Hal Roach's Streamliners

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Hal Roach's Streamliners are a series of featurette comedy films created by Hal Roach that are longer than a short subject and shorter than a feature film, not exceeding 50 minutes in length. [1] Twenty of the 29 features that Roach produced for United Artists were in the streamliner format. [1] They usually consisted of five 10-minute reels. [2]

Contents

History

Roach's studio initially produced comedy short subjects, but in 1935, he sensed that short subjects were declining in popularity [3] as the double-feature format was popular in theaters. By 1939 Roach noticed that Hollywood's major "A" features were becoming longer and more ambitious, creating a problem for theater owners who couldn't fit a second feature into their daily programs. When Roach began producing films for United Artists, he devised the idea of shorter-length featurettes that he called "streamliners" (after the public's infatuation with the modern and fast streamliner trains). The exhibitors, accustomed to the usual six- or seven-reel "B" feature, could now book a four- or five-reel Hal Roach streamliner instead of a "B" feature, shaving 20 valuable minutes off an already lengthy double-feature program. [4]

United Artists resisted the radical new format at first, because it had already negotiated 5,000 contracts with exhibitors for feature films, not featurettes. [5] Roach had planned to make four four-reel streamliners with Laurel and Hardy to introduce the featurettes, beginning with A Chump at Oxford , filmed in 1939. United Artists felt that this picture would be more marketable as a full-length feature film, especially since Laurel and Hardy were an important attraction internationally. [6] A Chump at Oxford and the next film, Saps at Sea , were released in six reels each.

Roach insisted that there would be a ready market for the shorter streamliners. After disposing of the Laurel and Hardy commitment, which lapsed after only the two films, Roach concentrated on making featurettes. Exhibitors welcomed the new format, and the streamliners fit nicely into double-feature programs. Roach recalled in 1970 that "this was just before the second World War. We made 17 45-minute comedies. They were accepted as features, and we made a million dollars on that first group". [7] Roach also made one musical streamliner in Technicolor, Fiesta.

Roach's last two Laurel and Hardy features were produced economically, but the budget of a streamliner was set even lower, at $110,000. Roach could produce four streamliners for the cost of two feature films, yet profits would yield an estimated 50 to 75% more than would a single feature. [8]

Roach's short subjects of the 1920s and 1930s had been grouped into series, and the new Roach streamliners followed suit. The first and most popular series co-starred William Tracy and Joe Sawyer in military comedies. The second revived the 1930s teaming of ZaSu Pitts and Slim Summerville. The third was an update of Roach's 1932-33 "Taxi Boys" series, now with William Bendix and Joe Sawyer as cab drivers. The fourth series burlesqued the Axis powers, with comedian Bobby Watson impersonating Adolf Hitler and Joe Devlin imitating Benito Mussolini. The fifth and last was a series of comedy westerns with Noah Beery, Jr. and Jimmy Rogers (son of humorist Will Rogers).

Streamliners

World War II interrupted Roach's Hollywood film production, and he was commissioned as a major in the Army Signal Corps. [10] The Hal Roach studio was later used for military training films, and the facility was known as "Fort Roach".

Postwar streamliners

Hal Roach rebuilt and updated his studio facilities in 1946, and resolved to make his new films entirely in color, using the Cinecolor process. He resumed production with slightly longer films, still running under an hour each:

United Artists packaged these as ready-made double features. The Hal Roach Comedy Carnival combined Curley and The Fabulous Joe. Lafftime combined Here Comes Trouble and Who Killed Doc Robbin . Similarly, but with more continuity, in 1948 Roach and director Kurt Neumann compiled the feature-length Two Knights from Brooklyn from the streamliners The McGuerins from Brooklyn and Taxi, Mister.

Hal Roach gave up on the streamliner format in 1948. Roach recalled that "they should have cost $150,000 apiece, but they ran from $300,000 to $400,000, and they weren't worth that much money. We lost about a million dollars. The second batch of streamliners, instead of being a success, was a flop and the result was that we went into television". [11] Roach's film Sadie and Sally has been misidentified as a theatrical streamliner; it was actually a half-hour television pilot conceived in 1948.

The Tracy and Sawyer team would reappear in two films produced by Hal Roach, Jr. in a Korean War setting: As You Were (1951) and Mr. Walkie Talkie (1952), both directed by Fred Guiol and released by Lippert Pictures.

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About Face is a 1942 American comedy film directed by Kurt Neumann and written by Eugene Conrad and Edward E. Seabrook. The film is the third of the Hal Roach's Streamliners Army film series with stars William Tracy and Joe Sawyer. The film also features Jean Porter, Marjorie Lord, Margaret Dumont, Veda Ann Borg and Joe Cunningham. The film was released on April 16, 1942, by United Artists.

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<i>Mr. Walkie Talkie</i> 1952 American film

Mr. Walkie Talkie is a 1952 American comedy film directed by Fred Guiol and starring William Tracy, Joe Sawyer and Margia Dean. Released by Lippert Pictures, it is the final film of the Doubleday and Ames army comedy films originally produced by Hal Roach with the pair returning for service in the Korean War.

References

  1. 1 2 King, Molloy & Tzioumakis 2012, p. 53.
  2. ↑ Bosley Crowther review: "'Tanks a Million', a Hal Roach Comedy About Army Life as It Isn't, at Loew's Criterion", The New York Times, October 9, 1941.
  3. ↑ Leonard Maltin, The Great Movie Shorts: Those Wonderful One- and Two-Reelers of the Thirties and Forties, Crown, 1972, ISBN   978-0517504550, p. 5.
  4. ↑ Scott MacGillivray, Laurel & Hardy: From the Forties Forward, iUniverse, 2009, ISBN   978-1440172373, p. 2.
  5. ↑ Variety, "UA Orders Hal Roach to Tack On Footage to Laurel-Hardy 4-Reelers", Nov. 15, 1939, p. 2.
  6. ↑ Ibid.
  7. ↑ Hal Roach to authors Bernard Rosenberg and Harry Silverstein, published in The Real Tinsel (Macmillan, 1970), p. 22.
  8. ↑ Ward 2006, pp. 120–121.
  9. ↑ MacGillivray, p. 4.
  10. ↑ Barnes, Bart (1992-11-03). "MOVIE GREAT HAL ROACH DIES". Washington Post. ISSN   0190-8286 . Retrieved 2017-12-06.
  11. ↑ Hal Roach to Rosenberg and Silverstein, p. 23.

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