The Newlyn School was an art colony of artists based in or near Newlyn, a fishing village adjacent to Penzance, on the south coast of Cornwall, from the 1880s until the early twentieth century. The establishment of the Newlyn School was reminiscent of the Barbizon School in France, where artists fled Paris to paint in a more pure setting emphasising natural light. These schools along with a related California movement were also known as En plein air.
Events from the year 1882 in art.
Oldbury is a market town in the metropolitan borough of Sandwell, in the county of the West Midlands, England. It is the administrative centre of the borough. At the 2011 census, the town had a population of 13,606, while the 2017 population of the wider built-up area was estimated at 25,488. Sandwell Metropolitan Borough Council, which defines Oldbury Town as consisting of the wards of Bristnall, Langley, Oldbury, and Old Warley, gave the population as 50,641 in 2011.
Henry Scott Tuke was an English artist. His most notable work was in the Impressionist style and he is best known for his paintings of nude boys and young men.
Edward Robert Hughes was a British painter, who primarily worked in watercolours, but also produced a number of oil paintings. He was influenced by his uncle and artist, Arthur Hughes who was associated with the Pre-Raphaelite Brotherhood, and worked closely with one of the Brotherhood's founders, William Holman Hunt.
Albert Chevallier Tayler was an English artist who specialised in portrait and genre painting, but he was also involved in the plein air methods of the Newlyn School. He studied at Heatherley's School of Art, Royal Academy Schools and with avant-garde painters in Paris. He was educated at Bloxham School in Oxfordshire.
Walter Langley was an English painter and founder of the Newlyn School of plein air artists.
Mildred Anne Butler was an Irish artist, who worked in watercolour and oil of landscape, genre and animal subjects. Butler was born and spent most of her life in Kilmurry, Thomastown, County Kilkenny and was associated with the Newlyn School of painters.
Henry Albert Payne RWS, also known as "Henry Arthur Payne", was a British stained glass artist, watercolourist and painter of frescoes.
Joseph Barber was an English landscape painter and art teacher, and an early member of the Birmingham School of landscape painters.
Samuel Lines was an English designer, painter and art teacher, and an early member of the Birmingham School of landscape painters.
Norman Neasom RWS, RBSA was an English painter and art teacher. He grew up on Birchensale Farm in Brockhill Lane on the outskirts of Redditch, Worcestershire. On finishing his schooling at Redditch County High School, aged 16, he was given a scholarship at the Birmingham College of Art where, from 1931, he worked under Bernard Fleetwood-Walker, Harold Holden, Henry Sands, Michael Fletcher and William Colley.
Edwin Harris (1855–1906) was an English painter from Ladywood, Birmingham.
Elizabeth Adela Forbes was a Canadian painter who was primarily active in the UK. She often featured children in her paintings and School Is Out is one of her most popular works. She was friends with the artists James Abbott McNeill Whistler and Walter Sickert, both of whom influenced her work. Her etchings in particular are said to show the influence of Whistler.
Birmingham has a distinctive culture of art and design that emerged in the 1750s, driven by the historic importance of the applied arts to the city's manufacturing economy. While other early industrial towns such as Manchester and Bradford were based on the manufacture of bulk commodities such as cotton and wool, Birmingham's economy from the 18th century onwards was built on the production of finished manufactured goods for European luxury markets. The sale of these products was dependent on high-quality design, and this resulted in the early growth of an extensive infrastructure for the education of artists and designers and for exhibiting their works, and placed Birmingham at the heart of debate about the role of the visual arts in the emerging industrial society.
William Harold Dudley (1890–1949) was a painter, born in Bilston, Staffordshire in the Midlands. He taught at Cheltenham College of Art and was Head of Art at Newport College of Art between 1922 and 1940. He exhibited at the Royal Academy, Royal West of England Academy, Royal Birmingham Society of Artists and the Paris Salon. He painted landscapes which display the effects of light and colour on the landscape, often working out of doors. As well as painting the area close to his home in the West of England, he also produced numerous views of Polperro in Cornwall, which he and his wife visited regularly. In his 50s he developed Parkinson's disease, which hampered his ability to paint and he died in 1949.
William John Wainwright PRBSA (1855–1931) was a painter who spent most of his life in Birmingham, England.
Ernest Procter was an English designer, illustrator and painter, and husband of the famous British artist Dod Procter. He was actively involved with the Newlyn School, partner of the Harvey-Procter School and an instructor at the Glasgow School of Art.
Walter Dexter was an English artist, painting in oil and watercolour. He lived in King's Lynn for much of his life, and many of his pictures show the area.
Penzance School of Art is an art school in Penzance, Cornwall, England, housed in a purpose-built Grade II listed building opened in 1881.
