Bon or Bön, also known as Yungdrung Bon, is the indigenous Tibetan religion which shares many similarities and influences with Tibetan Buddhism. It initially developed in the tenth and eleventh centuries but retains elements from earlier Tibetan religious traditions. Bon is a significant minority religion in Tibet, especially in the east, as well as in the surrounding Himalayan regions.
The shawm is a conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades. Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the ancient Greek, and later Byzantine aulos, the closely related sorna and zurna, and the Armenian duduk.
Circular breathing is a breathing technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by inhaling through the nose while simultaneously pushing air out through the mouth using air stored in the cheeks.
The zurna is a double reed wind instrument played in the Central Asia, West Asia, the Caucasus, Southeast Europe and parts of North Africa. It is also used in Sri Lanka. It is usually accompanied by a davul in Armenian, Anatolian and Assyrian folk music.
Buddhist music is music created for or inspired by Buddhism and includes numerous ritual and non-ritual musical forms. As a Buddhist art form, music has been used by Buddhists since the time of early Buddhism, as attested by artistic depictions in Indian sites like Sanchi. While certain early Buddhist sources contain negative attitudes to music, Mahayana sources tend to be much more positive to music, seeing it as a suitable offering to the Buddhas and as a skillful means to bring sentient beings to Buddhism.
Samye, full name Samye Mighur Lhundrub Tsula Khang and Shrine of Unchanging Spontaneous Presence, is the first Tibetan Buddhist and Nyingma monastery built in Tibet, during the reign of King Trisong Deutsen. Shantarakshita began construction around 763, and Tibetan Vajrayana founder Guru Padmasambhava tamed the local spirits for its completion in 779. The first Tibetan monks were ordained there. Samye was destroyed during the Cultural Revolution then rebuilt after 1988.
Suona, also called dida, laba or haidi, is a traditional double-reeded Chinese musical instrument. The Suona's basic design originated in ancient Iran, then called "Sorna". Suona appeared in China around the 3rd century. It had a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan, where it has long been used for festival and military purposes. It is still being used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments in weddings and funeral processions. Such wind and percussion ensembles are called chuida or guchui. Stephen Jones has written extensively on its use in ritual music of Shanxi. It was also common in the ritual music of Southeast China. In Chinese culture it was an essential element of ritual music that accompanied Daoist performances of both auspicious and inauspicious rites, i.e., those for both the living and the dead. One of the most famous pieces that uses suona as the leading instrument is called "Bai Niao Chao Feng", or "Hundred Birds Worship the Phoenix". The movie Song of the Phoenix casts the rise and fall of the popularity of suona in modern Chinese musical history.
The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. The religious music of Tibet reflects the profound influence of Tibetan Buddhism on the culture.
Labrang Monastery is one of the six great monasteries of the Gelug school of Tibetan Buddhism. Its formal name is Genden Shédrup Dargyé Trashi Gyésu khyilwé Ling.
Sera Monastery is one of the "great three" Gelug university monasteries of Tibet, located 1.25 miles (2.01 km) north of Lhasa and about 5 km (3.1 mi) north of the Jokhang.
Mindrolling Monastery, is one of the "Six Mother Monasteries" of the Nyingma school in Tibet. It was founded by Rigzin Terdak Lingpa in 1676. Tendrak Lingpa's lineage is known as the Nyo lineage. The name in Tibetan means "Place of Perfect Emancipation". It is located in Zhanang County, Shannan Prefecture, Tibet Autonomous Region, China, known as U-Tsang. Mindrolling Monastery is approximately 43 kilometers east of the Lhasa airport, on the south side of the Tsangpo river.
Kangling, literally translated as "leg" (kang) "flute" (ling), is the Tibetan name for a trumpet or horn made out of a human tibia or femur, used in Tibetan Buddhism for various chöd rituals as well as funerals performed by a chöpa. The leg bone of a deceased person is used. Alternatively, the leg bone of a respected teacher may be used. The kangling may also be made out of wood.
A damaru is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices.
The kèn bầu is one of several types of kèn, a double reed wind instrument used in the traditional music of Vietnam. It is similar in construction and sound to the Chinese suona and the Korean taepyeongso. It comes in various sizes and is a primary instrument of the music of the former royal court music of Huế.
The Namdroling Nyingmapa Monastery or Thegchog Namdrol Shedrub Dargye Ling(བོད་ཡིག ཐེག་མཆོག་རྣམ་གྲོལ་བཤད་སྒྲུབ་དར་རྒྱས་གླིང་།), or ನಮ್ಡ್ರೋಲಿಂಗ್ ವಿಹಾರ is the largest teaching center of the Nyingma lineage of Tibetan Buddhism in the world. Located in Bylakuppe, part of the Mysuru district of the state of Karnataka, the monastery is home to a sangha community of over five thousand lamas, a junior high school named Yeshe Wodsal Sherab Raldri Ling, a religious college and hospital.
The gourd mouth organ is a free reed mouth organ played across East and Southeast Asia. It consists of a gourd wind chest with several bamboo or bronze pipes inserted on top of it, the numbers of pipes differing from region to region.
Namgyal Monastery Institute of Buddhist Studies incorporates two institutions: (1) the North American Seat of Namgyal Monastery; and (2) a Tibetan Buddhist theological seminary affiliated with it. The two institutions share a dharma center in Ithaca, New York. The Dalai Lama is their patron, the highest authority, and consultant.
Kundeling Monastery is a Tibetan Buddhist monastery in Lhasa, Tibet, China. It was founded around 1794, and follows the Gelug school. The head of the monastery belongs to a lineage of incarnations that dates back to 1402. There is dispute over the current incarnation. The monastery was destroyed during the Cultural Revolution, then rebuilt in the 1980s.
The Third Trijang Rinpoche, Lobsang Yeshe Tenzin Gyatso (1901–1981) was a Gelugpa Lama and a direct disciple of Pabongkhapa Déchen Nyingpo. He succeeded Ling Rinpoche as the junior tutor of the 14th Dalai Lama when the Dalai Lama was nineteen years old. He was also a lama of many Gelug lamas who taught in the West including Zong Rinpoche, Geshe Rabten, Lama Yeshe, Kelsang Gyatso, and Lama Zopa Rinpoche. Trijang Rinpoche's oral teachings were recorded by Zimey Rinpoche in a book called the Yellow Book.
The Limbe is a western concert flute with six finger holes from Mongolian folk music, which belongs to the nomadic pastoral culture and is usually played with circular breathing by experienced players. The continuous playing of the flute to accompany "long songs" lasting up to 25 minutes was added to the UNESCO Intangible Cultural Heritage Lists in urgent need of preservation in 2011. Like most other Mongolian musical instruments, the limbe is traditionally only allowed to be played by men. The origin of the East Asian flutes such as the limbe and the related dizi in China could be traced back to the 1st millennium BC.
