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Hesperus is an early music and traditional music ensemble. It was founded by Scott Reiss and Tina Chancey in 1979 to play early European music, American traditional music and crossover fusions of the two, as well as British and Spanish Colonial music. It currently specializes in early music scores to 1920s silent films such as The Mark of Zorro (Spanish Colonial music), Robin Hood (English renaissance music), The Hunchback of Notre Dame (French medieval music), The Golem (Sephardic and Ashkenazi Jewish music), Nosferatu (German medieval and renaissance music), The General (music from the American Civil War) and The Three Musketeers (French renaissance and traditional music.
From 1989 to 1996, Hesperus was a resident ensemble at the National Museum of American History. Music from their album Early American Roots are part of the sound track for the 1999 film Sleepy Hollow . In concert tours sponsored by the United States Information Agency, Hesperus performed in Brunei, Indonesia, Taiwan, Hong Kong, Singapore and Panama, as well as touring to Bolivia, Germany and Italy. [1]
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the contenance angloise style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period.
Blackmore's Night is a British-American neo-medieval folk rock band formed in 1997, consisting mainly of Ritchie Blackmore and Candice Night. Their lineup has seen many changes over the years; Blackmore and Night have been the only two constant members. They have released eleven studio albums. Their early releases were mostly acoustic and imitated early music, but eventually Blackmore's Night started using more electric guitars and other modern instruments, as well as performing folk-rearranged cover versions of pop and rock songs.
Chanticleer is a full-time male classical vocal ensemble based in San Francisco, California, founded in 1978. It is known for its interpretations of Renaissance music, for which they were founded, but also a wide repertoire of jazz, gospel and contemporary classical music. Its name is derived from the "clear singing rooster" in Chaucer's The Canterbury Tales. The ensemble has made award-winning recordings.
L'Ensemble Claude-Gervaise is a music group based in Montreal, Quebec. Led by recorder player Gilles Plante, the group performs early music as well as traditional music, particularly from Quebec and France, in period costume.
Joel Cohen is an American musician specializing in early music repertoires. Cohen graduated from Classical High School in Providence, Rhode Island in 1959, and Brown University in 1963. He continued graduate education at Harvard University. From 1968 to 2008, he was the director of the Boston Camerata, a prominent American early music ensemble. He remains connected to the Boston Camerata as Music Director Emeritus. Cohen founded the Camerata Mediterranea in 1990 and incorporated it as a nonprofit research institute in France in 2007. He plays the lute and guitar, as well as sings. He is best known as an organizer and creator of concert programs and sound recordings. He has also written extensively on musical topics. In recent years, Cohen's research and performance activities have centered on early American repertoires, as well as Southern European repertoires of the Middle Ages. Many of his projects in this latter category involve collaboration with Middle Eastern musicians.
Piffaro, The Renaissance Band, originally called "The Philadelphia Renaissance Wind Band", is a Philadelphia-based early music ensemble.
Akademie für Alte Musik Berlin is a German chamber orchestra founded in East Berlin in 1982. Each year Akamus gives approximately 100 concerts, ranging from small chamber works to large-scale symphonic pieces in Europe's musical centers as well as on tours in Asia, North America and South America.
Tina Chancey is a multi-instrumentalist specializing in early bowed strings from the rebec and vielle to the kamenj, renaissance fiddle, violas da gamba and pardessus de viole.
The Dufay Collective is an early-music ensemble from the United Kingdom, specializing in Medieval and Renaissance music. Founded in 1987, it was named after the Renaissance composer Guillaume Dufay. The group is directed by William Lyons. Group size and personnel varies according to the needs of the project.
Carlos Serrano is a recorder and early woodwinds player. He completed high school studies at Colegio San Carlos in Bogotá. After studying recorder at Oberlin Conservatory in Ohio and Mannes College of Music in New York with Philip Levin, and with Pedro Memelsdorff in Italy, he graduated from the Early Music Institute at Indiana University as pupil of Eva Legene and Michael McCraw. In 1988 he founded the early music ensemble Musica Ficta (Colombia), with which he has specialized in the performance of Latin-American and Spanish renaissance and baroque music. With this ensemble he has performed in Europe, the Americas, the Far and Middle East. He has recorded for the labels Jade (France), Arion (France), Centaur (USA), Arts Music (Germany), Etcetera (Belgium) and Lindoro (Spain). He taught music at Pontificia Universidad Javeriana in Bogotá.
Owain Phyfe was an American vocalist, instrumentalist, composer, and the founder of Nightwatch Recording, which concentrates on Renaissance and Medieval music. He lived in Berkley, Michigan, United States, often playing at O'Mara's Restaurant when he wasn't traveling the Renaissance circuit. He died from pancreatic cancer on September 5, 2012. The following day performers and fans held an all night wake in his honor.
Oni Wytars is an early music ensemble that was founded in 1983 by Marco Ambrosini and Peter Rabanser.
Indianapolis Early Music (IEM) is a non-profit organization established in Indianapolis in 1966 to organize concerts featuring music of the medieval, renaissance, baroque, and early classic eras. Since 1966, it has produced the annual Indianapolis Early Music Festival, the oldest continuous Early Music festival in the United States.
Ensemble Renaissance is the first early music ensemble in Serbia and the second in south-eastern Europe, having been founded in 1968. Ensemble Renaissance usually focuses on the music of the Middle Ages, Renaissance and Baroque. Occasionally, however, Ensemble performs modern music on ancient instruments.
Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music. It grew out of the British folk rock and progressive folk movements of the late 1960s. Despite the name, the term was used indiscriminately to categorise performers who incorporated elements of medieval, renaissance and baroque music into their work and sometimes to describe groups who used few, or no, electric instruments. This subgenre reached its height towards the middle of the 1970s when it achieved some mainstream success in Britain, but within a few years most groups had either disbanded, or were absorbed into the wider movements of progressive folk and progressive rock. Nevertheless, the genre had a considerable impact within progressive rock where early music, and medievalism in general, was a major influence and through that in the development of heavy metal. More recently medieval folk rock has revived in popularity along with other forms of medieval inspired music such as Dark Wave orientated neo-Medieval music and medieval metal.
The Mediæval Bæbes is a British musical ensemble founded in 1996 by Dorothy Carter and Katharine Blake. It included some of Blake's colleagues from the band Miranda Sex Garden, as well as other friends who shared her love of medieval music. The lineup often rotates from album to album, and ranges from six to twelve members. As of 2010, the group had sold some 500,000 records worldwide, their most successful being Worldes Blysse with 250,000 copies purchased.
The Texas Early Music Project is a performing arts ensemble based in Austin, Texas, that focuses on bringing audiences a closer knowledge and appreciation of Baroque music, Medieval music, Renaissance music, and early Classical-period music. The group uses historical instruments in keeping with historically informed performance practice. The ensemble was founded in 1987 by Daniel Johnson, who remains the group's artistic director. The group is classified as a non-profit organization and operates primarily on grant money and donations for individual and corporate supporters. Income is supplemented by ticket sales and merchandise sales. Texas Early Music Project is a member of Early Music America. Performers are primarily professional musicians from the Austin area, although performers visit from Texas at large, from all over the United States, and occasionally internationally.
The Ensemble für frühe Musik Augsburg is a German early music ensemble founded in 1977 and specializing in medieval music. The ensemble is regarded as "renowned" in Germany.
Rosa Lamoreaux is an American soprano, appearing mostly in concert, both as a soloist and in vocal ensembles. She has appeared at festivals such as the Carmel Bach Festival and the Rheingau Musik Festival, and has recorded works by Johann Sebastian Bach with different conductors.
Judith Rita Cohen is a Canadian ethnomusicologist, music educator, and performer. Her research interests include Judeo-Spanish (Ladino) songs; medieval and traditional music from the Balkans, Portugal, French Canada, and Yiddish; pan-European balladry; and songs from Crypto-Jewish regions in Portugal. She has received numerous research and travel grants to do fieldwork in Spain, Portugal, Morocco, Israel, Turkey, Greece, France, Belgium, Canada, and the United States, and has published many journal articles, papers, and book chapters. She plays a variety of medieval musical instruments, and sings and performs as part of her lectures and in concerts and solo recitals. She is also the editor of the Alan Lomax Spanish collection maintained by the Association for Cultural Equity.