Healy Guest House | |
---|---|
General information | |
Type | Residential guest house |
Architectural style | Modern architecture Sarasota School of Architecture |
Location | Siesta Key, Florida |
Coordinates | 27°18′05″N82°33′33″W / 27.30139°N 82.55917°W |
Completed | 1950–1951 |
Renovated | 1990 |
Design and construction | |
Architect(s) | Twitchell and Rudolph (Ralph Twitchell and Paul Rudolph) |
The Healy Guest House (nicknamed the Cocoon House) is a small guest cottage located in Siesta Key, Florida, originally built for Mr. and Mrs. W. R. Healy. It was designed in 1948 by Paul Rudolph and Ralph Twitchell during their five-year partnership that sparked a modern architecture movement in Florida; the Sarasota School of Architecture. Its radical shape, featuring an inverted catenary roof, was an experiment in structure and technology. It is considered one of the most significant architectural works of the twentieth-century. [1] [2]
The Healys were Ralph Twitchell's in-laws. Twitchell secured a small patch of land along Bayou Louise on which to build the project. Paul Rudolph produced a series of simplified initial concept drawings for a single-story, two-bedroom, open plan rectangle with a platform floor lifted above grade and with a porch section cantilevered over the adjacent lagoon. With no interior load-bearing walls, the suspended catenary roof would be supported by tensioned steel straps fastened along the base of the structure. [3] [4]
The roof, itself, would be constructed of flexible ceiling panels sprayed with saran-vinyl compounds developed by the military during World War II. The compounds had been originally developed to coat U.S. Navy ships when they were being mothballed for storage. Rudolph learned that this process was known as ‘cocooning’ when he was supervising ship construction at the Brooklyn Navy Yard during the war. [5] Thus emerged the nickname of the cottage ... ‘’Cocoon House’’. [6]
The longitudinal walls on both sides would be entirely constructed of a series of wooden jalousie blinds that could be closed for privacy and protection, or opened for a near-360 degree view. The end walls would be made exclusively of glass. Rudolph's elegant plan of virtual transparency was designed to facilitate a complete sensory experience, encompassing the sights, sounds, and even smells of the site, but its avant-garde design would prove a challenge to build. [7] [8] [9]
In addition to being an architect, Twitchell was an experienced builder. He was familiar with the materials required construction of modern structures, such as poured concrete, steel beams, metal straps, tensioning rods, and guy wires. He was one of few people in 1950 to be able to translate Rudolph's plans into reality. [4]
The project was literally built from the ground up. A concrete seawall and platform were fabricated, on which an out-rigger beam frame was built. Jalousie walls were fabricated onsite with vertical beam framing and topped with large roof rail beams. These unsupported wall sections required significant bracing, since the end walls would be non-structural glass panels. When window contractors approached Rudolph regarding the structural continuity of frameless glazing, the architect dismissively retorted "The glass will stiffen it up." [10]
The construction of the roof was a multi-step process. Steel support bars were fastened to footings, wrapped over the outriggers and to the roof beams. Strapping was welded along the roof beams and loosely hung, spanning the width of the house. These straps provided the naturally-curved ‘frame’ on which construction flexible insulation panels were placed. Alternating layers of spray-vinyl polymer and flexible panels gradually formed a structural roof. [11] A slate blue colored polymer was used for the interior ceiling of the house. [12]
Even before it was built, the ‘’Cocoon House’’ created a sensation. The American Institute of Architects named the unbuilt work as its ‘’Best House Design of the Year’’ in 1949. [13] Upon completion, feature articles appeared in Architectural Forum (June 1951), [12] Interiors (June 1951), [14] House Beautiful (July 1952), [15] and Florida Architect (April 1958). [11] [16]
Among architectural scholars, the radical design of the Cocoon House is ranked among the greatest modern works of the period. [17] [18] In 1953, the Metropolitan Museum of Art published an assessment of American modern architecture in a volume entitled Built in USA: Post-War Architecture. Forty-three buildings (nineteen of which were houses) were represented as "the most significant examples of modern architecture built in this country since 1945". [19] The Cocoon House is included in that collection, alongside the Philip Johnson Glass House, Charles Eames Eames House, Mies van der Rohe Farnsworth House, and Frank Lloyd Wright Jacobs House. [20]
The U.S. Library of Congress designated the Healy Guest House as an "American Treasure". [2] [21] It was designated as a historic property by the City of Sarasota in 1985. [22]
Despite being the first building to give national recognition to architect Paul Rudolph, he considered the project a failure, "It was okay on the outside, but the interior was not successful. The apparent instability of the sagging ceiling and the thrusting space upward to the perimeter, inviting you to leave – this violated the essential nature of an intimate, domestic space. The Healy Cottage taught me that the physiological nature of a space in every building was really more important than the form of the structure." [23]
The building fell into severe disrepair in the 1980s. The roof failed. At the turn of the millennium, there was a resurgence in interest in the landmark and a major conservation effort restored the house to its original condition. [24] [25]
The year 1959 in architecture involved some significant architectural events and new buildings.
Paul Marvin Rudolph was an American architect and the chair of Yale University's Department of Architecture for six years, known for his use of reinforced concrete and highly complex floor plans. His most famous work is the Yale Art and Architecture Building, a spatially-complex Brutalist concrete structure. He is one of the modernist architects considered an early practitioner of the Sarasota School of Architecture.
Mid-century modern (MCM) is a design movement in interior, product, graphic design, architecture, and urban development that was popular in the United States and Europe from roughly 1945 to 1969, during the United States's post–World War II period. The term was used descriptively as early as the mid-1950s and was defined as a design movement by Cara Greenberg in her 1984 book Mid-Century Modern: Furniture of the 1950s. It is now recognized by scholars and museums worldwide as a significant design movement. The MCM design aesthetic is modern in style and construction, aligned with the Modernist movement of the period. It is typically characterized by clean, simple lines and honest use of materials, and it generally does not include decorative embellishments.
Gene Leedy was an American architect based in Winter Haven, Florida. He was a pioneer of the modern movement in Florida and later a founder of the Sarasota School of Architecture, whose members included Paul Rudolph, Victor Lundy, and others. After beginning his career in Sarasota, Leedy moved his practice to Winter Haven in 1954. He is best known for his bold use of precast concrete, especially in long-span, "double-tee" structural elements.
The Sanderling Beach Club is a historic Sarasota School of Architecture building in Sarasota, Florida, United States. It was designed in 1952 by architect Paul Rudolph.
The Sarasota School of Architecture, sometimes called Sarasota Modern, is a regional style of post-war modern architecture (1941–1966) that emerged on Florida's Central West Coast, in and around the city of Sarasota, Florida. It is characterized by open-plan structures, often with large planes of glass to facilitate natural illumination and ventilation, that address the unique indigenous requirements of the regional climate. Many of the architects who pioneered this style became world-renowned later in their careers, and several significant buildings remain in Sarasota today.
The Revere Quality House is a house located in Siesta Key, Florida that was designed by architects Paul Rudolph and Ralph Twitchell. It is a breakthrough in twentieth-century residential architecture which blends elements of the International Style with site-sensitive design that is considered one of the notable examples of the Sarasota School of Architecture. The house represents a substantial advancement in how people should live within their environment, and established a new paradigm in tropical home construction.
John Howey was a Florida architect known as part of the group of architects at work since 1965 that followed the Sarasota School of Architects led by Paul Rudolph. John Howey Associates is his Tampa Bay architectural firm formed in 1973. Some of his projects include Tampa City Hall Plaza, Village Presbyterian Church, and the Williers Residence in Tampa. John Howey passed away on Saturday, October 26, 2019.
Jack West (1922–2010) was an architect in Sarasota, Florida and briefly in Southern California. West was one of the leaders of the Sarasota School of Architecture.
Ralph Spencer Twitchell was one of the founding members of the Sarasota School of Architecture. He is considered the father of the group of modernist architecture practitioners, that includes Paul Rudolph and Jack West, and other modernist architects who were active in the Sarasota area in the 1950s and 1960s like Ralph and William Zimmerman, Gene Leedy, Mark Hampton, Edward “Tim” Seibert, Victor Lundy, William Rupp, Bert Brosmith, Frank Folsom Smith, James Holiday, Joseph Farrell and Carl Abbott. He bridged the more traditional architecture of his early work in Florida during the 1920s with his modernist designs that began in the 1940s.
William J. Rupp was one of the modernist American architects considered part the Sarasota School of Architecture.
Carl Abbott is a Fellow of the American Institute of Architects and the youngest member of the original Sarasota School of Architecture.
Guy Wesley Peterson is an American architect based in Sarasota, Florida. Peterson is a Fellow of the American Institute of Architects and the recipient of the AIA Florida Gold Medal for his outstanding contributions to architecture. He has designed more than 200 structures in southwest Florida, including notable private and public works. Peterson is an adjunct professor of architecture at the University of Florida, College of Design, Construction and Planning, and the author of Naked: The Architecture of Guy Peterson.
Edward John "Tim" Seibert was an architect based in Sarasota, Florida. Seibert was a Fellow of the American Institute of Architects and one of the founders of the modern movement known as the Sarasota School of Architecture.
Lamolithic house was the term given by Sarasota concrete businessman John Lambie to describe his unique method of building modern reinforced concrete residential structures. This building technique enabled the fabrication of thin ceiling and wall planes, thus enabling architects to draft efficient and lightweight designs. Several historic lamolithic houses were constructed by renowned architects Paul Rudolph and Ralph Twitchell on Siesta Key, Florida using this technique. These homes were among the earliest examples of reinforced concrete residential construction.
The Hiss Residence is a mid-century modern home designed by architect, Paul Rudolph. Built as the show home for Sarasota's Lido Shores neighborhood in 1953, the structure blends international style modernism with indigenous tropical design. It is among the preeminent works of the Sarasota School of Architecture and considered “one of the most remarkable homes of the twentieth century.”
The Walker Guest House was a compact modern beach structure originally built on Sanibel Island, Florida, for Dr. Walter Walker. It was designed in 1952 by Paul Rudolph as an architectural response to Mies van der Rohe’s Farnsworth House and Philip Johnson’s Glass House. It is considered a ground-breaking work of environmental design, and one of the most important works of architecture of the twentieth century.
The Zigzag House (1959) is a residential house in Sarasota, Florida, United States. It was designed by architect Tollyn Twitchell in the style of the Sarasota School of Architecture: the style is also referred to as a mid-century modern. The home has been named for its zigzag roofline which resembles saw teeth.
Milam Residence is an oceanfront residence in Ponte Vedra Beach, Florida, United States. It was designed by architect Paul Rudolph in the style of Sarasota Modern. The late modernist home has an unusual facade of large geometrical shapes facing the ocean. Completed in 1961, it was one of Architectural Record's 20 "Record Houses" of 1963. In 2016, it was added to the National Register of Historic Places.
Bass Residence (1970) is a home in Fort Worth, Texas classified as Modern architecture and designed by architect Paul Rudolph, a founder of the Sarasota School of Architecture, and he designed the home in that style. It was designed for Sid Bass and Anne Bass. The house features cantilevered horizontal shapes.
{{cite book}}
: CS1 maint: multiple names: authors list (link){{cite book}}
: CS1 maint: multiple names: authors list (link)