| Hank Williams Jr. & Friends | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | December 1975 | |||
| Recorded | February–July 1975 | |||
| Genre | ||||
| Length | 32:10 | |||
| Label | MGM | |||
| Producer | Dick Glasser | |||
| Hank Williams Jr. chronology | ||||
| ||||
| Alternative Cover | ||||
 2000 reissue by Mercury Records | ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |  [1] |
| Christgau's Record Guide | A− [2] |
| The Village Voice | A− [3] |
Hank Williams Jr. & Friends is the twenty-sixth studio album by Hank Williams Jr.
Hank Williams Jr. & Friends is Williams' breakthrough album, featuring Williams' own unique style as opposed to imitating his father's. [1] [3] [4] The album's sound has been classified as country rock, [1] [5] [6] southern rock [2] [7] and outlaw country. [7]
According to Williams' autobiography, Living Proof, the album was recorded in Muscle Shoals, Alabama, at Music Mill Studios between February and July 1975. The album insert says that this was recorded at Capricorn Studios in Macon, Georgia.
The album was issued by MGM Records as number M3G5009 and was later reissued by Polydor Records as number 831 575-4 Y-1. It was also reissued on CD in 2000 by Mercury Records, a division of UMG Recordings, Inc.
The Village Voice critic Robert Christgau said, "The authority of Williams' voice and persona, plus the good sense of his songwriting and selection, focuses an Allman and a Marshall Tucker and a Charlie Daniels into what I'm sure will stand as the best Southern-style rock of the year." [2] Years later, the Allmusic editor, Thom Jurek cited, Hank Williams Jr. & Friends as "one of the best country-rock albums ever made and stands with the best of the outlaw recordings of the era". [1]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Losin' You" | Toy Caldwell | 3:42 |
| 2. | "On Susan's Floor" | Vince Matthews, Shel Silverstein | 3:22 |
| 3. | "I Really Did" | Hank Williams Jr. | 2:42 |
| 4. | "Can't You See" | Caldwell | 4:40 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 5. | "Montana Song" | Williams Jr. | 3:29 |
| 6. | "Clovis, New Mexico" | Williams Jr. | 3:53 |
| 7. | "Brothers of the Road" | Williams Jr. | 3:57 |
| 8. | "Stoned at the Jukebox" | Williams Jr. | 2:44 |
| 9. | "(The) Living Proof" | Williams Jr. | 3:41 |
| Total length: | 32:10 | ||
Credits are adapted from the album's 2000 Mercury Records reissue liner notes.
Tyranny and Mutation, the second studio album by American rock band Blue Öyster Cult, was released in February 1973 by Columbia Records. It was produced by Murray Krugman and Sandy Pearlman. On May 12, 1973, the album peaked at No. 122 on the Billboard 200 chart.
Hymn of the Seventh Galaxy is the third studio album by American jazz fusion band Return to Forever. It was released in October 1973 by Polydor. Flora Purim, Joe Farrell, and Airto Moreira were replaced by drummer Lenny White and guitarist Bill Connors. It would be the only album with Bill Connors as guitarist; he left after its release and was replaced by Al Di Meola.
Welcome is the fifth studio album by Santana, released in 1973. It followed the jazz-fusion formula that the preceding Caravanserai had inaugurated, but with an expanded and different lineup this time. Gregg Rolie had left the band along with Neal Schon to form Journey, and they were replaced by Tom Coster, Richard Kermode and Leon Thomas, along with guest John McLaughlin, who had collaborated with Carlos Santana on Love Devotion Surrender. Welcome also featured John Coltrane's widow, Alice, as a pianist on the album's opening track, "Going Home" and Flora Purim on vocals. This album was far more experimental than the first four albums, and Welcome did not produce any hit singles.
Seven Year Ache is the third studio album by American country music singer Rosanne Cash, and her second for Columbia Records. It was released on February 28, 1981, and reached number one on the Billboard country album chart. Three singles were released from her album; in the order of the singles' release they were: the title track, My Baby Thinks He's a Train, and Blue Moon with Heartache.
Elite Hotel is the third studio album by American country music artist Emmylou Harris, released in 1975. Elite Hotel was Harris' second album to be released in 1975, preceded by the widely acclaimed Pieces of the Sky. Elite Hotel surpassed it on the Billboard charts, becoming Harris' first number one country album. The album yielded two number one country singles: "Together Again" and Harris' version of the Patsy Cline hit "Sweet Dreams". The song "One of These Days" made it to the number three spot. A performance of the Beatles' "Here, There and Everywhere" entered the pop charts at number 65. Harris' eclectic musical tastes were reflected in her choice of material by Hank Williams, The Beatles, Gram Parsons and Buck Owens. Harris' vocals on the album earned her the Grammy Award for Best Country Vocal Performance, Female.
Luxury Liner is the fourth studio album by American country music artist Emmylou Harris, released in 1976. The album was Harris' second successive number one country album on the Billboard charts, although, unlike the preceding Elite Hotel, there were no number one hits from this album. The highest-charting singles were the number six Chuck Berry cover "(You Never Can Tell) C'est la Vie" and the number eight "Making Believe". However, the album may be better known for including the first cover version of Townes Van Zandt's 1972 song "Pancho and Lefty", which subsequently became Van Zandt's best-known composition.
A White Sport Coat and a Pink Crustacean is the third studio album by American singer-songwriter Jimmy Buffett. It was released on June 4, 1973, as his first album for Dunhill.
Lonesome, On'ry and Mean is a studio album by American country music artist Waylon Jennings, released on RCA Victor in 1973. It was, after Good Hearted Woman and Ladies Love Outlaws, the third in a series of albums which were to establish Jennings as one of the most prominent representatives of the outlaw country movement. Photographer Mick Rock shot the album's cover.
Living Without Your Love is the eleventh studio album recorded by singer Dusty Springfield, and tenth released. The album was recorded in summer 1978 and released in early 1979.
Got No Bread, No Milk, No Money, But We Sure Got a Lot of Love is the debut album by the country singer-songwriter James Talley. It was recorded in 1973 at Hound's Ear Studios in Nashville, Tennessee.
Tryin' Like The Devil is the second album by the country singer-songwriter James Talley. It was recorded at Jack Clement Studio B in Nashville, Tennessee.
Contradiction is the eighth studio album by The Ohio Players, and the fourth album recorded for Mercury.
See is the sixth studio album by rock band The Rascals, released on December 15, 1969. It peaked at number 45 on the Billboard 200. In Canada, it reached number 11. Three singles were released from the album, although the third one was "I Believe" b/w "Hold On".
After the Ball is an album by the American folk musician John Fahey, released in 1973. It was his second and last recording on the Reprise label and like its predecessor, Of Rivers and Religion, it sold poorly.
O'Keefe is an album by singer-songwriter Danny O'Keefe, released in 1972. It peaked at #87 on the Billboard Top LPs chart. The lead-off single was "Good Time Charlie's Got the Blues", which reached #9 on the Billboard Hot 100 chart and was covered by numerous artists. "The Road" was covered by Jackson Browne on his album Running on Empty. O'Keefe was reissued in 2006 on the Wounded Bird label.
Family Tradition is the twenty-ninth studio album by American musician Hank Williams Jr. It was released in April 1979 by Curb Records, his third studio album for the label.
Whiskey Bent and Hell Bound is the thirtieth studio album by American musician Hank Williams Jr. and his fourth on the Elektra/Curb labels. The full-length album was Williams' second of 1979, with Family Tradition released in April.
127 Rose Avenue is the fifty-first studio album from American musician Hank Williams, Jr. This album was released June 16, 2009 on Curb Records, his last for the label. It includes the single "Red, White & Pink Slip Blues", which peaked at #43 on the U.S. country singles charts shortly before the album's release. The album title "127 Rose Avenue" is a reference to the boyhood home of Hank Williams Sr in Georgiana, AL. One of the co-writers Bud McGuire was inspired after a visit to the home, whose actual address is 127 Rose Street. The album debuted at #7 on the Billboard country chart.
The Pressure Is On is the thirty-third studio album by American musician Hank Williams Jr. It was released by Elektra/Curb Records in August 1981 and was Williams' seventh studio album on the Elektra/Curb label.
High Notes is the thirty-fourth studio album by American musician Hank Williams Jr. It was released by Elektra/Curb Records in April 1982, making it Williams' eighth studio album for Elektra/Curb and his ninth overall for the label. While not as successful or acclaimed as some of Williams' more recent recordings, High Notes was still a commercial success. It peaked at number 3 on the Billboard Top Country Albums chart and was certified Gold by the RIAA, becoming Williams' seventh album to do so. The album also generated two hit singles, "If Heaven Ain't a Lot Like Dixie" and "Honky Tonkin'". "If Heaven Ain't a Lot Like Dixie" peaked at number 5 on the Billboard Hot Country Singles & Tracks chart while "Honky Tonkin'", a song that was originally a number 14 hit written and performed by his father, Hank, Sr., became Hank, Jr.'s sixth Number One hit on the Billboard Hot Country Singles & Tracks chart.
{{cite web}}: Missing or empty |url= (help)