Kwee Tek Hoay was a Chinese Indonesian Malay-language writer of novels and drama, and a journalist.
Saeroen was an Indonesian journalist and screenwriter. Born in Yogyakarta, he became a journalist after a time working at a railway station. By the mid-1930s he had established the daily Pemandangan with Oene Djunaedi and was writing editorials with the pen name Kampret. When the paper was dissolved, Saeroen drifted into the film industry as a writer, making his debut with Albert Balink's Terang Boelan (1937). Much of his later life was spent working with several minor publications.
Nio Joe Lan was a Chinese-Indonesian writer, journalist, and history teacher.
The Fookien Times was a daily broadsheet newspaper in the Philippines written in the Chinese language. Founded by Dee C. Chuan in 1926, it was once the Philippines' largest Chinese-language newspaper in terms of circulation.
Sin Po was a Peranakan Chinese Malay-language newspaper published in the Dutch East Indies and later Indonesia. It expressed the viewpoint of Chinese nationalism and defended the interests of Chinese Indonesians and was for several decades one of the most widely read Malay newspapers in the Indies. It existed under various names until 1965.
Djawa Tengah was a major Malay-language peranakan Chinese daily newspaper in Semarang, Dutch East Indies from 1909 to 1938. It is said to have been the first Chinese newspaper in Semarang.
Tjhoen Tjhioe was a Malay language Peranakan Chinese newspaper from Surabaya, Dutch East Indies catering mainly to the Chinese population. The full title of the paper was Tjhoen Tjhioe: Soerat kabar dagang bahasa Melajoe jang moeat roepa kabar penting bagi bangsa Tionghoa. Although the paper only existed for a short time, during that time it was recognized as one of the top Chinese newspapers in the Indies, alongside Sin Po and Perniagaan.
Ang Jan Goan was an Indonesian Chinese journalist, publisher and political thinker, and director of the influential newspaper Sin Po from 1925 to 1959.
Warta Bhakti was a short-lived but influential left-wing news publication in Indonesia during the Guided Democracy period, which was a successor to the most read Chinese Indonesian newspaper of the Dutch East Indies, Sin Po. During the height of its popularity in the mid-1960s the paper had the second highest circulation of any newspaper in Indonesia.
Tjoe Boe San was a Chinese nationalist, translator and newspaper editor in the Dutch East Indies, most notably editor and director of the influential Indonesian Chinese newspaper Sin Po until his death in 1925. Along with Kwee Kek Beng, he was a key member of the "Sin Po Group" which was a political faction of the Indonesian Chinese which believed that they should stay out of Dutch colonial politics and remain focused on China.
Perniagaan was a Malay language Peranakan Chinese newspaper in Batavia, Dutch East Indies from 1907 to 1930. The newspaper was the conservative rival of Sin Po and was closely associated with the Tiong Hoa Hwee Koan and the Chinese Officer system.
Parada Harahap was an important journalist and writer from the late colonial period and early independence era in Indonesia. In the 1930s, he was called the "king of the Java press". He pioneered a new kind of politically neutral Malay language newspaper in the 1930s which would cater to the rising middle class of the Indies.
Keng Po was a Malay language Peranakan Chinese newspaper published in Batavia, Dutch East Indies from 1923 to 1958. During most of that time it was the second-most popular Malay-language Chinese newspaper in the Indies after Sin Po. It was also an important paper in the early period of Indonesian independence in the 1950s.
Kwee Kek Beng was a Chinese Indonesian journalist and writer, best known for being editor-in-chief of the popular Malay language newspaper Sin Po from 1925 to 1947.
Censorship in the Dutch East Indies was significantly stricter than in the Netherlands, as the freedom of the press guaranteed in the Constitution of the Netherlands did not apply in the country's overseas colonies. Before the twentieth century, official censorship focused mainly on Dutch-language materials, aiming at protecting the trade and business interests of the colony and the reputation of colonial officials. In the early twentieth century, with the rise of Indonesian nationalism, censorship also encompassed materials printed in local languages such as Malay and Javanese, and enacted a repressive system of arrests, surveillance and deportations to combat anti-colonial sentiment.
Njonja Tjoa Hin Hoei, who was born Kwee Yat Nio and was also known by the Buddhist name Visakha Gunadharma, was a Chinese Indonesian journalist, writer, Buddhist figure, and political activist during the late colonial and early independence periods. She was especially known for being publisher and editor of a women's magazine Maandblad Istri which ran from the 1930s to the early 1950s.
Star Weekly was an Indonesian language magazine published in Jakarta, Indonesia from 1946 to 1961. The magazine was an offshoot of the popular newspaper Keng Po and is considered to be a precursor to today's Kompas. Through its charismatic editor Petrus Kanisius Ojong it became a widely-respected forum for Chinese Indonesian intellectual discussion, cultural expression, and critical political coverage.
