A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded.
Ardour is a hard disk recorder and digital audio workstation application that runs on Linux, macOS, FreeBSD and Microsoft Windows. Its primary author is Paul Davis, who was also responsible for the JACK Audio Connection Kit. It is intended as a digital audio workstation suitable for professional use.
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device, the source from which all copies will be produced. In recent years, digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering.
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology for Microsoft Windows and macOS. It is used for music creation and production, sound for picture and, more generally, sound recording, editing, and mastering processes.
A digital audio workstation (DAW) is an electronic device or application software used for recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece.
Solid State Logic (SSL) is a British company based in Begbroke, Oxfordshire, England that designs and markets audio mixing consoles, signal processors, and other audio technologies for the post-production, video production, broadcast, sound reinforcement and music recording industries. SSL employs over 160 people worldwide and has regional offices in Los Angeles, Milan, New York City, Paris, and Tokyo, with additional support provided by an international network of distributors. Solid State Logic is part of the Audiotonix Group.
Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products.
TASCAM is the professional audio division of TEAC Corporation, headquartered in Santa Fe Springs, California. TASCAM established the Home Recording phenomenon by creating the "Project Studio" and is credited as the inventor of the Portastudio, the first cassette-based multi-track home studio recorders. TASCAM also introduced the first low-cost mass-produced multitrack recorders with Simul-Sync designed for recording musicians, and manufactured reel-to-reel tape machines and audio mixers for home recordists from the early 1970s through the mid-1990s. Since the early 00's, TASCAM has been an early innovator in the field-recording and audio accompaniment to video with their DR-series recording platforms. TASCAM celebrated its 50th anniversary in 2021.
Sound Blaster X-Fi is a lineup of sound cards in Creative Technology's Sound Blaster series.
Harrison Audio Consoles is an international company based in Nashville, Tennessee that manufactures high-end mixing consoles, Digital Audio Workstations (DAW), audio plugins, and other audio technologies for the post-production, video production, broadcast, sound reinforcement and music recording industries. The company is renowned as an industry innovation for its "in-line" mixing console design that has subsequently become the standard for nearly every large-format music console. Over 1,500 Harrison consoles have been installed worldwide, presenting a significant percentage of the overall world market share for high-end audio consoles. The company founder, Dave Harrison, was inducted as a Fellow in the Audio Engineering Society for this technical contribution of the recording industry and in particular the first 32-bus "in-line" console.
Euphonix was a professional audio company located in Mountain View, California, United States. Euphonix produced the first successful line of large digitally controlled analog audio mixing consoles in the late 1980s and has since moved on to all-digital systems. In 2010, it was acquired by Avid.
Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing. Parallel compression, a form of upward compression, is achieved by mixing an unprocessed 'dry', or lightly compressed signal with a heavily compressed version of the same signal. Rather than lowering the highest peaks for the purpose of dynamic range reduction, it decreases the dynamic range by raising up the softest sounds, adding audible detail. It is most often used on stereo percussion buses in recording and mixdown, on electric bass, and on vocals in recording mixes and live concert mixes.
BIAS was a privately held corporation based in Petaluma, California. It ceased all business operations as of June, 2012.
The Fostex Foundation 2000 was a high-end digital audio workstation that Fostex introduced in 1993, at a cost of about $60,000. Many of its engineers were refugees from the recently bankrupt New England Digital, makers of the highly regarded and much more pricey Synclavier music workstation. It was considered a very innovative product in its time for its intuitive touch-screen user-interface and very high performance. The Foundation 2000 cost approximately $60,000 when it was introduced and ended up not being successful in the market. Software updates were still being released as late as 1996. A cheaper version called the Fostex Foundation 2000RE was also sold.
A Virtual Mixer is a software application that runs on a computer or other digital audio system. Providing the same functionality of a digital or analog mixing console, a virtual mixer takes the audio outputs of many separate tracks or live sources and combines them into a pair of stereo outputs or other routed subgroups for auxiliary outputs.
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.
Musical outboard equipment or outboard gear is used to process or alter a sound signal separately from functionality provided within a mixing console or a digital audio workstation. Outboard effects units can be used either during a live performance or in the recording studio.
A bedroom producer is an amateur musician who creates, performs, and records their music independently using a home studio, often considered a hobbyist opposed to a professional record producer in the recording industry that works in a traditional studio with clients. Typically bedroom producers use accessible digital technology that costs less than the equipment in a professional studio, such as MIDI controller-based instruments and virtual studio technology, to create music for release to the world. While a professional record producer oversees and guides the recording process, often working alongside multiple people such as studio musicians, singers, engineers, mixers, songwriters, arrangers, and orchestrators, a bedroom producer does everything independently: creating the ideas, recording them and processing them for release. Bedroom producers are often self-taught, learning sound design, mixing and music theory by reading music production blogs and watching tutorials on the internet. As bedroom producers depend on the accessibility of music technology, bedroom production has been made easier with advances in home computing power and digital audio workstations (DAW).
