| Heritage | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1976 | |||
| Recorded | April 2, 1976 | |||
| Genre | Jazz-funk [1] | |||
| Length | 38:42 | |||
| Label | Blue Note | |||
| Producer | Skip Drinkwater | |||
| Eddie Henderson chronology | ||||
| ||||
Heritage is an album by American jazz trumpeter Eddie Henderson recorded in 1976 and released on the Blue Note label. [2]
The Allmusic review by Thom Jurk awarded the album 3½ stars stating "Heritage is a wonderful set, and should be revisited by anyone who either missed or was put off by it initially. For the new generation of jazz and funk heads, this one is right up your alley -- these are some dark, freaky, and delicious grooves that bear further investigation". [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [3] |
| The Rolling Stone Jazz Record Guide | [4] |
Compositions by Eddie Henderson except as indicated;
Sextant is the eleventh studio album by Herbie Hancock, released in 1973 by Columbia. It is the last album with the Mwandishi-era sextet featuring saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart. Synthesizer player Patrick Gleeson and percussionist Buck Clarke also appear.
Mwandishi is the ninth album by jazz pianist Herbie Hancock, released in 1971. It is the first album to officially feature Hancock’s ‘Mwandishi’ sextet consisting of saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart.
Prelusion is the debut album from jazz musician and later R&B recording artist Patrice Rushen. The first of three albums she would record with Prestige Records, the album was mainly Instrumental jazz which was her main focus as an artist before focusing on popular R & B recordings four years later after signing with Elektra Records. Released in 1974, the album showed great promise for Rushen in the Instrumental jazz genre with songs like "Haw-Right Now", "Shortie's Portion", and "Puttered Bopcorn".
Before the Dawn was the second album by jazz/R&B singer Patrice Rushen. While 1974's Prelusion was essentially a straight-ahead record with fusion references, 1975's Before the Dawn album was essentially a fusion album. With this album Rushen brings a fusion of R&B, pop, and rock elements to her jazz foundation.
Shout It Out is the third album by singer Patrice Rushen. This album was the last Patrice released with Prestige Records before signing with Elektra Records. With this album, Rushen performs songs ranging from jazz, funk and fusion to R&B.
Patrice is the fourth, self-titled album by R&B singer Patrice Rushen.
Posh is a 1980 album released by R&B singer Patrice Rushen, her third album for Elektra Records and sixth album overall. The album was recently re-released on Wounded Bird Records, as were several other Rushen albums from the time. Following the Pizzazz album, Posh was the continuation of a string of R&B/pop albums that established Rushen as an R&B singer.
Black Byrd is a 1973 album by Donald Byrd and the first of his Blue Note albums to be produced by Larry Mizell, assisted by his brother, former Motown producer Fonce. In the jazz funk idiom, it is among Blue Note Records' best selling album releases. The title of the album inspired the name of Byrd's apprentice group, The Blackbyrds.
Crossings is the tenth album by jazz pianist Herbie Hancock, released in 1972. It is the second album in his Mwandishi period, which saw him experimenting in electronics and funk with a sextet featuring saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart. The album is the band's first to feature synthesizer player Patrick Gleeson. He was scheduled to "set up his Moog for Hancock to play." However, Hancock was so impressed with Gleeson that he "asked Gleeson not only to do the overdubs on the album but join the group."
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters. The concert was advertised as a "Herbie Hancock Retrospective," and Miles Davis, who was several months into his temporary retirement, was advertised as playing with the V.S.O.P. group. According to concert attendees, on the night of the show a handwritten sign was posted on the lobby door announcing that Davis would not be playing, but that Hubbard would be appearing instead.
The Way I Feel is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1976, featuring performances by Rollins with Patrice Rushen, Lee Ritenour, Billy Cobham, and Bill Summers with a brass section added on five tracks.
Places and Spaces is an album by American trumpeter Donald Byrd, that was released on Blue Note in 1975.
Ethiopian Knights is an album by American trumpeter Donald Byrd featuring performances by Byrd with Thurman Green, Harold Land, Bobby Hutcherson, Joe Sample and others, recorded for the Blue Note label in 1971.
Street Lady is an album by American trumpeter Donald Byrd released on the Blue Note label in July 1973, with Larry Mizell returning as producer, following the success of its predecessor.
Fancy Dancer is the fifth studio album by American jazz flautist Bobbi Humphrey, recorded in 1975 and released on the Blue Note label.
Sunburst is an album by American jazz trumpeter Eddie Henderson recorded in 1975 and released on the Blue Note label.
Slow Traffic to the Right is the second album by jazz woodwind player Bennie Maupin, released in 1977.
Leaving This Planet is a double album by organist Charles Earland that was recorded in 1973 and released on the Prestige label.
Comin' Through is an album by the American jazz trumpeter Eddie Henderson recorded in 1977 and released on the Capitol label. The album rose to No. 6 on the Blues & Soul Top British Soul Albums chart.
Mahal is an album by American jazz trumpeter Eddie Henderson recorded in 1978 which was his second album released on the Capitol label.
