Henri Mallard

Last updated

Henri Marie Joseph Mallard
Portrait of photographer Henri Mallard made in 1916 by Monte Luke.jpg
Portrait of photographer Henri Mallard made in 1916 by Monte Luke
Born
Henri Marie Joseph Mallard

(1884-02-09)9 February 1884
Australia
Died21 January 1967(1967-01-21) (aged 82)
Balmain, Sydney
NationalityAustralian
Educationself-taught
Known forPhotography
Notable workNearing their journey's end (1920s)
Break-o-day, railway siding, (1939)
Movement Pictorialism, Modernism
SpouseHilda Mary Cousins

Henri Marie Joseph Mallard (9 February 1884 – 21 January 1967), was an Australian photographer.

Contents

Born in Balmain (Sydney, Australia) of French parents, he came to photography via the industry. Using his French connections, and accent (which was strong owing to his home education), he secured a position in 1900 with Harrington [1] (later Kodak Pty Ltd) as a sales representative to the French consulate. He remained with the company, becoming general manager, until 1952. With ready access to equipment and materials he was an enthusiastic amateur exhibitor by 1904.

In the photographic community

He used his business and connections to support other photographers; [2] he was influential on fellow Sydney-sider Frank Hurley, encouraging the budding photographer's interest in the medium and in 1911 recommending Hurley for the position of official photographer to Douglas Mawson's Australasian Antarctic expedition, ahead of himself.; [3] moving to Harrington's Melbourne office in 1913, he opened the showrooms to exhibitions, including that of John Kauffmann in 1914.

He was a strong advocate for art photography; on his return to Sydney (1916) he joined (in 1917) The Sydney Camera Circle whose "manifesto" had been drawn up and signed on 28 November 1916 by the founding group of six photographers; Harold Cazneaux, Cecil Bostock, James Stening, W.S. White, Malcolm McKinnon and James Paton. They pledged "to work and to advance pictorial photography and to show our own Australia in terms of sunlight rather than those of greyness and dismal shadows". [4] He also contributed lectures and technical demonstrations to the New South Wales Photographic Society. [5]

Sydney Harbour Bridge

He is best known for his documentation of the Australian icon Sydney Harbour Bridge between the late 1920s to the early 1930s. Photographing from precarious vantage points on the bridge itself, sometimes a hundred metres above Sydney Harbour, his work sets the construction against the harbour and the growing city and uses the figures of the workers to represent the scale of this Depression-era engineering feat. [6] His pictures and film of the Bridge were an intentional historical document and the project was self-generated. Between 1930 and 1932, he produced hundreds of stills and film footage. [7]

Prior to his project to document the Bridge, Mallard worked in the Pictorialist style prevailing in the New South Wales Photographic Society, and though Modernist in composition and design, many of the Bridge images are printed in bromoil. By comparison, Harold Cazneaux's contemporaneous photographs, taken from around the base of the bridge, retain a romantic Pictorialism.

Recognition

In 1976 the Australian Centre for Photography commissioned David Moore (1927–2003) to make an archive of gelatin silver prints from the collection of Mallard's glass negatives and these were published in association with Sun Books in 1978.

“Here we have the documentary photograph, radical enough in its context, the social document, a large slice of Sydney's evolution and an example to all of us who think of future generations in terms of historical narration." Max Dupain [8]

Related Research Articles

<span class="mw-page-title-main">Frank Hurley</span> Australian photographer

James Francis "Frank" Hurley was an Australian photographer and adventurer. He participated in a number of expeditions to Antarctica and served as an official photographer with Australian forces during both world wars. He was the official photographer for the Australasian Antarctic Expedition and the Imperial Trans-Antarctic Expedition of 1914–16.

<span class="mw-page-title-main">Max Dupain</span> Australian photographer

Maxwell Spencer Dupain AC OBE was an Australian modernist photographer.

<span class="mw-page-title-main">Photography in Australia</span>

Photography in Australia started in the 1840s. The first photograph taken in Australia, a daguerreotype of Bridge Street, Sydney, was taken in 1841.

<span class="mw-page-title-main">Harold Cazneaux</span> Australian photographer

Harold Pierce Cazneaux was an Australian pictorialist photographer; a pioneer whose style had an indelible impact on the development of Australian photographic history. In 1916, he was a founding member of the Pictorialist Sydney Camera Circle. As a regular participator in national and international exhibitions, Cazneaux was unfaltering in his desire to contribute to the discussion about the photography of his times. He created some of the most memorable images of the early twentieth century.

David Moore was an Australian photojournalist, historian of Australian photography, and initiator of the Australian Centre for Photography.

Jeff Carter was an Australian photographer, filmmaker and author. His work was widely published and contributed iconic representation of the working population of the Australian bush as self-sufficient rugged and laconic.

<span class="mw-page-title-main">Olive Cotton</span> Australian photographer (1911–2003)

Olive Cotton was a pioneering Australian modernist photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Dupain was Cotton's first husband.

Gael Newton BFA is an Australian art historian and curator specializing in surveys and studies of photography across the Asia-Pacific region. Newton was formerly the Senior Curator of Australian and International Photography at the National Gallery of Australia (NGA) in Canberra. National Gallery of Australia (NGA) in Canberra.

Henry Talbot, born Heinz Tichauer was a German-Australian fashion photographer noted for his long association with the Australian fashion industry, particularly the Australian Wool Board.

Candid Camera: Australian Photography 1950s–1970s was a group retrospective exhibition of social documentary photography held at the Art Gallery of South Australia from 28 May to 1 August 2010.

Robert McFarlane is an Australian photographer and photographic critic.

<span class="mw-page-title-main">Cecil Bostock</span>

Cecil Westmoreland Bostock (1884–1939) was born in England. He emigrated to New South Wales, Australia, with his parents in 1888. His father, George Bostock, was a bookbinder who died a few years later in 1892.

<span class="mw-page-title-main">Jack Cato</span> Australian photographer and photo historian

John Cyril "Jack" Cato, F.R.P.S. was a significant Australian portrait photographer in the pictorialist style, operating in the first half of the twentieth century. He was the author of the first history of Australian photography; The Story of the Camera in Australia (1955)

Sandy Edwards is an Australian photographer born in 1948. Edwards specialises in documentary photography and photographic curation. Born in Bluff, New Zealand in 1948 Edwards arrived in Sydney in 1961. Edwards was at the forefront of a group of progressive photographers in the 1970s and 80s who were driven to create documentary work that recorded social conditions and had the intent to change these conditions. Edwards' work largely drew from feminist ideals and the media's representation of women as well as the portrayal of Aboriginal communities in Australia.

<span class="mw-page-title-main">James S. Stening</span>

James Sydney Stening was an Australian photographer who was born in 1870 in Sydney. He was then later trained to be a jeweller. Stening's first employment was with Fairfax and Roberts Jewellers, which he decided to stay with until retirement in his older age. He died on 16 September 1953.

Hans Hasenpflug (1907–1977) was born in Germany and migrated to Australia where he became a portrait and fashion photographer and was naturalised.

The Sydney Camera Circle was a Pictorialist photographic society formed in 1916 in Sydney, Australia. It was most active before World War II, and was influential on Australian photography for fifty years.

Laurence Craddock Le Guay, was an Australian fashion photographer.

<span class="mw-page-title-main">The Vandyke Album</span>

The Vandyke Album is in the collection of the State Library of New South Wales located in Sydney, New South Wales, Australia. The Vandyke Album was created by Max Dupain and Olive Cotton and is of importance to Australia's photographic history giving context to the Australian photograph "The Sunbaker".

Leonie Reisberg is an Australian photographer.

References

  1. In 1892 the first volume of Australian photographic journal (Sydney, N.S.W), was published in which short articles on 'art-versus-photography' appeared from time to time (the journal later becomes Harrington's Photographic Journal (H.P.J.) published Sydney : Harrington & Co., 1910–1927) (Gael Newton. "Australian pictorial photography : a survey of art photography from 1898 to 1938 organised by the Art Gallery of New South Wales, Sydney" Sydney : Trustees of the Art Gallery of New South Wales, 1979. ISBN   0724017151 )
  2. "By a strange coincidence the plumber who rigged my home darkroom was a keen amateur photographer and a member of the NSW Photographic Society. He persuaded me to join it. That's democratic Australia for you! I think everyone belonged to it except some of the elite from The Sydney Camera Circle. I met and received encouragement from Arthur Smith, HN Jones, Henri Mallard, Doug Hill, Harold Cazneaux and others. The monthly competitions were a great thing. Pictures were hung as in a gallery and you saw your own work alongside work by other photographers." from Max Dupain's typewritten notes, c. 1976, in catalogue of "Max Dupain – Modernist", 9 June to 23 September 2007, State Library of New South Wales, curator: Avryl Whitnall. Sydney: State Library of New South Wales, June 2007 ( ISBN   0-7313-7176-3)
  3. while Hurley records his approach to Mawson differently in his memoir, the fact of this introduction via Mallard was established by David P. Millar in "From snowdrift to shellfire : Capt. James Francis (Frank) Hurley, 1885–1962" Sydney : David Ell Press, 1984. ( ISBN   0908197594)
  4. Harold Cazneaux letter to Jack Cato, National Library of Australia Manuscript MS 5416
  5. Gael Newton "Silver and Grey: fifty years of Australian photography 1900 – 1950", Sydney: Angus and Robertson, 1980
  6. see page 176–178 Intersections: Photography, History and the National Library of Australia, Helen Ennis, National Library of Australia, 2004. ISBN   0-642-10792-0, ISBN   978-0-642-10792-3. 277 pages
  7. The Construction of the Sydney Harbour Bridge, film by Mallard, Henri. ; Litchfield, Frank.[Sydney] : Institution of Engineers, Australia, Sydney Division, [1995].
  8. Building the Sydney Harbour Bridge / photographer: Henri Mallard ; introduced by Max Dupain and Howard Tanner. Melbourne : Sun Books in association with Australian Centre for Photography, 1976. ISBN   0-7251-0232-2

Bibliography