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Guitar showmanship involves gimmicks, jumps, or other stunts with a guitar. Some examples of guitar showmanship became trademarks of musicians such as Chuck Berry, Jimi Hendrix, Pete Townshend, Jimmy Page, Ritchie Blackmore, Yngwie Malmsteen, Eddie Van Halen, Stevie Ray Vaughan, Ace Frehley, and Angus Young.
Blues musicians such as Charley Patton used stunts such as playing the guitar behind their back, and touring R&B performers further developed these stunts. [1]
Jimi Hendrix, who spent his early career touring with R&B show bands, used some of these gimmicks in his rock sets, such as playing his guitar behind his back, in between his legs, and making it look as if he were playing it with his teeth. [2] Other guitarists such as Joe Satriani and Zakk Wylde employ these techniques and Steve Vai has played with his tongue on several occasions. Buddy Guy has also tossed his guitar up in the air and caught it on exactly the same chord he was previously fretting. [3] Stevie Ray Vaughan also played the guitar behind his head and behind his back. [4]
Chuck Berry's showmanship has been influential on other rock guitar players. [3] He used a one-legged hop routine, [5] and the "duckwalk", [6] which he first used as a child when he walked "stooping with full-bended knees, but with my back and head vertical" under a table to retrieve a ball and his family found it entertaining; he used it when "performing in New York for the first time and some journalist branded it the duck walk.". [7] [8]
The Who's lead guitarist and main songwriter Pete Townshend commonly plays his guitar with a fast windmill motion, inspired by watching Keith Richards' warm-up exercise. [9] [10] At a show in Tacoma, Washington, in 1989, he was windmilling so aggressively that he accidentally pierced his hand with the guitar's whammy bar and needed hospital treatment. [11]
Townshend also destroys his guitar from time to time, usually at the climax of a set. The first occasion was in 1964 at the Railway Tavern in Harrow, which has a low ceiling; he raised his guitar above his head and accidentally drove the headstock into the roof smashing it off. When the audience failed to respond he proceeded to smash the rest of the guitar to pieces. [12] He recalled that, after cracking the headstock:[ citation needed ]
I was expecting everybody to go, “Wow, he’s broken his guitar, he’s broken his guitar,” but nobody did anything, which made me kind of angry in a way. And determined to get this precious event noticed by the audience, I proceeded to make a big thing of breaking the guitar. I bounced all over the stage with it and I threw the bits on the stage and I picked up my spare guitar and carried on as though I really had meant to do it.
Jimi Hendrix sometimes set fire to his guitar, most notably at the Monterey Pop Festival when, apparently, he felt this was the only way he could upstage the destruction by Pete Townshend and Keith Moon of The Who during their set. On March 31, 1967, at a performance at London Astoria Hendrix sustained hand burns and visited the hospital. [13] [14]
Hendrix was also known for having a very erotic stage presence. He would slowly sweep his hand, similar to Townshend's windmill, roll his head, and "wipe" the guitar's neck to create extra sustain.[ clarification needed ]
Hendrix would also play guitar with his teeth[ clarification needed ], as well as make it look as though he was playing with his tongue, such as at the 1967 Monterey International Pop Music Festival during the guitar solo from his popular song "Hey Joe".
Jimmy Page is famous for playing his guitar with a violin bow, as on the live versions of the songs "Dazed and Confused" and "How Many More Times". [15] During Led Zeppelin's 1977 tour, the bow was illuminated and emitted a laser beam from its tip. Page also played part of the solo of the song "Heartbreaker" holding the guitar over his head while walking across the stage, and then bending a string above the guitar nut to repeatedly change the pitch of the note. He also jumped and opened his legs wide in mid-air when playing "Rock And Roll".
Ritchie Blackmore often played his guitar in unusual ways during a show—stepping on it with his foot, scraping the strings across the monitors or amplifiers on stage, throwing his guitar and catching it, or swinging it around. An example of Blackmore's onstage antics appears in the California Jam in 1974, where he headlined with Deep Purple. He smashed one of his guitars on a television camera before throwing it into the crowd. In the same show one of his amplifiers blew up and set the stage on fire, but the band finished their set.
The heavy metal virtuoso Yngwie Malmsteen uses a guitar stunt in which he flings the guitar around his body one or more times, held by its strap, for a "hula hoop" effect, and then brings it back to his hands. This stunt can be seen on the 2003 G3 concert video and in the music video for "I'll See the Light, Tonight".
Other people who have used the "hula hoop" stunt include Warner E. Hodges as well as Bruce Springsteen during the Super Bowl XLIII Halftime performance.
Angus Young is famous for his wild onstage antics: intense jumps and running back and forth across the stage while playing his guitar. He scoots across the stage on his back while playing a wild solo. Young would clamber on to Bon Scott's or Brian Johnson's shoulders during concerts and they would make their way through the audience with smoke streaming from a satchel on his own back, while he played an extended guitar solo, usually during the song "Rocker" with Scott or during "Let There Be Rock" with Johnson. Young has also emulated Chuck Berry's duck-walk while playing in concert. [16]
Ace Frehley, the original lead guitarist of the rock band KISS, is known for pyrotechnic guitar gimmicks especially, such as smoke emitting through the neck pickup of the guitar via the use of a trap door, and fireworks that would be shot outward from his guitar neck.
Christopher Guest, portraying lead guitarist Nigel Tufnel of the band Spinal Tap in the film This is Spinal Tap , is shown playing one guitar while playing another with his foot in both a display and parody of guitar showmanship. Parodying Jimmy Page, Tufnel also plays his guitar using a violin, not the bow, but the instrument itself, drawing one stringed instrument across another. [17] When performing live as Tufnel with Spinal Tap, Guest's solos were also known to include playing the guitar with his foot while juggling and playing the guitar from a distance using thrown horseshoes.
Stevie Ray Vaughan was known for his aggressive approach to the guitar; he would play his guitar behind his back whilst singing often during his song "Texas Flood". [18] He also would play behind his head [19] and with his teeth, techniques he undoubtedly was influenced to use by his heroes like Jimi Hendrix.
Johnny Ramone was known for playing in the influential "buzzsaw" technique, achieved by playing barre chords with rapid downstrokes on all notes [20] in a manner similar to the spinning of a buzzsaw blade. This style later became influential to punk, post-punk, and metal music, with musicians such as Kirk Hammett, Dave Mustaine, and Iron Maiden being influenced by Johnny's guitar-playing.
Nils Lofgren played guitar while jumping from a trampoline during stage performances, [21] but had to stop following hip replacement surgery in 2008. [22]
Rick Nielsen of Cheap Trick used to play guitar solos on multiple guitars, [23] strapping each of them on top of the previous one. In 1981, he played a custom-built five-necked guitar by Hamer instead. [24] [25] Nielsen often shows off his vast guitar collection on stage, with his five-neck guitar and a guitar built to resemble him (dubbed "Uncle Dick") [26] being some of the most well-known of his. Nielsen was also known for frequently jumping and running across the stage during shows while playing the guitar, and chucking many guitar picks at the audience from the microphone where he sings backing vocals as well. [27]
James Marshall "Jimi" Hendrix was an American guitarist, songwriter and singer. Although his mainstream career spanned only four years, he is widely regarded as the greatest and one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music."
Peter Dennis Blandford Townshend is an English musician. He is the co-founder, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. His aggressive playing style and poetic songwriting techniques, with the Who and in other projects, have earned him critical acclaim.
Stephen Ray Vaughan was an American musician, best known as the guitarist and frontman of the blues rock trio Stevie Ray Vaughan and Double Trouble. Although his mainstream career spanned only seven years, he is regarded as one of the most influential musicians in the history of blues music, and one of the greatest guitarists of all time. He was the younger brother of guitarist Jimmie Vaughan.
Angus McKinnon Young is an Australian musician, best known as the co-founder, lead guitarist, songwriter, and the only remaining founding member of the hard rock band AC/DC. He is known for his energetic performances, schoolboy-uniform stage outfits and his own version of Chuck Berry's duckwalk. Young was ranked 38th in the 2023 edition of Rolling Stone's 250 greatest guitarists of all time list. In 2003, Young and the other members of AC/DC were inducted into the Rock and Roll Hall of Fame.
"Johnny B. Goode" is a song by American musician Chuck Berry, written and sung by Berry in 1958. Released as a single in 1958, it peaked at number two on the Hot R&B Sides chart and number eight on its pre-Hot 100 chart. The song remains a staple of rock music.
Francesco Antonio Marino is a Canadian guitarist and singer, best known as the leader of Canadian hard rock band Mahogany Rush. Often compared to Jimi Hendrix, he is described as one of the most underrated guitarists of the 1970s. In 2021, he announced his retirement from music.
"Little Wing" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1967. It is a slower tempo, rhythm and blues-inspired ballad featuring Hendrix's vocal and guitar with recording studio effects accompanied by bass, drums, and glockenspiel. Lyrically, it is one of several of his songs that reference an idealized feminine or guardian angel-like figure. At about two and a half minutes in length, it is one of his most concise and melodically focused pieces.
Blackie is the nickname given by Eric Clapton to his favorite Fender Stratocaster.
Jimmie Lawrence Vaughan Jr. is an American blues rock guitarist and singer based in Austin, Texas. He is the older brother of the late Texas blues guitarist Stevie Ray Vaughan.
"Voodoo Child (Slight Return)" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1968 that appears as the final track on the groups's third studio album, Electric Ladyland, released that year. It contains improvised guitar and a vocal from Hendrix, backed by Noel Redding on bass and Mitch Mitchell on drums. The song is one of Hendrix's best known; it was a feature of his concert performances throughout his career, and several live renditions were recorded and released on later albums.
"Love Struck Baby" is a blues rock song performed by Stevie Ray Vaughan and Double Trouble. Vaughan wrote the song about the night that he moved in with his then-wife, Lenny. The track was produced by Vaughan for the band's debut album Texas Flood, recorded in Los Angeles. "Love Struck Baby" was the first single from Texas Flood, released by Epic Records in the United States and United Kingdom. In the song's accompanying music video, bassist Tommy Shannon and drummer Chris Layton are shown relaxing at a bar before Vaughan enters and starts performing the song for a crowd. "Love Struck Baby" was a concert favorite for fans of the band; Vaughan would frequently play the guitar behind his head for part of the solo.
James Charles Marshall known as The Father of Loud or The Lord of Loud, was an English businessman and pioneer of guitar amplification. His company, Marshall Amplification, founded in 1962, has created equipment that is used by some of the biggest names in rock music, producing amplifiers with an iconic status.
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
"Lenny" is the tenth and final track on the first Stevie Ray Vaughan and Double Trouble album Texas Flood. The song is in 4/4 time and notated in the key of E flat major. It is played very slowly and freely, with Vaughan alternating between jazz-inflected chords and solo runs. The main chord featured in the song is a movable major 6th chord to which Vaughan applies moderate vibrato with the tremolo bar. The solos incorporate the E major scale, the E minor pentatonic scale, and the E Minor blues scale. Its style is influenced by Jimi Hendrix ballads like "The Wind Cries Mary". The song was written and named for Vaughan's wife at the time, Lenora. Vaughan also named one of his guitars "Lenny", which he used on "Lenny" and on his later instrumental ballad, "Riviera Paradise". The track was often played at live shows.
"Testify" is an uptempo soul song by the American rhythm and blues group the Isley Brothers. Written by the Isleys and recorded in 1964, it followed several successful singles by the group and was the first single to appear on their own T-Neck record label.
Chuck Garvey is one of two guitarists for the American rock band moe. His playing has been influenced by Frank Zappa, Mick Ronson, David Bowie, Pete Townshend, Andy Summers, Jimi Hendrix, and Stevie Ray Vaughan. He lives in the Cincinnati, Ohio area.
"Third Stone from the Sun" is a mostly instrumental composition by American musician Jimi Hendrix. It incorporates several musical approaches, including jazz and psychedelic rock, with brief spoken passages. The title reflects Hendrix's interest in science fiction and is a reference to Earth in its position as the third planet away from the sun in the solar system.
This is a history of the equipment that the English rock band The Who used. It also notes their influence on the instruments of the time period.
The Couldn't Stand the Weather Tour was a worldwide concert tour by blues rock band Stevie Ray Vaughan and Double Trouble. Produced in support of their 1984 album Couldn't Stand the Weather, the tour visited North America, Europe, Australasia and Japan from 1984 to 1985. To reflect the new musical direction that the group took with Couldn't Stand the Weather, the tour was aimed to differ from their past and surpass expectations of the band. In comparison to Vaughan and Double Trouble's modest stage setup from the previous Texas Flood Tour, the Couldn't Stand the Weather Tour involved a slightly more elaborate production. It utilized grander amplifier setups and sound systems to take advantage of the larger venues in which they performed. To avoid their renowned strictly blues material, Vaughan and Double Trouble embodied a more expanded and varied repertoire during performances. In disparity to the previous tour, each of the Couldn't Stand the Weather shows opened with mostly the same three songs before other material was played. The album and the tour were the beginnings of the group's mid-eighties musical development.
Guitar showmanship.
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