Haircut | |
---|---|
Directed by | Joaquim Sapinho |
Screenplay by | Joaquim Sapinho Manuela Viegas Amândio Coroado |
Produced by | Amândio Coroado |
Starring | Carla Bolito Marco Delgado Orlando Sérgio Francisco Nascimento Melo D |
Cinematography | Luís Correia |
Edited by | Manuela Viegas |
Production company | Rosa Filmes |
Release date |
|
Running time | 91 minutes |
Country | Portugal |
Language | Portuguese |
Haircut (Portuguese : Corte de Cabelo) is an independent Portuguese drama film directed by Joaquim Sapinho, produced at Rosa Filmes, which was nominated for the Golden Leopard at the 1995 Locarno International Film Festival.
Being nominated for the Golden Leopard at the 1995 Locarno International Film Festival, Haircut also won the award for best film at the 1996 Angers European Film Festival, and the Best Actress Award for Carla Bolito at the Geneva Film Festival. In its home country, Haircut was highly acclaimed both by the critic and by the audience in an unprecedented way for Portugal. It was considered the best depiction of the Portuguese youth of the nineties captured on film. The Brazilian newspaper Estado de São Paulo called it the first post-modern Portuguese film. [1]
Haircut was not only the directorial debut of Portuguese director Joaquim Sapinho, but also the film debut for most of the cast and crew of the film. Haircut became famous even before having been shot, for its long pre-production, which consisted on thousands of casting calls, which would finally end with the finding of the leading lady Carla Bolito. [2] The film was shot in a series of popular locations in Lisbon where, however, no film had ever been shot before, like the 1960s expressionist Mexicana café (architect Jorge Ferreira Chaves), the 1980s post-modern shopping center Amoreiras or the Príncipe Real Garden where, some years later, the final scene of João César Monteiro's film Vai e Vem would be shot.
The film is set in Lisbon, and tells the story of a day in the life of Rita and Paulo, a Portuguese young couple of the 90's, belonging to the first generation of Portuguese to grow up inside the European Union. The fast changing city around them makes them wish to break with all traditions and live the day the get married (only civil marriage) like it is an ordinary day. However, for some reason Rita wants to be absolutely sure Paulo loves her and decides to cut her long black hair short before the ceremony. Rita and Paulo still get married, but Rita's haircut would drastically and unexpectedly change their relationship.
João Manuel Relvas Leopoldo Botelho is a Portuguese film director.
The Cinema of Portugal started with the birth of the medium in the late 19th century. Cinema was introduced in Portugal in 1896 with the screening of foreign films and the first Portuguese film was Saída do Pessoal Operário da Fábrica Confiança, made in the same year. The first movie theater opened in 1904 and the first scripted Portuguese film was O Rapto de Uma Actriz (1907). The first all-talking sound film, A Severa, was made in 1931. Starting in 1933, with A Canção de Lisboa, the Golden Age would last the next two decades, with films such as O Pátio das Cantigas (1942) and A Menina da Rádio (1944). Aniki-Bóbó (1942), Manoel de Oliveira's first feature film, marked a milestone, with a realist style predating Italian neorealism by a few years. In the 1950s the industry stagnated. The early 1960s saw the birth of the Cinema Novo movement, showing realism in film, in the vein of Italian neorealism and the French New Wave, with films like Dom Roberto (1962) and Os Verdes Anos (1963). The movement became particularly relevant after the Carnation Revolution of 1974. In 1989, João César Monteiro's Recordações da Casa Amarela won the Silver Lion at the Venice Film Festival and in 2009, João Salaviza's Arena won the Short Film Palme d'Or at the Cannes Film Festival. Several other Portuguese films have been in competition for major film awards like the Palme d'Or and the Golden Bear. João Sete Sete (2006) was the first Portuguese animated feature film. Portuguese cinema is significantly supported by the State, with the government's Instituto do Cinema e do Audiovisual giving films financial support.
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Manuela Viegas is a Portuguese film editor and director. She is considered to be part of The School of Reis film tradition.
The Lisbon Theatre and Film School of the Polytechnic Institute of Lisbon inherited the function of the National Conservatoire, founded by Almeida Garrett, in 1836, and of teaching Film, introduced in the same establishment since 1971. The main goal of the Lisbon Theatre and Film School is training in the fields of Theatre and Cinema. Sometimes it is still referred to by its former designation "Conservatório Nacional". It is a public institution of higher education created in Lisbon but now located in Amadora, Portugal.
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Juliana Rojas is a Brazilian filmmaker who was born in Campinas, São Paulo. She graduated in Cinema in Escola de Comunicação e Artes da USP where she met fellow Brazilian filmmaker Marco Dutra. This was the beginning of a long partnership between them. In 2004, while still in school, they codirected a short film called Lenço Branco. Their short film was part of a section of the Cannes Film Festival that is dedicated to university films, Cinéfondation. Three years later, in 2007, Um Ramo, another short film directed by Rojas and Dutra, would be nominated to Semaine de la Critique of Cannes Film Festival. In 2011, her first feature film would be premiered in the Festival, in the "Un Certain Regard" section. Her film, Good Manners was nominated in 2017 at the Locarno Film Festival. She has also worked as an editor.
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