Haunted Gold | |
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Directed by | Mack V. Wright |
Written by | Adele Buffington |
Produced by | Leon Schlesinger |
Starring | |
Cinematography | Nicholas Musuraca |
Edited by | William Clemens |
Music by | John Peasano |
Production company | |
Distributed by | Warner Bros. Pictures |
Release date |
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Running time | 58 minutes |
Country | United States |
Language | English |
Haunted Gold is a 1932 American pre-Code Western film directed by Mack V. Wright and starring John Wayne. [1] It is a remake of the 1928 film The Phantom City, starring Ken Maynard and his horse Tarzan. Filmed in 1932, two years before the implementation of Hollywood's Production Code, the film contains several racial slurs involving the black character "Clarence Brown" (played by Blue Washington).
John Mason and Janet Carter receive an anonymous letter telling them to travel to a ghost town that has an abandoned mine. There they befriend each other as they try to find out why they were sent the letters. They soon find themselves targets of Joe Ryan and his gang who are looking for the hidden gold inside the abandoned mine. They are helped by the mysterious Phantom of the mine who has his own plans.
State Fair is a 1933 American pre-Code comedy-drama film directed by Henry King and starring Janet Gaynor, Will Rogers, and Lew Ayres. The film tells the story of a farm family's multi-day visit to the Iowa State Fair, where the parents seek to win prizes in agricultural and cooking competitions, and their teenage daughter and son each find unexpected romance.
John Brown was an American college football player and film actor billed as John Mack Brown at the height of his screen career. He acted and starred mainly in Western films.
What Price Hollywood? is a 1932 American pre-Code drama film directed by George Cukor and starring Constance Bennett with Lowell Sherman. The screenplay by Gene Fowler, Rowland Brown, Jane Murfin and Ben Markson is based on a story by Adela Rogers St. Johns and Louis Stevens. The supporting cast features Neil Hamilton, Gregory Ratoff, Brooks Benedict, Louise Beavers and Eddie "Rochester" Anderson.
John Francis Regis Toomey was an American film and television actor.
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The Phantom of Crestwood is a 1932 American pre-Code murder-mystery film released by Radio Pictures, directed by J. Walter Ruben, and starring Ricardo Cortez, Karen Morley, Richard "Skeets" Gallagher, Anita Louise, H.B. Warner, and Pauline Frederick. Morley plays Jenny Wren, who plans to extort money from various wealthy ex-lovers, after she lures them to a ranch called “Casa de Andes” near Crestwood, California. The picture features what Leonard Maltin called an "eye-popping" flashback technique, where the camera seems to whirl from one scene to the next, although William K. Howard had actually pioneered this technique earlier that year in The Trial of Vivienne Ware.
Gold Raiders is a 1951 comedy Western film starring George O'Brien and The Three Stooges. The picture was O'Brien's last starring role and the only feature film released during Shemp Howard's 1947–55 tenure with the trio.
Julie Bishop, previously known as Jacqueline Wells, was an American film and television actress. She appeared in more than 80 films between 1923 and 1957.
Clarence Muse was an American actor, screenwriter, director, singer, and composer. He was the first African American to appear in a starring role in a major studio film, 1929's Hearts in Dixie. He acted for 50 years, and appeared in more than 150 films. He was inducted into the Black Filmmakers Hall of Fame in 1973.
Mack V. Wright was an American actor and film director. Active as a director from 1920 to the late 1940s, he also had an extensive career as an assistant director, second-unit director and production manager. His heyday was in the 1930s, when he directed or co-directed serials for Republic Pictures and made westerns for Monogram Pictures, often with John Wayne. He was also an actor, appearing in his first film in 1914 and his last in 1934, almost all of them westerns.
Edgar Hughes "Blue" Washington was an American actor and baseball player who played in the Negro leagues from 1915 to 1920 as a pitcher and first baseman.
The Guilt of Janet Ames is a 1947 American sentimental film noir directed by Henry Levin, based on a story by Lenore Coffee, and starring Rosalind Russell and Melvyn Douglas. It was produced and distributed by Columbia Pictures.
The Range Busters is a 1940 American Western film directed by S. Roy Luby and written by John Rathmell. The film is the first in Monogram Pictures' "Range Busters" series, and it stars Ray "Crash" Corrigan as Crash, John "Dusty" King as Dusty and Max "Alibi" Terhune as Alibi, with Luana Walters, LeRoy Mason and Earle Hodgins. It was released on August 22, 1940.
Clarence Hummel Wilson was an American character actor.
Hell's Highway is a 1932 American pre-Code film directed by Rowland Brown.
Washington Merry-Go-Round is a 1932 American pre-Code film directed by James Cruze and starring Lee Tracy, Constance Cummings, Walter Connolly, and Alan Dinehart. It was produced by Walter Wanger.
Al Taylor was an American character actor during the silent and sound film eras.
A Man's Land is a 1932 American pre-Code Western film, written by Adele Buffington and directed by Phil Rosen. It stars Hoot Gibson, Marion Shilling, and Robert Ellis, and was released on June 11, 1932.
The Phantom City is a 1928 American silent Western film directed by Albert S. Rogell and written by Adele Buffington and Fred Allen. The film stars Ken Maynard, Eugenia Gilbert, James Mason, Charles Hill Mailes, Jack McDonald and Blue Washington. The film was released on December 23, 1928, by First National Pictures.
John T. Prince, sometimes credited as John Printz, was an American stage and silent film actor. After some years on the stage he appeared in around forty films from 1912 onwards. He was a character actor appearing in a number of supporting roles. Following the introduction of sound, he appeared mostly in smaller, uncredited parts. His final screen appearance was in the 1933 John Wayne western The Man from Monterey.