Hard Contract

Last updated
Hard Contract
Hard Contract (1969) poster.jpg
Theatrical release poster
Directed byS. Lee Pogostin
Written byS. Lee Pogostin
Produced by Marvin Schwartz
Starring James Coburn
Lee Remick
Cinematography Jack Hildyard
Edited by Harry W. Gerstad
Music by Alex North
Production
company
Distributed by20th Century Fox
Release date
  • April 30, 1969 (1969-04-30)
Running time
106 minutes
CountryUnited States
LanguageEnglish
Budget$4,070,000 [1]
Box office$1,750,000 (US/ Canada rentals) [2] [3]

Hard Contract is a 1969 American drama mystery film written and directed by S. Lee Pogostin and starring James Coburn and Lee Remick. It premiered on April 30, 1969 in Panavision.

Contents

Plot

CIA assassin John Cunningham, a cold-blooded killer with nerves of steel and no conscience, kills a man on election day, votes in the local election and spends the rest of the afternoon with Ellen, a prostitute. The next day, Cunningham goes to see James Ramsey, his mobilizer, a CIA man whose cover is a job as a college physics professor.

Ramsey offers one final, lucrative job, or "hard contract" as he calls it, that can allow Cunningham to retire from the business for good. This consists of three hits, two in Spain and Belgium, with the last victim to be revealed after the first two are dispatched.

On his way to Spain to make the first hit, Cunningham meets two women in Tangier who will change his life: American tourist and jet setter Sheila Metcalfe, and her naive but good-hearted friend, socialite Adrianne.

He does kill the first two victims, but later, as remorse slowly takes hold over him, Cunningham can't bring himself to knock off his third target, former top CIA hit-man Michael Carson. A more vicious and effective hit-man in his day than Cunningham is now, Carson has become so passive, he wouldn't even defend himself.

Ramsey flies to Spain to persuade Cunningham to complete the job, and promises Cunningham that if he does not do so, he will himself be killed, and so will Sheila. Cunningham drives Ramsey, Sheila, Carson, and everyone else who knows about him back down a mountain, and is close to deliberately causing a car crash that would free him for all time, only to relent at the last moment, telling a confused Ramsey afterwards that murder is obsolete. Ramsey is then romanced by Adrianne, much to his bemusement, and it's unclear if he has also weakened in his resolve.

The ending is enigmatic, with Cunningham and Sheila running off together and beginning to make love, as Cunningham tells her that the worst deeds can be done for the best motives. The final image of them narrows to a circle around their heads, reminiscent of the image one would see in a rifle scope.

Cast

Production

Pogostin was an award-winning TV writer and director, who had written some features including Pressure Point. [4] Producer Marvin Swartz approached him to see if he was interested in adaptating a story for the screen. Pogostin instead pitched an original story of his, Hard Contract, and Schwarz was enthusiastic. Pogostin insisted on directing. Schwartz financed the writing of the script over 15 months. [5]

Filming began in May 1968. The film was shot in Spain, Belgium and Tangier. [6] "It's an allegory," said Coburn. "It's a very violent film, but the violence is of the mind." [7]

Reception

Critical

Variety said it was a "skillfully-mounted film" and "most audiences should buy it to the profit of 20th and the exhibs." [8]

Harlan Ellison declared the film was "that incredible rarity, a film of entertainment that comes to grips with secondand third-level philosophical concepts. A film of meaning." [9]

Sight and Sound called it a "slightly pretentious oddity of a metaphysical thriller" with "limping direction, but a script which lakes its attractive cast out on some rather intriguing limbs." [10] A later review in the same magazine from Tim Lucas said, "Lurking behind its John Woo-like title is a movie that lures people in with the promise of an action thriller but then presents them with a heady talk-fest about love, morality and commitment. It may be the artiest picture produced by a major US studio up to that time." [6]

Sam Peckinpah, who at one stage was going to form a company with Pogostin, said of Hard Contract, "I read the script and I saw the film. I think he’s a very talented writer. But he doesn’t understand making films." [11]

Box office

According to Fox records the film required $7,200,000 in rentals to break even and by December 11, 1970, it had made $3,200,000, making it a loss for the studio. [12]

Subsequent release

Hard Contract was first broadcast on television by ABC in 1974. It was released on VHS by 20th Century Fox in 1982 in the UK and by Fox Video in 1996 in the United States.

Ster-Kinekor Video and CBS/Fox Video released the film with 20th Century Fox, which was released on VHS in 1990 in South Africa.

See also

Related Research Articles

<span class="mw-page-title-main">Harlan Ellison</span> American writer (1934–2018)

Harlan Jay Ellison was an American writer, known for his prolific and influential work in New Wave speculative fiction and for his outspoken, combative personality. His published works include more than 1,700 short stories, novellas, screenplays, comic book scripts, teleplays, essays, and a wide range of criticism covering literature, film, television, and print media. Some of his best-known works include the 1967 Star Trek episode "The City on the Edge of Forever", considered by some to be the single greatest episode of the Star Trek franchise, his A Boy and His Dog cycle, and his short stories "I Have No Mouth, and I Must Scream" and "'Repent, Harlequin!' Said the Ticktockman". He was also editor and anthologist for Dangerous Visions (1967) and Again, Dangerous Visions (1972). Ellison won numerous awards, including multiple Hugos, Nebulas, and Edgars.

<span class="mw-page-title-main">Sam Peckinpah</span> American film director (1925–1984)

David Samuel Peckinpah was an American film director and screenwriter. His 1969 Western epic The Wild Bunch received an Academy Award nomination and was ranked No. 80 on the American Film Institute's top 100 list. His films employed a visually innovative and explicit depiction of action and violence as well as a revisionist approach to the Western genre.

<i>Heaven Can Wait</i> (1943 film) 1943 American comedy film by Ernst Lubitsch

Heaven Can Wait is a 1943 Technicolor American supernatural comedy film produced and directed by Ernst Lubitsch. The screenplay was by Samson Raphaelson based on the play Birthday by Ladislaus Bus-Fekete. The music score was by Alfred Newman and the cinematography by Edward Cronjager.

<span class="mw-page-title-main">James Coburn</span> American actor (1928–2002)

James Harrison Coburn III was an American film and television actor who was featured in more than 70 films, largely action roles, and made 100 television appearances during a 45-year career.

<i>Wild River</i> (film) 1960 American drama film

Wild River is a 1960 American drama film directed by Elia Kazan, and starring Montgomery Clift, Lee Remick and Jo Van Fleet. It was filmed in the Tennessee Valley, and was adapted by Paul Osborn from two novels: Borden Deal's Dunbar's Cove and William Bradford Huie's Mud on the Stars, drawing for plot from Deal's story of a battle of wills between the nascent Tennessee Valley Authority and generations-old land owners, and from Huie's study of a rural Southern matriarchal family for characters and their reaction to destruction of their land, and the controversial employment of African-American laborers by the TVA. It marked Bruce Dern's film debut. The film was selected for National Film Registry by the Library of Congress in 2002.

<span class="mw-page-title-main">Lee Remick</span> American actress (1935–1991)

Lee Ann Remick was an American actress and singer. She was nominated for the Academy Award for Best Actress for the film Days of Wine and Roses (1962).

<i>Our Man Flint</i> 1966 film by Daniel Mann

Our Man Flint is a 1966 American spy-fi comedy film that parodies the James Bond film series. The film was directed by Daniel Mann, written by Hal Fimberg and Ben Starr, and starred James Coburn as master spy Derek Flint. A sequel, In Like Flint, was released the following year, with Coburn reprising his role.

<i>100 Rifles</i> 1969 American Western film

100 Rifles is a 1969 American Western film directed by Tom Gries and starring Jim Brown, Raquel Welch and Burt Reynolds. It is based on Robert MacLeod's 1966 novel The Californio. The film was shot in Spain. The original music score was composed by Jerry Goldsmith, who had previously also scored Bandolero!, another Western starring Welch.

<i>Pat Garrett and Billy the Kid</i> 1973 film by Sam Peckinpah

Pat Garrett and Billy the Kid is a 1973 American revisionist Western film directed by Sam Peckinpah, written by Rudy Wurlitzer, and starring James Coburn, Kris Kristofferson, Richard Jaeckel, Katy Jurado, Chill Wills, Barry Sullivan, Jason Robards, Slim Pickens and Bob Dylan. The film is about an aging Pat Garrett (Coburn), hired as a lawman by a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid (Kristofferson).

<i>Move Over, Darling</i> 1963 film by Michael Gordon

Move Over, Darling is a 1963 American comedy film starring Doris Day, James Garner, and Polly Bergen and directed by Michael Gordon filmed in DeLuxe Color and CinemaScope released by 20th Century Fox.

<i>In Like Flint</i> 1967 film by Gordon Douglas

In Like Flint is a 1967 American spy fi comedy film directed by Gordon Douglas, the sequel to the parody spy film Our Man Flint (1966).

<i>The Chairman</i> (1969 film) 1969 film by J. Lee Thompson

The Chairman is a 1969 spy film starring Gregory Peck. It was directed by J. Lee Thompson. The screenplay was by Ben Maddow based on a novel by Jay Richard Kennedy.

<i>Valley of the Dolls</i> (film) 1967 American drama film

Valley of the Dolls is a 1967 American drama film directed by Mark Robson and produced by David Weisbart, based on Jacqueline Susann's 1966 novel of the same name. The film stars Barbara Parkins, Patty Duke, and Sharon Tate as three young women who become friends as they struggle to forge careers in the entertainment industry. As their careers take different paths, all three descend into barbiturate addiction—"dolls" being a slang term for depressant pills or "downers". Susan Hayward, Paul Burke, and Lee Grant co-starred.

<i>The Detective</i> (1968 film) 1968 crime film starring Frank Sinatra

The Detective is a 1968 American neo-noir crime drama film directed by Gordon Douglas, produced by Aaron Rosenberg, and starring Frank Sinatra, based on the 1966 novel of the same name by Roderick Thorp.

<i>The Best of Everything</i> (film) 1959 film by Jean Negulesco

The Best of Everything is a 1959 American drama film directed by Jean Negulesco from a screenplay by Edith Sommer and Mann Rubin, based on the 1958 novel of the same name by Rona Jaffe. It stars Hope Lange, Stephen Boyd, Suzy Parker, Martha Hyer, Diane Baker, Brian Aherne, Robert Evans, Louis Jourdan, and Joan Crawford. The film follows the professional careers and private lives of three women who share a small apartment in New York City and work together at a paperback publishing firm. Alfred Newman wrote the musical score, the last under his longtime contract as 20th Century-Fox's musical director.

<i>State Fair</i> (1962 film) 1962 film

State Fair is a 1962 American musical film directed by José Ferrer and starring Pat Boone, Bobby Darin, Ann-Margret, Tom Ewell, Pamela Tiffin and Alice Faye. A remake of the 1933 film State Fair and the 1945 film State Fair, it was considered to be a financially and critically unsuccessful film. Richard Rodgers, whose collaborator Oscar Hammerstein had died in 1960, wrote additional songs, both music and lyrics, for this film adaptation of the 1932 novel by Phil Stong.

<i>The Bottom of the Bottle</i> 1956 film

The Bottom of the Bottle is a 1956 American CinemaScope drama film directed by Henry Hathaway and starring Joseph Cotten, Van Johnson and Ruth Roman. It is based on the novel of the same title written by Georges Simenon during his stay in Nogales, Arizona. The novel was adapted for film by Sydney Boehm and was produced and distributed by 20th Century Fox.

<i>Pirates of Tortuga</i> 1961 film by Robert D. Webb

Pirates of Tortuga is a 1961 American swashbuckler film which invented an alternate history for the actual Welsh privateer Henry Morgan. It was released in October 1961 in the United States in CinemaScope.

<i>Sanctuary</i> (1961 film) 1961 film by Tony Richardson

Sanctuary is a 1961 drama film directed by Tony Richardson. The film, based on the William Faulkner novels Sanctuary (1931) and Requiem for a Nun (1951), is about the black maid of a white woman who kills the latter's newborn in order to give her employer a way out of a predicament, and then faces the death penalty.

<i>Sky Riders</i> 1976 American film

Sky Riders is a 1976 American action film directed by Douglas Hickox and starring James Coburn, Susannah York and Robert Culp.

References

  1. Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN   978-0-8108-4244-1. p255
  2. Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN   978-0-8108-4244-1. p231
  3. "Big Rental Films of 1969", Variety, 7 January 1970 p 15
  4. "Emmy-Nominated Writer-Director S. Lee Pogostin Dies at 86". Variety. 12 March 2014.
  5. Champlin, Charles (Apr 15, 1969). "Director and Producer Do the Possible". Los Angeles Times. p. h1.
  6. 1 2 Lucas, Tim (February 2017). "Hard Contract". Sight and Sound. p. 102.
  7. Haber, Joyce (6 October 1968). "Coburn:Apostle of script selection". The Los Angeles Times. p. 10.
  8. "Hard Contract". Variety film reviews 1968-1970. Vol.12. 8 April 1969.
  9. Ellison, Harlan (1989). Harlan Ellison's Watching. p. 63.
  10. "Film guide". Sight and Sound. January 1970. p. 56.
  11. Peckinpah, Sam (2008). Sam Peckinpah : interviews. p. 150.
  12. Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox . L. Stuart. p.  328. ISBN   9780818404856.