Highland Mary is a song composed in 1792 by Scottish poet Robert Burns. [1] It is one of three works dedicated to Mary Campbell, with whom Burns was in love in the 1780s. The others, "Highland Lassie, O" and "Will Ye Go to the Indies My Mary?", were composed in 1786. "Highland Mary" consists of four stanzas that speak of Burns's affection for the lady, his melancholy at her death and his continued memory of her. The melody was that of "Katherine Ogie." [2]
Ye banks, and braes, and streams around
The castle o' Montgomery,
Green be your woods, and fair your flowers,
Your waters never drumlie!
There simmer first unfauld her robes,
And there the langest tarry;
For there I took the last Fareweel
O' my sweet Highland Mary.
How sweetly bloom'd the gay green birk!
How rich the hawthorn's blossom!
As underneath their fragrant shade,
I clasp'd her to my bosom!
The golden hours, on angel wings,
Flew o'er me and my dearie;
For dear to me, as light and life,
Was my sweet Highland Mary!
Wi' mony a vow, and lock'd embrace,
Our parting was fu' tender;
And, pledging aft to meet again,
We tore oursel's asunder;
But, oh! fell Death's untimely frost,
That nipt my flower sae early! -
Now green's the sod, and cauld's the clay,
That wraps my Highland Mary!
O pale, pale now, those rosy lips,
I aft hae kiss'd sae fondly!
And clos'd for aye the sparkling glance
That dwelt on me sae kindly!
And mouldering now in silent dust,
That heart that lo'ed me dearly -
But still within my bosom's core
Shall live my Highland Mary! [2]
Bonnie Dundee is the title of a poem and a song written by Walter Scott in 1825 in honour of John Graham, 7th Laird of Claverhouse, who was created 1st Viscount Dundee in November 1688, then in 1689 led a Jacobite rising in which he died, becoming a Jacobite hero.
Flowers of the Forest, or The Fluuers o the Forest, is a Scottish folk tune and work of war poetry commemorating the defeat of the Scottish army of James IV at the Battle of Flodden in September 1513. Although the original words are unknown, the melody was recorded c. 1615–1625 in the John Skene of Halyards Manuscript as "Flowres of the Forrest", although it might have been composed earlier.
"The Bonnie Earl o' Moray" is a popular Scottish ballad, which may date from as early as the 17th century.
"Highland Laddie", also known as "Hielan' Laddie", is the name of a Scottish popular folk tune "If Thou'lt Play Me Fair Play", but as with many old melodies various sets of words can be sung to it, of which Robert Burns's poem "Highland Laddie" is probably the best known. "If Thou'lt Play Me Fair Play" has been reworked several times since Burns set down his words, Donkey Riding being one variant.
"The Parting Glass" is a Scottish traditional song, often sung at the end of a gathering of friends. It has also long been sung in Ireland, enjoying considerable popularity to this day and strongly influencing the style in which it is often now sung. It was purportedly the most popular parting song sung in Scotland before Robert Burns wrote "Auld Lang Syne".
The Bluebells of Scotland is the usual modern name for a Scottish folksong. It was written by Dora Jordan, an English actress and writer. First published in 1801.
The Scots song "Ae fond kiss and then we sever" by the Scottish poet Robert Burns is more commonly known as "Ae fond kiss". It is Burns' most recorded love song.
Duncan MacGregor Crerar was a Scottish poet who spent much of his adult life in western Ontario and New York City, writing sentimental poetry commemorating places and friends in Scotland. A native Gaelic speaker, he wrote primarily in English, with Gaelic phrases and diction. He was referred to by some contemporaries as "The Breadalbane Bard" or "Bard of Amulree". In his book Scottish Poets in America, John D. Ross described him:
In conclusion, we would state that Mr. Crerar is one of the most genial of men, kind, sympathetic, and generous in all his actions. In his own quiet, unobtrusive way, and unknown to the world, he has rendered assistance to many when they found the clouds of adversity hovering over them: and there are few men similarly circumstance who can boast of so large and so sincere a following of friends.
25 Scottish Songs was composed by Ludwig van Beethoven. The work was published in London and Edinburgh in 1818, and in Berlin in 1822. It is the only set among Beethoven's folksong arrangements to be assigned an opus number; the rest are only given WoO numbers.
Braes o' Killiecrankie is the name of four distinct folk songs, all originally from Scotland.
Lord Saltoun and Auchanachie, is a Scottish folk song.
The (Bonnie) Rantin' Laddie or Lord Aboyne is a traditional Scottish folk ballad telling of the valiant rescue of his lover by a noble Highland lord.
Fixed verse forms are a kind of template or formula that poetry can be composed in. The opposite of fixed verse is free verse poetry, which by design has little or no pre-established guidelines.
"The Lochmaben Harper" or "The Blind Harper" is a traditional British Folk ballad and is one of the ballads collected by Francis Child in The English and Scottish Popular Ballads (1882–1898).
Robert Burns, also known familiarly as Rabbie Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is in a "light Scots dialect" of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest.
Mary Campbell, also known as Highland Mary, was the daughter of Archibald Campbell of Daling, a sailor in a revenue cutter, whose wife was Agnes Campbell of Achnamore or Auchamore. Mary was the eldest of a family of four. Robert Burns had an affair with her after he felt that he had been "deserted" by Jean Armour following her move to Paisley in March 1786. The brief affair started in April 1786, and the parting took place on 14 May of that year. Her pronunciation of English was heavily accented with Gaelic and this led to her becoming known as 'Highland Mary.'
"Welcome and Farewell" is a poem by Johann Wolfgang von Goethe from the collection Sesenheimer Lieder. It was published for the first time in 1775 in the women's magazine Iris. Franz Schubert set it to music as a lied (D.767).
Isabella Steven or Tibbie Stein was the daughter of a tenant farmer from Littlehill or Little Hill Farm (NS467305) that adjoined the Burns's farm at Lochlea. 'Stein' is an alternative form of the surname 'Steven'. Littlehill had three acres of land that are said to have been little better than peat moss. She is also said to have lived in Tarbolton.
John Richmond (1765–1846) was one of Robert Burns's closest friends and confidants. He was born in Sorn parish at Montgarswood, Ayrshire, Scotland. His father, Henry Richmond, was a merchant in Mauchline and owned Montgarswood Farm that lies near Sorn. This farm passed to James, John's brother, having once been farmed by William Fisher, Burns's Holy Willie.
Jean Lorimer (1775–1831) was a friend of the poet Robert Burns, often referred to by him as the "Lassie wi' the lint-white locks" or "Chloris". Lorimer was born at Craigieburn House on a small estate near Moffat and from 1788 to 1791 was a neighbour of Burns when he was living at Ellisland Farm, her father's new farm being at Kemmishall or Kemys Hall, Kirkmahoe Parish, two miles to the south of Ellisland on the opposite bank of the Nith. Burns commented "The Lady on whom it was made, is one of the finest women in Scotland" in a letter to George Thomson, enclosing one of the two dozen or so songs that he wrote for her. They first met when she was a teenager through his Excise duties bringing him to their farm.
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