert Moog, the two working independently in the early 1960s.

<span class="mw-page-title-main">Roger Powell (musician)</span> American musician, programmer, and magazine columnist

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<span class="mw-page-title-main">Synthesizer</span> Electronic musical instrument

A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments and may be synchronized to other equipment via MIDI.

<span class="mw-page-title-main">Electronics in rock music</span> Use of electronic instruments in rock music

The use of electronic music technology in rock music coincided with the practical availability of electronic musical instruments and the genre's emergence as a distinct style. Rock music has been highly dependent on technological developments, particularly the invention and refinement of the synthesizer, the development of the MIDI digital format and computer technology.

<span class="mw-page-title-main">David Worrall (composer)</span> Australian composer and sound artist (born 1954)

David Worrall is an Australian composer and sound artist working a range of genres, including data sonification, sound sculpture and immersive polymedia as well as traditional instrumental music composition.

The International Community for Auditory Display (ICAD), founded in 1992, provides an annual conference for research in auditory display, the use of sound to display information. Research and implementation of sonification, audification, earcons and speech synthesis are central interests of the ICAD.

Harvestworks is a not-for-profit arts organization located in New York City. It was founded in 1977 by artists supporting the creation and presentation of art works achieved through the use of new technologies. The Harvestworks TEAM Lab supports the creation of art works achieved through the use of new and evolving technologies.

Data sonification is the presentation of data as sound using sonification. It is the auditory equivalent of the more established practice of data visualization.

References

  1. 1 2 3 4 5 The Post-Star, 7/28 1977
  2. 1 2 3 4 Putnam County News and Recorder, 1/9/1980
  3. Davis, Peter G.: "Music: Electronic Arts Ensemble", in: New York Times, 5/23 1981
  4. New Yorker, 6/8 1981, p. 131-134
  5. Cortland Standard, 7/21 1977
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  17. "News". Computer Music Journal. Vol. 28, no. 4. 2004. p. 8. JSTOR   3681687 . Retrieved July 19, 2020.
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  19. "Former TEC Winners". September 2004.
  20. "Remembering John Eaton (1935-2015)". moogfoundation.org. 7 December 2015. Retrieved July 20, 2020.
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  23. 1 2 "Deep Listening: An Interview with Gregory Kramer". Buddhistinquiry.org. Retrieved 17 March 2023.
  24. "The ICAD Board" . Retrieved 21 July 2016.
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  27. "Talks at Google | Insight Dialogue: The Interpersonal Path to Freedom". Talksat.withgoogle.com. Retrieved 20 July 2020.
  28. "About". Insightdialogue.org. Retrieved 20 July 2020.
  29. "Electronic Art Ensemble – Inquietude (1982, Vinyl)". Discogs .