Harvey Wang is an American photographer based in New York City. He has published several books of photography. He is known for his portraits and short films.
Harvey Wang was born in Queens, New York, in 1956. He received a Bachelor of Arts degree in Anthropology from Purchase College, State University of New York in 1977. [1] He visited Madison County, North Carolina to conduct research and take photographs for his honors thesis "At the Crossroads," which explored the impact of popular culture on the folk culture of the area. His photographs were subsequently shown in the exhibition At the Crossroads: Music and Photographs from Madison County, North Carolina at the Neuberger Museum at Purchase College in 1977. [2]
After graduation, he worked as a photographer for the Village Voice [3] under picture editor Fred W. McDarrah.
In the early 1980s, Wang frequented and photographed Club 57, a nightclub on St. Mark’s Place in the East Village, New York City that served as a mecca for filmmakers, artists, and musicians. His photographs of Club 57 regulars included Anne Magnuson, John "Lypsinka" Epperson, Kai Eric, Tseng Kwong Chi, Dany Johnson, Charlotte Slivka, Tom Scully, Klaus Nomi, Wendy Wild, John Sex, Deb O'Nair, Keith Haring, James Chance, Pat Place, Anya Phillips, and others. [4] These photographs were included in the exhibition "Club 57: Film, Performance, and Art in the East Village, 1978-1983" at the Museum of Modern Art, New York in 2017. [5] He photographed the Lower East Side, Chinatown, and the East Village in New York City extensively in the 1970s and 1980s. [6] A selection of his photographs were exhibited at P.S. 1 in the New York/New Wave exhibition in New York City in 1981. [7]
In 1983 he worked with author Edward Kiersh on Where Have You Gone, Vince DiMaggio?, [8] a book about retired Major League baseball players. Subjects included Vince DiMaggio, Ernie Banks, Roger Maris, Harmon Killebrew, Gene Woodling, Harvey Haddix, Willie McCovey, Pumpsie Green, and Dusty Rhodes. Wang's photographs of these players appeared in a solo exhibition at the New York Public Library (New York City) in 1983. [9]
In 1986, Wang photographed the subjects of Victoria Balfour's book Rock Wives, [10] a collection of interviews with eighteen people who have lived with and around stars of rock and roll. Subjects included Susan Rotolo, Claudette Robinson, Angie Bowie, Ingrid Croce, Bebe Buell, and Carlene Carter.
His portraits of older New Yorkers whose occupations and ways of life were being threatened by change were published in Harvey Wang’s New York [11] in 1990, and exhibited in a solo exhibition at the Museum of the City of New York in 1992. [12] Subjects included Ella Baker, a civil rights activist; Eddie Day, the Cyclone rollercoaster brakeman at Coney Island, Brooklyn; Joey Faye, a burlesque comedian; Tom Rella, a gravedigger at the Bayside Cemetery in Queens; Aston Robinson, a waiter at Gage and Tollner in Brooklyn; Helen Giamanco, the longest-working employee at Horn & Hardart in New York City; Edward Robb Ellis, the writer of one of the longest diaries in the world; Editta Sherman, the “Duchess of Carnegie Hall” and portrait photographer; and Benesh Horowitz, a typesetter at The Forward. An exhibit of photographs from this book will open at the Yiddish Book Center, Amherst, Mass., on June 16, 2024.
In the early 1990s, Wang teamed up with radio producer David Isay. Over a period of several years, they traveled across the country together to interview and photograph interesting Americans. The interview excerpts and portraits were published in 1995 in Holding On: Dreamers, Visionaries, Eccentrics and Other American Heroes. [13]
Photographs drawn from Harvey Wang’s New York and Holding On were the basis for the solo exhibition Going Strong: Older Americans on the Job at the National Museum of American History at the Smithsonian Institution in Washington, DC in 1995. [14] [15] These portraits showed older Americans still working proudly at their lifelong professions. The show subsequently traveled as part of the Smithsonian Institution Traveling Exhibition Service (SITES) program. [16]
In 2000, Wang photographed the residents of the last remaining flophouses on New York City’s Bowery for the book Flophouse: Life on the Bowery, [17] a collaboration with radio producers David Isay and Stacy Abramson. The project culminated in an exhibition at the New-York Historical Society in 2001. [18]
In the early 2000s, Wang began to explore the craft of photography and the careers of other photographers. His short film about Milton Rogovin, Milton Rogovin: The Forgotten Ones, won the prize for Best Documentary Short at the Tribeca Film Festival in 2003. [19] In the film, Wang accompanies Milton and Anne Rogovin as they shoot the final portraits in their “Quartets” series on Buffalo, New York’s Lower West Side. [20] Wang also wrote an afterword for the book Milton Rogovin: The Forgotten Ones. [21]
Starting in 2008, Wang began to explore how photographers were affected by the momentous change in photography in the wake of the transition from film to digital methods. The book of interviews and portraits, titled From Darkroom to Daylight, was published in 2015. [22] A documentary film of the same name screened at photography festivals, museums, colleges, and other public venues. [23] [24] [25] Subjects included Jerome Liebling, George Tice, Elliott Erwitt, David Goldblatt, Sally Mann, Gregory Crewdson, Susan Meiselas, Eugene Richards, Steven Sasson, who built the first digital camera at Kodak, and Thomas Knoll, who alongside his brother created Photoshop.
Wang directed a feature film in 2007, The Last New Yorker , featuring Dominic Chianese, Dick Latessa, and Kathleen Chalfant. [26] [27]
Elizabeth "Lee" Miller, Lady Penrose, was an American photographer and photojournalist. Miller was a fashion model in New York City in the 1920s before going to Paris, becoming a fashion and fine art photographer there. During World War II, she was a war correspondent for Vogue, covering events such as the London Blitz, the liberation of Paris, and the concentration camps at Buchenwald and Dachau. Her reputation as an artist in her own right is due mostly to the fact her son discovered and promoted her work as a fashion and war photographer.
Diane Arbus was an American photographer. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity." In his 2003 New York Times Magazine article, "Arbus Reconsidered", Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography ". Arbus's imagery helped to normalize marginalized groups and highlight the importance of proper representation of all people.
Paul Strand was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century. In 1936, he helped found the Photo League, a cooperative of photographers who banded together around a range of common social and creative causes. His diverse body of work, spanning six decades, covers numerous genres and subjects throughout the Americas, Europe, and Africa.
Jerry Norman Uelsmann was an American photographer.
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Arno Rafael Minkkinen is a Finnish-American photographer who works in the United States.
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Louis Faurer was an American candid or street photographer. He was a quiet artist who never achieved the broad public recognition that his best-known contemporaries did; however, the significance and caliber of his work were lauded by insiders, among them Robert Frank, William Eggleston, and Edward Steichen, who included his work in the Museum of Modern Art exhibitions In and Out of Focus (1948) and The Family of Man (1955).
David Avram "Dave" Isay is an American radio producer and founder of Sound Portraits Productions. He is also the founder of StoryCorps, an ongoing oral history project. He is the recipient of numerous broadcasting honors, including six Peabody Awards and a MacArthur "Genius" Fellowship. He is the author/editor of numerous books that grew out of his public radio documentary work.
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