Habinnas is one of the guests at Trimalchio's Feast ( Cena Trimalchionis ) in the Satyricon of Petronius Arbiter. He is described as a stonemason, who has designed the luxurious tomb that Trimalchio shows off to his guests, [1] and like Trimalchio he is a sevir. It has been suggested that the name is Semitic. [2] His entry into the feast has been seen as a parody of that of Alcibiades in the Symposium of Plato. [3]
The Judgement of Paris is a story from Greek mythology, which was one of the events that led up to the Trojan War and in later versions of the story to the foundation of Rome.
Trimalchio is a character in the 1st-century AD Roman work of fiction Satyricon by Petronius. He features as the ostentatious, nouveau-riche host in the section titled the "Cēna Trīmalchiōnis". Trimalchio is an arrogant former slave who has become quite wealthy as a wine merchant. The name "Trimalchio" is formed from the Greek prefix τρις and the Semitic מלך (melech) in its occidental form Malchio or Malchus. The fundamental meaning of the root is "King", and the name "Trimalchio" would thus mean "Thrice King" or "greatest King".
In Greek mythology, Erebus, or Erebos, is the personification of darkness. In Hesiod's Theogony, he is the offspring of Chaos, and the father of Aether and Hemera (Day) by Nyx (Night); in other Greek cosmogonies, he is the father of Aether, Eros, and Metis, or the first ruler of the gods. In genealogies given by Roman authors, he begets a large progeny of personifications upon Nox, while in an Orphic theogony he is the offspring of Chronos (Time). The name "Erebus" is also used to refer either to the darkness of the Underworld, the Underworld itself, or the region through which souls pass to reach Hades, and can sometimes be used as a synonym for Tartarus or Hades.
The Satyricon, Satyriconliber, or Satyrica, is a Latin work of fiction believed to have been written by Gaius Petronius in the late 1st century AD, though the manuscript tradition identifies the author as Titus Petronius. The Satyricon is an example of Menippean satire, which is different from the formal verse satire of Juvenal or Horace. The work contains a mixture of prose and verse ; serious and comic elements; and erotic and decadent passages. As with The Golden Ass by Apuleius, classical scholars often describe it as a Roman novel, without necessarily implying continuity with the modern literary form.
The gens Petronia was a plebeian family at ancient Rome. This gens claimed an ancient lineage, as a Petronius Sabinus is mentioned in the time of Lucius Tarquinius Superbus, the last of the Roman kings, but few Petronii are mentioned in the time of the Republic. They are frequently encountered under the Empire, holding numerous consulships, and eventually obtaining the Empire itself during the brief reign of Petronius Maximus in AD 455.
The Roses of Heliogabalus is an 1888 painting by the Anglo-Dutch artist Sir Lawrence Alma-Tadema depicting the young Roman emperor Elagabalus hosting a banquet.
Gaius Petronius Arbiter was a Roman courtier during the reign of Nero. He is generally believed to be the author of the Satyricon, a satirical novel believed to have been written during the Neronian era. He is one of the most important characters in Henryk Sienkiewicz' historical novel Quo Vadis (1895). Leo Genn portrays him in the 1951 film of the same name.
The cordax, was a provocative, licentious, and often obscene mask dance of ancient Greek comedy. In his play The Clouds, Aristophanes complains that other playwrights of his time try to hide the feebleness of their plays by bringing an old woman onto the stage to dance the cordax. He notes with pride that his patrons will not find such gimmicks in his plays.
Commentarii are notes to assist the memory, or memoranda. This original idea of the word gave rise to a variety of meanings: notes and abstracts of speeches for the assistance of orators; family memorials, the origin of many of the legends introduced into early Roman history from a desire to glorify a particular family; and diaries of events occurring in their own circle kept by private individuals. An example of this is the day-book drawn up for Trimalchio in Petronius's Satyricon by his actuarius, a slave to whom the duty was specially assigned. Other commentarii were memoirs of events in which they had taken part drawn up by public men. Examples of these are the Commentaries of Caesar: Commentarii de Bello Gallico on the Gallic Wars and Commentarii de Bello Civili on the civil wars; another example is that of Cicero on his consulship. Different departments of the imperial administration and certain high functionaries kept records, which were under the charge of an official known as a commentariis. Municipal authorities also kept a register of their official acts.
Fellini Satyricon, or simply Satyricon, is a 1969 Italian surreal historical film written and directed by Federico Fellini and loosely based on Petronius's work Satyricon, written during the reign of Emperor Nero and set in Imperial Rome. The film is divided into nine episodes, following Encolpius and his friend Ascyltus as they try to win the heart of a young boy named Gitón within a surreal and dreamlike Roman landscape.
Trigon was a form of ball game played by the ancient Romans. The name derives from the Greek τρίγωνος, and may have been a romanized version of a Greek game called τρίγων. It was a type of juggling game, probably involved three players standing in a triangle and passing a hard ball back and forth, catching with the left and throwing with the right hand. Besides the three players, called trigonali, there were also assistants called pilecripi, who kept score and retrieved runaway balls.
Petronius's Satyricon, the only extant realistic Classical Latin novel, survives in a very fragmentary form. Many readers have wondered how the story would begin and end.
Andrew Dalby, is an English linguist, translator and historian who has written articles and several books on a wide range of topics including food history, language, and Classical texts.
Satyricon is a chamber opera by Bruno Maderna with a libretto adapted by Ian Strasfogel and the composer from Petronius's Satyricon. It was written during Maderna's last illness in 1973 and premièred as part of the Holland Festival on 16 March 1973, in Scheveningen, Netherlands.
AES+F is a collective of four Russian artists: Tatiana Arzamasova, Lev Evzovich, Evgeny Svyatsky, and Vladimir Fridkes. It was first formed as AES Group in 1987 by Arzamasova, Evzovich, and Svyatsky, becoming AES+F when Fridkes joined in 1995. The collective works in photography, video, installation, and animation, as well as more traditional media, such as painting, drawing, and sculpture. AES+F's early work included performance, installation, painting, and illustration. Well known for their monumental video-art installations that Gareth Harris describes as "monumental painting set in motion", AES+F create grand visual narratives that explore contemporary global values, vices and conflicts.
Fortunata may refer to:
Beware of the dog is a warning sign posted at the entrance to a building or other private area indicating that a dangerous dog is within. Such signs may be placed to deter burglary even if there is no dog, or if the dog is not actually a competent guard dog.
Priapeia 68 or Priapea 68 is the sixty-eighth poem in the Priapeia, a collection of Latin poetry of uncertain authorship. The eighty poems lack a unified narrative, but share Priapus, an ithyphallic god of fertility worshiped in both Ancient Hellenic and Roman religions, as by turns a speaker and subject. While the Priapeia's author is unknown, Franz Bücheler has claimed that the poems are Augustan in style, and probably were the work of a single writer in the circle of Marcus Valerius Messalla Corvinus, a Roman general and art enthusiast who “like other distinguished men of that age, occupied himself with amusements of this kind.” Earlier traditions credited Vergil with the authorship of at least some of the Priapeia.
Satyricon, also named The Degenerates, is an Italian film from 1969 directed by Gian Luigi Polidoro. Like the more famous version made by Federico Fellini it is loosely based on Petronius's work, Satyricon, a series of bawdy and satirical episodes written during the reign of the emperor Nero and set in imperial Rome.
Quartilla is a character in the Satyricon which is said to be the "first picaresque" novel in Latin although it is not completely extant. This story was written by Petronius Arbiter in the first century. Quartilla is a follower of the god Priapus and she and her maids are involved with seducing and torturing three of the characters, Encolpius, Ascyltum, and Giton.
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