Salsa music is a style of Latin American music. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno, with elements of mambo, Latin jazz, bomba, plena and guaracha. All of these elements are adapted to fit the basic son montuno template when performed within the context of salsa.
Úrsula Hilaria Celia de la Caridad Cruz Alfonso, known as Celia Cruz, was a Cuban-American singer and one of the most popular Latin artists of the 20th century. Cruz rose to fame in Cuba during the 1950s as a singer of guarachas, earning the nickname "La Guarachera de Cuba". In the following decades, she became known internationally as the "Queen of Salsa" due to her contributions to Latin music in the United States.
Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains.
Los Van Van is one of the leading musical groups of post-revolutionary Cuba. It was founded in 1969 by bassist Juan Formell, who directed the band until his death in 2014. Formell and former band members Changuito and Pupy are some of the most important figures in contemporary Cuban music, having contributed to the development of songo and timba, two popular dance music genres.
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section are all rooted in traditions of Bantu origin.
Joe Cuba, was an American conga drummer of Puerto Rican descent widely regarded as the "Father of Latin Boogaloo".
Cheo Feliciano was a Puerto Rican singer and composer of salsa and bolero music. Feliciano was the owner of a recording company called "Coche Records". He was the first tropical singer to perform at the "Amira de la Rosa Theater" in Barranquilla, Colombia, and in 1987 he played the role of Roberto Clemente's father in the musical Clemente.
Pellín Rodríguez, was a Salsa singer. Rodríguez was a member of the musical group El Gran Combo and toured with them all over Latin America and Europe, gaining fame and popularity as a singer. In addition to his singing capabilities, Rodríguez had great comedic abilities and participated on comedy bits on various TV shows in Puerto Rico.
Guaco is a tropical music band from Venezuela that was formed in Maracaibo by Mario Viloria, Alfonso "Pompo" Aguado, and Fernando Domínguez in 1968. Viloria, the main founder, retired to focus on his college studies; he was the group's main composer for several years. His home was also the main place where practices were held in the group's early years. The name Guaco is attributed a bird named "Guaco" that would fly over Viloria's house every morning. The band began as a gaita zuliana group, and during the 70s diverged from the traditional way of playing the genre by integrating it with elements of salsa music, and adding in violins and electric guitars which were very unusual instruments to be included in a gaita band. Today, the Guaco rhythm continues to evolve through a complex mixture of gaita, salsa, pop music, jazz, funk and even rock and roll and vallenato rhythms, concocting a recognizable and unique style that is considered to be a hallmark of the tropical music genre.
Alberto Naranjo [nah-rahn'-ho] was a Venezuelan musician. His mother, the singer Graciela Naranjo, was a radio, film and television pioneer in her homeland. Largely self-taught, Naranjo embarked on a similar musical course, becoming – like his mother – one of Venezuela's icons of contemporary popular music.
Juan Pablo Pacheco Knipping, known as Johnny Pacheco, was a Dominican musician, arranger, composer, bandleader, and record producer who in the 1970s became one of the leading exponents of salsa as well in the late 1950s called the pachanga, a blend of Cuban rhythms and Dominican merengue, which propelled him to worldwide fame and had an important role in the evolution of Latin music.
Oscar Emilio León Somoza, known as Oscar D'León, and affectionately called The Pharaoh of Salsa, The Lion of Salsa, and the Son singer of the World, is a Venezuelan musician best known for his work with salsa music. He is the author of "Llorarás", which he recorded in 1974 with his group, Dimensión Latina. He is also ambassador for Operation Smile.
The Sexteto Habanero was a Cuban son sextet founded in 1920 in Havana. It played an important part in the early history of the genre, contributing to its popularization all around Cuba. In 1927, the band incorporated a cornet player becoming the Septeto Habanero. Although most original members left in the 1930s, the band has continued to perform and record with different line-ups. Their last album was released in 2010 for their 90th anniversary.
Jimmy Sabater was an American musician of Puerto Rican ancestry. A three-time winner of the ACE Awards, he was a singer and timbales player. He gained international fame thanks to his work with the Joe Cuba Sextet in the 1960s and '70s, and later became the lead singer of various groups including Charlie Palmieri's Combo Gigante. His son, Jimmy Sabater Jr., is an amazing trumpeter and bandleader.
Irakere & Trabuco - En Vivo, Poliedro de Caracas, Mayo 15 '81 is a Vinyl-LP live album released in 1982.
Canelita Medina is a Venezuelan salsa singer noted for singing in the Cuban Son style. She had always dreamt of becoming a singer as a young girl, imitating the salsa singer Celia Cruz. When she entered a radio talent program on Radio Continente, she caught the attention of talent agents with her unique voice. Over the years, Canelita has achieved great success, both nationally and internationally, and is successful to this day. Through more than 50 years of her life as an artist, Canelita Medina has received many awards.
Lilia Vera is a Venezuelan folk singer, whose contemporary folk music range is inspired by traditional Venezuelan genres and songs of protest or social justice.
Barbarito Díez was a Cuban singer who specialized in danzón. He began his career as the singer for Graciano Gómez and Isaac Oviedo's son group, before joining Antonio María Romeu's orchestra. As the lead vocalist for Romeu's ensemble for 20 years, he established himself as one of the main exponents of the sung danzón. He continued singing with his own charanga, as well as other groups, for another 30 years. He also toured and recorded in Venezuela and Puerto Rico before retiring in the early 1990s, when complications from diabetes prevented him from performing and eventually resulted in his death in 1995. A naturally-gifted tenor, he was known for his sense of rhythm, correct diction and romantic style.
Francisco Fellove Valdés, also known as El Gran Fellove, was a Cuban songwriter and singer. A prolific composer of the feeling generation, he is well known for his particular style of scat singing known as chua chua. He is the author of the famous guaracha-pregón "Mango mangüé", recorded by Machito and Celia Cruz among others. He was the cousin of conga drummer Carlos "Patato" Valdés.
Los Cuñaos[coo-nyah'-os] is an eight-part vocal group established in Caracas, Venezuela in 1974. Their repertoire is based on popular Venezuelan songs adapted to their own unique style of singing, performing a crossover of traditional and pop genres while contrasting their work with rich and warm harmonies.