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Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of calypso/kaiso, with influences from East Indian rhythms and hooks.
The music of Martinique has a heritage which is intertwined with that of its sister island, Guadeloupe. Despite their small size, the islands have created a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Martinique and Guadeloupe. Zouk's origins are in the folk music of Martinique and Guadeloupe, especially Martinican chouval bwa, and Guadeloupan gwo ka. There's also notable influence of the pan-Caribbean calypso tradition and Haitian kompa.
The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique. Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso tradition.
Sierra Leone's music is a mixture of native, French, British, West Indian and Creole musical genres.
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called bouyon, which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include WCK, Native musicians in various forms, such as reggae, kadans (Ophelia Marie, and calypso, have also become stars at home and abroad.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
The music of Guinea-Bissau is most widely associated with the polyrhythmic genre of gumbe, the country's primary musical export. Tina and tinga are other popular genres.
The Sierra Leonean Creole or Krio is an English-based creole language that is lingua franca and de facto national language spoken throughout the West African nation of Sierra Leone. Krio is spoken by 96 percent of the country's population, and it unites the different ethnic groups in the country, especially in their trade and social interaction with each other. Krio is the primary language of communication among Sierra Leoneans at home and abroad, and has also heavily influenced Sierra Leonean English. The language is native to the Sierra Leone Creole people, or Krios, a community of about 104,311 descendants of freed slaves from the West Indies, Canada, United States and the British Empire, and is spoken as a second language by millions of other Sierra Leoneans belonging to the country's indigenous tribes. Krio, along with English, is the official language of Sierra Leone.
The culture of Dominica is formed by the inhabitants of the Commonwealth of Dominica. Dominica is home to a wide range of people. Although it was historically occupied by several native tribes, it was the Taíno and Island Caribs (Kalinago) tribes that remained by the time European settlers reached the island. "Massacre" is a name of a river dedicated to the murders of the native villagers by both French and British settlers, because the river "ran red with blood for days." Each claimed the island and imported slaves from Africa. The remaining Caribs now live on a 3,700-acre (15 km2) Carib Territory on the east coast of the island. They elect their own chief.
The Music of French Guiana is a very rich and varied music of several styles and cultures coming from Europe, Africa and the Americas by the Amerindians due to its history and its multi-ethnic diversity.
As an overseas department of France, Martinique's culture is French and Caribbean. Its former capital, Saint-Pierre, was often referred to as the Paris of the Lesser Antilles. The official language is French, although many Martinicans speak a Creole patois. Based in French, Martinique's Creole also incorporates elements of English, Spanish, Portuguese, and African languages. Originally passed down through oral storytelling traditions, it continues to be used more often in speech than in writing.
Music of the African diaspora is a sound created, produced, or inspired by black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music.
Jamaican Maroons descend from Africans who freed themselves from slavery on the Colony of Jamaica and established communities of free black people in the island's mountainous interior, primarily in the eastern parishes. Africans who were enslaved during Spanish rule over Jamaica (1493–1655) may have been the first to develop such refugee communities.
The Jamaican Maroons in Sierra Leone were a group of just under 600 Jamaican Maroons from Cudjoe's Town, the largest of the five Jamaican maroon towns who were deported by the British authorities in Jamaica following the Second Maroon War in 1796, first to Nova Scotia. Four years later in 1800, they were transported to Sierra Leone.
The gumbe or bench drum is a frame drum found in French Guiana, Jamaica and Sierra Leone. It has a small size, with square frame and one head of goat skin.
Living Like a Refugee is the debut album from Sierra Leonian band Sierra Leone's Refugee All Stars, released in the Europe on 25 September 2006 and in the United States on 26 September 2006.
The Sierra Leone Creole people are an ethnic group of Sierra Leone. The Sierra Leone Creole people are descendants of freed African-American, Afro-Caribbean, and Liberated African slaves who settled in the Western Area of Sierra Leone between 1787 and about 1885. The colony was established by the British, supported by abolitionists, under the Sierra Leone Company as a place for freedmen. The settlers called their new settlement Freetown. Today, the Sierra Leone Creoles are 1.2 percent of the population of Sierra Leone.
Kenneth M. Bilby is an American anthropologist, ethnomusicologist, and author. His published works include the books Words of Our Mouth, Meditations of Our Heart: Pioneering Musicians of Ska, Rocksteady, Reggae, and Dancehall (2016), Enacting Power: The Criminalization of Obeah in the Anglophone Caribbean, 1760–2011, True-Born Maroons (2005), and Caribbean currents: Caribbean music from rumba to reggae.
Ebenezer Calendar (1912–1985), or Ebenezer Calender, was a Sierra Leone Creole palm-wine musician who popularized Creole gumbe and palm-wine music in Sierra Leone and West Africa. Calendar heavily influenced Dr Oloh and other Sierra Leonean musicians. Ebenezer Calendar formed the music group, Ebenezer Calendar & His Maringa Band which was popular between the early to middle twentieth centuries.
References
- ↑ See the Bahamas Goombay 1951-1959 album (scroll down to read booklet in both French and English:)
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