Hermann Oswald is a German tenor in opera and concert.
Oswald received his first musical training as a member of the Tölzer Knabenchor. Among his operatic roles were Monostatos in Mozart’s Zauberflöte under Achim Freyer in Schwetzingen and Strasbourg and Monteverdi's L'Orfeo under Ivor Bolton at the Bavarian State Opera. In 1997–98 he performed with the Bach Kantorei, singing Handel’s Messiah . He recorded Bach's Mass in B minor with Thomas Hengelbrock. [1]
The Bavarian State Opera is an opera company based in Munich, Germany. Its orchestra is the Bavarian State Orchestra. The company's home base is the National Theatre Munich.
John Mark Ainsley is an English lyric tenor. Known for his supple voice, Ainsley is particularly admired for his interpretations of baroque music and the works of Wolfgang Amadeus Mozart. In the course of his career, he has gravitated towards 20th-century music, singing in operas by Henze, Janáček, and Britten.
Friedrich "Fritz" Karl Otto Wunderlich was a German lyric tenor, famed for his singing of the Mozart repertory and various lieder. He died in an accident aged 35.
Helen Jeanette Donath is an American soprano with a career spanning fifty years.
Thomas Bernard (Ben) Heppner, CC is a Canadian tenor and broadcaster, now retired from singing, who specialized in opera and other classical works for voice.
Hermann Prey was a German lyric baritone, who was equally at home in the Lied, operatic and concert repertoires. His American debut was in November 1952, with the Philadelphia Orchestra and Eugene Ormandy, and his American recital debut took place in 1956, at New York's Carnegie Hall. As a Lieder singer, he was a gifted interpreter of Schubert, including his song-cycles Die schöne Müllerin and Die Winterreise and the collection of songs Schwanengesang, as well as of Robert Schumann, Richard Strauss and Gustav Mahler. He also appeared frequently as a soloist in Bach's Passions and Brahms' A German Requiem.
Christoph Graupner was a German harpsichordist and composer of high Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel.
John van Kesteren was a Dutch operatic tenor.
Jörg Dürmüller is a Swiss classical tenor in concert and opera.
Adalbert Kraus is a German tenor in opera and concert, known for singing the works of Johann Sebastian Bach.
Notre Dame is a romantic opera by Franz Schmidt, to a libretto by himself and Leopold Wilk (1876-1944), a professional chemist and amateur poet. It is based loosely on the 1831 novel The Hunchback of Notre-Dame by Victor Hugo.
Petre Munteanu was a Romanian operatic tenor particularly associated with Mozart and lighter Italian roles.
Markus Schäfer is a German lyric tenor, a soloist in opera, oratorio, and Lied. He has performed with major opera houses and with the ensemble La Petite Bande. He has been a professor of voice at the Musikhochschule Hannover.
Aleksandrs Antoņenko is a Latvian tenor who specializes in the dramatic repertoire, and has appeared at the Metropolitan Opera and La Scala.
Margarethe Bence was an American opera singer, who sang both mezzo-soprano and contralto parts and was mostly active in German and Austria, including international festivals such as the Bayreuth Festival and the Salzburg Festival. Her repertoire included music from Baroque to contemporary premieres.
Horst Laubenthal, real name Horst Neumaier, is a German operatic tenor and academic voice teacher. He is known internationally, both as an opera singer especially in Mozart roles such as Belmonte, Don Ottavio and Tamino, and as a concert and recital singer, with a focus on works by Johann Sebastian Bach. He has appeared at major opera houses and festivals, including the Glyndebourne Festival and the Salzburg Festival, and made many recordings, including rarely performed works such as Korngold's Violanta.
Ferry Gruber was an Austrian-German tenor in opera and operetta. A member of both the Bavarian State Opera and Staatstheater am Gärtnerplatz in Munich for half a century, he focused on roles of the buffo genre and operetta. He made recordings, appeared on radio and television, performed internationally at major opera houses and festivals, and worked also as an operetta director and a private voice teacher. He was a favourite with the audience, and received the title Kammersänger.
Kieth Engen was an American operatic bass who was a member of Munich's Bavarian State Opera for decades. Although his career was based in Munich, he appeared internationally as a guest singer at major opera houses and festivals and performed and recorded many of Bach's Passion oratorios and cantatas, primarily with the conductor Karl Richter. He was born Keith Sheldon Engen in Frazee, Minnesota, and died in Murnau am Staffelsee, Germany at the age of 79. He was given the title of Kammersänger in 1962 and was a recipient of the Bavarian Order of Merit. In the mid-1950s he also had a brief parallel career as a pop singer under the pseudonym Stan Oliver.
Rudolf Gerlach-Rusnak was a German operatic and concert lyrical tenor, and a member of the Bavarian State Opera who had an international career and was known for his exceptional high register.
Peter Lagger was a Swiss bass in opera and concert. He was a member of European opera houses, finally the Deutsche Oper Berlin, and appeared as a guest internationally. He took part in world premieres such as Louise Talma's Die Alkestiade at the Oper Frankfurt, and Henze's Die Bassariden and Penderecki's Magnificat, both at the Salzburg Festival.