Halli Cauthery | |
---|---|
Birth name | David Harald Cauthery |
Born | England, United Kingdom |
Genres | Film score |
Occupation(s) | Composer |
David Harald "Halli" Cauthery is an English film and television composer. [1] His credits include the Hulu/Sony Pictures Television comedy series Future Man ; the Netflix/DreamWorks animated comedy series Turbo F.A.S.T. , for which he received an Emmy nomination in 2016; the critically acclaimed thriller The East ; Bernard Rose's 2015 adaptation of Frankenstein ; the Shrek Halloween television special Scared Shrekless ; as well as the Lifetime Television film Living Proof .
He has worked extensively with composer Harry Gregson-Williams, contributing additional music to such films as Cowboys & Aliens , Unstoppable , Prince of Persia: The Sands of Time , Shrek Forever After , X-Men Origins: Wolverine , and The Chronicles of Narnia: Prince Caspian , as well as Wonder Woman , Bee Movie and Winters Tale alongside Hans Zimmer and Rupert Gregson-Williams. He has also worked with Henry Jackman ( Jumanji: Welcome to the Jungle ; Kong: Skull Island ; Captain America: Civil War ; Pixels ; Turbo ); Danny Elfman, ( Hellboy 2: The Golden Army ); and Brian Tyler ( Iron Man 3 ).
As a violinist he can be heard as a featured soloist in the score to Shrek Forever After , as well as in several episodes of Turbo F.A.S.T. .
Cauthery, who is British/Icelandic, attended the Yehudi Menuhin School, where he studied violin, viola and composition. He obtained a degree in music at Manchester University and an MPhil degree in musicology at St. Edwards College at the University of Cambridge. In the UK, he taught at the Yehudi Menuhin School, while also working as a violinist and composer. He played in, among others, the orchestra of English National Opera. He has had works performed at London's Wigmore Hall and Purcell Room.
Yehudi Menuhin, Baron Menuhin,, was an American-born British violinist and conductor who spent most of his performing career in Britain. He is widely considered one of the greatest violinists of the 20th century. He played the Soil Stradivarius, considered one of the finest violins made by Italian luthier Antonio Stradivari.
The Yehudi Menuhin School is a specialist music school in Stoke d'Abernon, Surrey, England, founded in 1963 by violinist and conductor Yehudi Menuhin. The current director of music is the British classical pianist Ashley Wass. The school is one of the five established musical schools for school-age children in the United Kingdom, along with Chetham's School of Music, Wells Cathedral School, the Purcell School and St. Mary's Music School, Edinburgh. It is mainly funded by the Department for Education's Music and Dance Scheme, by philanthropic foundations, by donations and bequests from individuals, and by regular support from the Friends of the Yehudi Menuhin School.
Kam Ning is a violinist and daughter of the violinist-composer Kam Kee Yong (甘琦勇), and grandchild of Kam Beng Soo and Ooi Kooi Aun. Born in Singapore in 1975, she was given violin lessons at the age of six by the elder Kam, and had her early education at the Methodist Girls' School.
Harry Gregson-Williams is a British composer, conductor, orchestrator, and record producer. He has composed music for video games, television and films including the Metal Gear series, Spy Game, Phone Booth, Man on Fire, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and Prince Caspian, Déjà Vu, X-Men Origins: Wolverine, The Martian, Antz, The Tigger Movie, Chicken Run and its sequel, the Shrek franchise, Sinbad: Legend of the Seven Seas, Flushed Away, Arthur Christmas, Early Man, and Catch-22. He is also the older brother of fellow composer Rupert Gregson-Williams.
Alastair King is a British composer and conductor, perhaps best known for his musical contributions to film and television. He frequently collaborates with composers Charlie Mole, Geoff Zanelli, Nicholas Hooper and Rupert Gregson-Williams by either conducting for them or acting as an orchestrator or both.
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on 13 December 2005 in the United States by Walt Disney Records.
Anthony Lledo is a Danish composer.
The Yehudi Menuhin International Competition for Young Violinists is an international music competition for violinists under the age of 22. It was founded by Yehudi Menuhin in 1983 with the goal of nurturing young violinists. In its early years, the competition took place in Folkestone on the south coast of England. Since 1998, it has been held biennially in different cities around the world. Several of the competition's past laureates, including Julia Fischer, Tasmin Little, and Nikolaj Znaider, have gone on to major international careers.
David Buckley is a British composer of film and television scores, based in Santa Monica, California.
The Chronicles of Narnia: Prince Caspian is the soundtrack to the film The Chronicles of Narnia: Prince Caspian. Harry Gregson-Williams composed the soundtrack, which was released on May 13, 2008 in the United States by Walt Disney Records.
Lisbeth Scott is an American composer, vocalist, multi-instrumentalist, producer and songwriter of Armenian origin, born in Boston, Massachusetts. She is featured on the soundtracks for the films Avatar, Avatar: The Way of Water, Concussion, Shrek, The Passion Of The Christ, Transformers, The Big Wedding, The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, The Chronicles of Narnia: Prince Caspian and Munich, in which she sings a 3 minute solo specifically written for her by John Williams. In addition she is featured in Iron Man 2, Disney's Wings of Life, Spider-Man and many more. She co-wrote and performed the songs "Where", and "One Breath" for Narnia. She also co-wrote and performed "Good To Me" in the movie Shutter, "Edge of Heaven" with Joel Douek for the film The Wildest Dream, "Real Love" for the film Domino and countless others. Her songs and vocals have been featured in hundreds of Hollywood blockbusters, many of them Oscar and Grammy winners and nominees. As a composer she has scored both television and film.
John Powell is an English composer best known for his film scores. He has been based in Los Angeles since 1997 and has composed the scores to over 70 feature films. He is best known for composing score for films, including Face/Off, the Bourne film series, the Happy Feet films, United 93, X-Men: The Last Stand, Dr. Seuss' The Lorax, Migration, Drumline, The Call of the Wild, Bolt, eight Blue Sky Studios films, and nine DreamWorks Animation films.
Philip Green, sometimes credited as Harry Philip Green or Phil Green, was a British film and television composer and conductor, and also a pianist and accordion player. He made his name in the 1930s playing in and conducting dance bands, performed with leading classical musicians, scored up to 150 films, wrote radio and television theme tunes and library music, and finally turned to church music at the end of his life in Ireland, a song from which period proved so popular that it reached No. 3 on the Irish chart in 1973.
Danny Jacob is an American composer, songwriter and guitarist. His credits include composing the score for the television series Phineas and Ferb, and co-producing the music for the series Sofia The First. He is a three-time Emmy-nominated composer. He also wrote the theme songs for Lilo & Stitch: The Series, The Emperor's New School, Kim Possible, Sonny With A Chance, and Jackie Chan Adventures. As a featured guitarist, Jacob has performed on Shrek, the Bette Midler HBO concert Diva Las Vegas, and on Ray Charles and Aretha Franklin's "Heaven Help Us".
Shrek Forever After is a 2010 American animated fantasy comedy film loosely based on the 1990 children's picture book Shrek! by William Steig. Directed by Mike Mitchell and written by Josh Klausner and Darren Lemke, it is the sequel to Shrek the Third (2007) and the fourth installment in the Shrek film series. The film stars Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderas, and Julie Andrews reprising their voice roles from the previous films, with Walt Dohrn joining the cast. The plot follows Shrek who struggles with the responsibilities and stress of being a domesticated family man, yearning for the days he was once feared and lived in solitude. He is tricked by Rumpelstiltskin into signing a contract that leads to disastrous consequences.
Christopher Willis is an Australian-born British composer.
Norman Perryman was born in Birmingham, England in 1933, was educated at the Worcester Royal Grammar School, and studied painting and art education at the Birmingham College of Art and Crafts, graduating with Honours in 1954. He emigrated to the Netherlands in 1957, then moved to Switzerland. He was Head of Art at Aiglon College (1967–73) and from 1976–1990 was Chief Examiner for the Visual Arts programme of the International Baccalaureate, designing and developing the Visual Art curriculum and traveling worldwide to give workshops on the role of the arts in education and the relationships of the visual arts and music. He returned to Holland in 1978 and now lives in Amsterdam.
Costa Kotselas is an American film composer, producer and guitarist. He works in a variety of genres including film, pop, electronic, ethnic and metal. He is known for combining modern rhythms and sounds to create entirely new compositions that could not have been possible at the time while staying true to the original style and form of the film. His music appears in the TV series Charmed and Beverly Hills 90210, in films, including Domino, The Girls' Room, and his aggressive metal style guitars can be heard in films like From Paris With Love and the video games Call of Duty: Ghosts and Call of Duty 4: Modern Warfare.
Arthur Christmas: Original Motion Picture Soundtrack is the score album to the film of the same name directed by Sarah Smith. The film's original score is composed and produced by Harry Gregson-Williams and released on 14 November 2011 by Madison Gate Records. The music was described by Gregson-Williams as "a very much tune-led, melody-led, theme-led score, utilising a large and colorful orchestration". It received positive reviews from music critics.