Harlettes

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The Harlettes, also known as The Staggering Harlettes, is a trio of backup singers who support Bette Midler during her live musical performances. The Harlettes' line-up has changed many times since their inception.

Contents

History

Melissa Manchester, one of the original Harlettes Melissa Manchester 1976.JPG
Melissa Manchester, one of the original Harlettes

Bette Midler's stage act grew out of her early 1970s performances at the Continental Baths, a gay bathhouse in Manhattan which offered entertainment on the weekends. With her powerful singing voice, outrageous costumes and biting wit, Midler became a favorite of the bathhouse crowd. [1]

Inspired in part by the Theatre of the Ridiculous, [2] [3] Midler's stage show evolved into a bawdy and flamboyant mixture of stand-up comedy, vaudeville and burlesque. It was during this time that Midler cultivated her stage persona as "The Divine Miss M". "The more outrageous I was, the more they liked it," Midler said. "It loosened me up." [1]

With the assistance of Barry Manilow — at the time working as a pianist at the Continental Baths — Midler enlisted her first trio of backup singers, including Melissa Manchester. Originally they were called The Red Light District, then M.G.M. (the initials of the original members: Melissa, Gail and Merle), but eventually they were called The Harlettes. [4]

With backing vocals by the Harlettes and choreography by Toni Basil, [5] Midler's performances became known for their exhausting singing and dance routines. In a 1973 Rolling Stone review of one of her shows, writer Ed McCormack stated: "Watching Bette and the girls work out, the raw awkward sexual energy of it all makes you think of Tina Turner." [6] During a single performance, Midler and the Harlettes would sing everything from midcentury radio tunes and standards such as "Boogie Woogie Bugle Boy", "Big Noise From Winnetka", "I Only Have Eyes for You" and "Lullaby of Broadway", to early girl group pop songs such as "Leader of the Pack", "Chapel of Love", and "Da Doo Ron Ron", all while changing in and out of costumes as varied as pink waitress uniforms, sequined gowns and mermaid tails.

Former Harlette Linda Hart was quoted in Playbill in 2008 as saying that working as a Harlette was "like show business boot camp" and that she learned much from the experience. [7] Midler referred in 2007 to her relationship with the Harlettes in this way: "We have a great relationship. They adore me and I pay them." [8]

Special appearances

Formerly of the Harlettes

Members

Group members are shown in chronological order by date of first appearance.

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References

  1. 1 2 "Show Business: Trash with Flash - TIME". web.archive.org. September 10, 1973. Retrieved 2 January 2025.
  2. ↑ McDonald, Marcie: "A new singing rage: The Divine Miss M", The Toronto Star , February 24, 1973.
  3. ↑ Slavo, Patrick and Barbara, "Bette Midler Had To Kill The Divine Miss M", In Touch , July 1974.
  4. ↑ Knight, Richard Jr. (June 20, 2007). ""'Hats' Off to Melissa Manchester"". Windy City Times . Retrieved 2 January 2025.
  5. ↑ Keck, William (6 February 2008). "Divine Miss Midler Becomes Sassy Vegas 'Showgirl'"" . Retrieved 2 January 2025.
  6. ↑ McCormack, Ed. "The Gold Lame Dream Of Bette Midler", Rolling Stone, February 5, 1973.
  7. ↑ Jones, Kenneth (June 24, 2003). "Linda Hart, Hairspray's 'Miss Baltimore Crabs,' Developing a Musical for Herself". Playbill.
  8. ↑ Grant, Lee (7 May 2007). "Banking on Bette". San Diego Union-Tribune. Retrieved 2 January 2025.
  9. ↑ "Col Inks Formerly of the Harlettes" (PDF). Record World: 71. December 17, 1977.
  10. ↑ "The Staggering Harlettes - Katey Sagal". Archived from the original on 11 March 2012. Retrieved 11 June 2011.
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