Here We Go | |
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Written by | Caryl Churchill |
Date premiered | 27 November 2015 |
Place premiered | Royal National Theatre |
Original language | English |
Subject | Ageing, death |
Here We Go is a 2015 play by Caryl Churchill. Critics' reviews were generally positive.
Lettie McKie wrote in Londonist that "its brevity does nothing to lessen the gentle emotional power". McKie criticized the dialogue of the funeral scene as stilted "due to Churchill's decision to truncate many of her characters' sentences. Paradoxically, the actors' discomfort shows as they struggle with a trick intended to create naturalism." But the critic described the overall play as "true to life, graceful, and unique". [1] Variety 's Matt Trueman said of the final scene ("Getting There"), "Craftily, Churchill coaxes us into contemplating our own mortality." Trueman also called Churchill's writing in the second scene "wry". [2] Mark Lawson of the New Statesman wrote of the finale, "Feeling as if it were staring the audience down, the scene is a terrifyingly unconsoling meditation on the end of life, as if Ingmar Bergman had turned Larkin's 'Aubade' and 'The Old Fools' into a silent movie. [...] I found the play rewardingly sharp and shocking". [3]
Michael Billington of The Guardian wrote: "While initially it seems slight, I find it's grown steadily in the mind since I saw it." He said that the third section ("Getting There") "poignantly captures the ritual humiliations of sickness and age", and dubbed the play "a striking memento mori for an age without faith". [4] Verity Healey of Exeunt argued, "Life seems so brief and yet so expansive. And Churchill's style of writing follows suit with its short, truncated sentences as she untangles, in an essayist fashion, the meaning of existence, its cessation and our helpless but natural struggle against it." Healey said that the "last section, which unravels in dialogue-less repetition, has plenty to say about old age and how time, like sundown, is slow, almost imperceptible yet unstoppable." [5] Rohan Preston billed Here We Go and the later Churchill play Escaped Alone as "slight but potent" works. [6] [7]
Top Girls is a 1982 play by Caryl Churchill. It centres on Marlene, a career-driven woman who is heavily invested in women's success in business. The play examines the roles available to women in old society, and what it means or takes for a woman to succeed. It also dwells heavily on the cost of ambition and the influence of Thatcherite politics on feminism.
A Number is a 2002 English play by Caryl Churchill. The story, set in the near future, is structured around the conflict between a father (Salter) and his sons – two of whom are clones of the first one. The play addresses the subject of human cloning and identity, especially nature versus nurture. Many critics over the years have lauded A Number, arguing Churchill created a work of significant intellectual depth with effective economy of style.
Far Away is a 2000 play by British playwright Caryl Churchill. It has four characters, Harper, Young Joan, Joan, and Todd, and is based on the premise of a world in which everything in nature is at war. It is published by Nick Hern Books. While some critics have expressed reservations about the play's ending, many regard Far Away as one of Churchill's finest plays.
Amelda Brown is a British actress of stage, film, and television. She trained at the Royal Academy of Dramatic Art, graduating in 1980, and became known for her work in fringe theatre.
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Bingo: Scenes of Money and Death is a 1973 play by English playwright Edward Bond. It depicts an ageing William Shakespeare at his Warwickshire home in 1615 and 1616, suffering pangs of conscience in part because he signed a contract which protected his landholdings, on the condition that he would not interfere with an enclosure of common lands that would hurt the local peasant farmers. Although the play is fictional, this contract has a factual basis. Bingo is a political drama heavily influenced by Bertolt Brecht and Epic theatre. Some have praised Bond's portrayal of Shakespeare while others have criticized it.
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Seven Jewish Children: A Play for Gaza is a six-page, 10-minute play by British playwright Caryl Churchill, written in response to the 2008-2009 Israel military strike on Gaza, and first performed at London's Royal Court Theatre on 6 February 2009. Churchill, a patron of the Palestine Solidarity Campaign, has said that anyone wishing to produce it may do so gratis, so long as they hold a collection for the people of Gaza at the end.
Caryl Lesley Churchill is a British playwright known for dramatising the abuses of power, for her use of non-naturalistic techniques, and for her exploration of sexual politics and feminist themes. Celebrated for works such as Cloud 9 (1979), Top Girls (1982), Serious Money (1987), Blue Heart (1997), Far Away (2000), and A Number (2002), she has been described as "one of Britain's greatest poets and innovators for the contemporary stage". In a 2011 dramatists' poll by The Village Voice, five out of the 20 polled writers listed Churchill as the greatest living playwright.
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Fen is a 1983 play by Caryl Churchill. While not as well known as Churchill works like Cloud 9 (1979) and Top Girls (1982), it has been praised by many critics.
Escaped Alone is a 2016 play by Caryl Churchill. Critics' reviews were mostly positive.
Glass. Kill. Bluebeard. Imp. is a 2019 series of plays by British playwright Caryl Churchill that were premiered together.
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[BLANK] is a 2019 play by Alice Birch. The play consists of 100 unrelated scenes from which a director may pick and choose. It's 2019 premiere at the Donmar Warehouse in London was in celebration of the fortieth anniversary of Clean Break.