Henry Denham was one of the outstanding English printers of the sixteenth century.
He was apprenticed to Richard Tottel and took up the freedom of the Stationers' Company on 30 August 1560. In 1564 he set up his own printing house in White Cross Street, Cripplegate, but in the following year he moved to Paternoster Row, at the sign of the Star, where he remained for many years. His printing office was well supplied with good type in all sizes, from nonpareil to great primer, and he had a fine range of initial letters, ornaments and borders. He was particularly fond of arranging his titles with a lace border formed of printers' flowers and showed much ingenuity in their arrangement.
When Henry Bynneman died in 1583, he appointed Denham and Ralph Newbery to be his executors. Shortly after this it is thought that Denham started the Eliot's Court Printing House.
Denham was an industrious printer and in 1583 was returned as having four presses; in 1586-7 and 1588-9 he served as Junior Warden of the Stationers' Company, but he never became Master. About 1585 he removed to Aldersgate Street. The last entry under his name occurs in the Registers on 3 December 1589, after which nothing more is heard of him.
Richard Yardley and Peter Short succeeded to the business.
Denham invented the rhetorical question mark "⸮", which did not become a permanent part of the language.
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Oxford University Press (OUP) is the university press of University of Oxford. It is the largest university press in the world, and the second oldest after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics appointed by the vice-chancellor known as the delegates of the press. They are headed by the secretary to the delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The Press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho.
The Worshipful Company of Stationers and Newspaper Makers, usually known as the Stationers' Company, is one of the livery companies of the City of London. The Stationers' Company was formed in 1403; it received a royal charter in 1557. It held a monopoly over the publishing industry and was officially responsible for setting and enforcing regulations until the enactment of the Statute of Anne, also known as the Copyright Act of 1710. Once the company received its charter, "the company’s role was to regulate and discipline the industry, define proper conduct and maintain its own corporate privileges."
John Playford (1623–1686/7) was a London bookseller, publisher, minor composer, and member of the Stationers' Company, who published books on music theory, instruction books for several instruments, and psalters with tunes for singing in churches. He is perhaps best known today for his publication of The English Dancing Master in 1651.
John Day was an English Protestant printer. He specialised in printing and distributing Protestant literature and pamphlets, and produced many small-format religious books, such as ABCs, sermons, and translations of psalms. He found fame, however, as the publisher of John Foxe's Actes and Monuments, also known as the Book of Martyrs, the largest and most technologically accomplished book printed in sixteenth-century England.
William Seres was an English Protestant printer, starting work in about 1546, and working in partnership with John Day for a few years. Day and Seres specialized in religious works, such as those by Robert Crowley, which were largely related to theological controversies of the time. By 1550, Day and Seres were busy and successful enough to amicably separate their businesses.
Henry Bynneman, was an English printer of the 16th century.
Richard Pynson was one of the first printers of English books. Born in Normandy he moved to London, where he became one of the leading printers of the generation following William Caxton. His books were printed to a high standard of craftsmanship, and his Morton Missal (1500) is regarded as among the finest books printed in England in the period.
Richard Field (1561–1624) was a printer and publisher in Elizabethan London, best known for his close association with the poems of William Shakespeare, with whom he grew up in Stratford-upon-Avon.
William Jaggard was an Elizabethan and Jacobean printer and publisher, best known for his connection with the texts of William Shakespeare, most notably the First Folio of Shakespeare's plays. Jaggard's shop was "at the sign of the Half-Eagle and Key in Barbican."
Thomas Creede was a printer of the Elizabethan and Jacobean eras, rated as "one of the best of his time." Based in London, he conducted his business under the sign of the Catherine Wheel in Thames Street from 1593 to 1600, and under the sign of the Eagle and Child in the Old Exchange from 1600 to 1617. Creede is best known for printing editions of works in English Renaissance drama, especially for ten editions of six Shakespearean plays and three works in the Shakespeare Apocrypha.
Thomas Cotes was a London printer of the Jacobean and Caroline eras, best remembered for printing the Second Folio edition of Shakespeare's plays in 1632.
Richard Meighen was a London publisher of the Jacobean and Caroline eras. He is noted for his publications of plays of English Renaissance drama; he published the second Ben Jonson folio of 1640/1, and was a member of the syndicate that issued the Second Folio of Shakespeare's collected plays in 1632.
Thomas Millington was a London publisher of the Elizabethan era, who published first editions of three Shakespearean plays. He has been called a "stationer of dubious reputation" who was connected with some of the "bad quartos" and questionable texts of Shakespearean bibliography.
Nicholas Okes was an English printer in London of the Jacobean and Caroline eras, remembered for printing works of English Renaissance drama. He was responsible for early editions of works by many of the playwrights of the period, including William Shakespeare, Ben Jonson, John Webster, Thomas Middleton, Thomas Dekker, Thomas Heywood, James Shirley, and John Ford.
William Stansby (1572–1638) was a London printer and publisher of the Jacobean and Caroline eras, working under his own name from 1610. One of the most prolific printers of his time, Stansby is best remembered for publishing the landmark first folio collection of the works of Ben Jonson in 1616.
Thomas Adams was an English publisher. Son of Thomas Adams, a yeoman of Neen Savage, Shropshire, he became an apprentice to Oliver Wilkes, a member of the Stationers' Company in London, on 29 September 1582; he was transferred to a new master, George Bishop, on 14 October 1583. Adams himself was admitted to the Company on 15 October 1583. By 1591, he had established himself as a printer based at the sign of the White Lion at St. Paul's Churchyard in the city. His business may have started when printer Robert Walley transferred ownership of a vast collection of books and ballads to Adams, but existing copies indicate that Adams had these works printed for him by others.
Richard Royston was an English bookseller and publisher, bookseller to Charles I, Charles II and James II.
William Barley (1565?–1614) was an English bookseller and publisher. He completed an apprenticeship as a draper in 1587, but was soon working in the London book trade. As a freeman of the Drapers' Company, he was embroiled in a dispute between it and the Stationers' Company over the rights of drapers to function as publishers and booksellers. He found himself in legal tangles throughout his life.
John Wolfe was an English bookseller and printer. His considerable ambition and his disdain for the printing patent system of Elizabethan England drew the ire of his competitors and authorities in his early career. After being jailed twice and having his printing materials seized, Wolfe transformed himself into an ardent defender of printing privileges. By 1593, he was appointed Printer to the City of London.
Robert Waldegrave or Walgrave, the son of Richard Waldegrave of Blockley, Worcestershire, was a 16th-century printer and publisher in England and Scotland. From 1578 to 1588 he printed numerous, mainly religious works in London, and from 1590 to 1603, more than 100 books in Scotland. In 1603, following King James I of England's accession to the English throne, he returned to England, but died later the same year.
