Harry Southwell (born 1882, date of death unknown) was an Australian actor, writer and film director best known for making films about Ned Kelly. He was born in Cardiff, Wales and spent a couple of years in America, where he adapted some short stories by O Henry into two reel films. [1] He worked for Vitagraph in the United States for five years, then moved to Australia in 1919, where he used his experience as a screenwriter to impress investors to back him making features. [2] He set up his own production company in Australia but few of his movies were commercially successful. [3] [4] [5]
He returned to Europe in the 1920s, where he made a British-Belgian film called The Bells (1925), with himself in the lead role of Mathias the innkeeper. The film took five months to shoot. He later returned to Australia in 1931, where he worked for Australian Players. [6] He made at least three Australian films about the famous outlaw Ned Kelly, and near the end of his career remade The Bells in 1935 as The Burgomeister. [7]
This is an overview of 1925 in film, including significant events, a list of films released and notable births and deaths.
The year 1916 in film involved some significant events.
The year 1915 in film involved some significant events.
1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as The Student of Prague, Suspense, Atlantis, Raja Harischandra, Juve contre Fantomas, Quo Vadis?, Ingeborg Holm, The Mothering Heart, Ma l’amor mio non muore!, L’enfant de Paris and Twilight of a Woman's Soul.
The year 1912 in film involved some significant events.
The year 1911 in film involved some significant events.
The year 1910 in film involved some significant events.
L'Homme qui vendit son âme au diable is a 1921 French silent film comedy directed by Pierre Caron. The plot was similar to Faust and The Student of Prague, about a man who makes a diabolical deal with the Devil.
Au Secours! is a 1924 short French silent comedy horror film, directed by Abel Gance and starring Max Linder. The French title translates into English as "Help!". The film is also known as The Haunted House in some reference books. The film was made on a dare, with Gance filming the entire project in three days, with the help of his friend, actor Max Linder. Linder had just returned to France after several years of trying to start an acting career in Canada.
The Mechanical Man is a 1921 Italian science fiction film directed by André Deed. It was produced in 1920 and released in November 1921. It is one of the first science fiction films produced in Italy, and the first film showing a battle between two robots. The cinematographer was Alberto Chentrens.
The Bells is a 1926 American silent crime film directed by James Young and starring Lionel Barrymore and Boris Karloff. It was based on an 1867 French stage play called Le Juif Polonais by Erckmann-Chatrian. The play was translated to English in 1871 by Leopold Lewis at which time it was retitled The Bells. The English version of the play was performed in the U.S. in the 19th century by Sir Henry Irving. Le Juif Polonais was also adapted into an opera of the same name in three acts by Camille Erlanger, composed to a libretto by Henri Cain.
The Other Person is a 1921 Dutch-British silent mystery film directed by Maurits Binger and B.E. Doxat-Pratt. It was a co-production between a Dutch film company and a British film company.
Max Neufeld was an Austrian film director, actor and screenwriter. He directed 70 films between 1919 and 1957. He directed the 1934 film The Song of the Sun, which starred Vittorio De Sica.
The Bells is a play in three acts by Leopold David Lewis which was one of the greatest successes of the British actor Henry Irving. The play opened on 25 November 1871 at the Lyceum Theatre in London and initially ran for 151 performances. Irving was to stage the play repeatedly throughout his career, playing the role of Mathias for the last time the night before his death in 1905.
Harry Agar Lyons was an Irish-born British actor. He was born in Cork, Ireland in 1878 and died in Wandsworth, London, England in 1944 at age 72.
Vampires of Warsaw is a 1925 Polish silent crime film directed by Wiktor Biegański and starring Oktawian Kaczanowski, Halina Labedzka and Maria Balcerkiewiczówna. It was Biegański's most popular film, and displayed the influence of Soviet cinema on his work. The film is considered lost, so it is difficult to describe the plot in detail, but from what can be gathered the film appears to have been a murder mystery whodunit featuring a pair of Russian aristocrats who are determined to marry a weathly father/daughter and murder them for their inheritance. Despite the title the film did not actually feature any vampires of the supernatural variety.
Figures of the Night (German:Nachtgestalten) is a 1920 German silent horror film written, directed and produced by Richard Oswald and starring Paul Wegener, Conrad Veidt, Reinhold Schünzel and Erna Morena. It is based on the novel Eleagabal Kuperus by Karl Hans Strobl. Strobl was the editor of a German horror fiction magazine called Der Orchideengarten which was said to have been influenced by the works of Edgar Allan Poe. Strobl was an anti-Semitic and later willingly joined the Nazi Party, which may explain why he has become an obscure literary figure today.
Madness (German:Wahnsinn) is a 1919 German silent horror film directed by Conrad Veidt and starring Veidt, Reinhold Schünzel and Grit Hegesa. The film's art direction was by Willi Herrmann.
The Sorrows of Satan is a 1917 British silent fantasy film directed by Alexander Butler and starring Gladys Cooper, Owen Nares and Cecil Humphreys. Made at Isleworth Studios, and based on the novel of the same name, the plot involves a poverty-stricken author so depressed that he agrees to sell his soul to the Devil.
The Marriage of the Bear is a 1925 Soviet silent horror-fantasy drama film directed by Konstantin Eggert and Vladimir Gardin. It is based on the play with the same name by Anatoli Lunacharsky, which in turn was based on Prosper Mérimée's novella Lokis.