Hildegard Uhrmacher | |
---|---|
Born | Mönchengladbach, Germany | 15 December 1939
Other names | Hildegard Kronstein-Uhrmacher |
Occupations |
|
Organizations | |
Spouse | Gotthard Kronstein |
Hildegard Uhrmacher (born 15 December 1939), married name Hildegard Kronstein-Uhrmacher, is a German operatic soprano who appeared at European opera houses in coloratura soprano roles such as Mozart's Konstanze, but also in contemporary works including Marie in Bernd Alois Zimmermann's Die Soldaten . She was a professor of voice at the Musikhochschule Hannover and the Hochschule für Musik Detmold. Her 2006 autobiography is entitled Hilde, du schaffst das.
Uhrmacher was born in Mönchengladbach. She worked as a teacher for three years in Waldniel. At the same time, she studied voice with Clemens Clettenberg, Peter Witsch and in the opera studio of the Deutsche Oper am Rhein. [1] There, she made her debut in 1964 as Vespina in Haydn's L'infedeltà delusa . [1] [2]
From 1965 to 1967, she was a member of the ensemble of the Deutsche Oper am Rhein. From 1967 to 1973, she had an engagement at the Staatstheater Kassel. In 1974, she became first coloratura soprano of the Hamburg State Opera, where she remained until 1984. [1] She appeared as a guest at the Bavarian State Opera, Cologne Opera, Opernhaus Dortmund, Staatstheater Nürnberg, Oper Frankfurt, in Karlsruhe, and internationally at the Vienna State Opera, Dutch National Opera in Amsterdam, Maggio Musicale Fiorentino and Welsh Opera in Cardiff. [1]
In 1980, she appeared in the festival at Schloss Weikersheim in the title role of Salomé by Richard Strauss. [1] From 1981 to 1988, she had a guest contract with the Stuttgart State Opera and from 1981 to 1989 with the Bavarian State Opera. [1] At the Staatsoper Hannover, she appeared as Marie in Bernd Alois Zimmermann's Die Soldaten in 1989 and as Felice in Wolf-Ferarris I quattro rusteghi in 1991; she performed the title role of Hanna Glawari in Lehar's Die lustige Witwe at the Deutsche Oper am Rhein in 1995. [1]
Her roles included Mozart characters such as the Queen of the Night in Die Zauberflöte , Konstanze in Die Entführung aus dem Serail , and Despina in Così fan tutte , also the Baroness in Lortzing's Der Wildschütz and Gilda in Verdi's Rigoletto . [1]
Since the mid-1980s, she has been a professor at the Musikhochschule Hannover, and later at the Hochschule für Musik Detmold. [1] From 1982 Uhrmacher was married to the baritone Gotthard Kronstein until his death in 1997, also performing under the name Hildegard Kronstein-Uhrmacher. She has held master classes at the Internationale Musikakademie für Solisten (IMAS). [3] She published her autobiography Hilde, du schaffst das (Hilde, you'll manage) in 2006. [4]
George Alexander Albrecht was a German conductor and composer, who also worked as a musicologist and academic teacher. A prolific composer at a young age, he was Generalmusikdirektor (GMD) of the Staatsoper Hannover from 1965 for 30 years, where he led not only the major operas by Mozart and stageworks by Wagner, but contemporary composers, such as Aribert Reimann's Troades in 1987. He was GMD of the Nationaltheater Weimar from 1996, and taught at the Hochschule für Musik Franz Liszt, Weimar. Albrecht promoted the works of neglected composers such as Wilhelm Furtwängler, Hans Pfitzner, and Erwin Schulhoff.
Krisztina Laki is a Hungarian coloratura soprano who worked mainly on the opera stage in Germany, with guest appearances in major European opera houses. She has held master classes internationally.
Ilse Hollweg was a German operatic coloratura soprano. A member of the Deutsche Oper am Rhein, she appeared at major European opera houses and festivals including the Bayreuth Festival and the Glyndebourne Festival.
Heather Engebretson is a Chinese-American operatic soprano who made a career mostly in Europe. Based at German opera ensembles for several years, she has worked freelance from 2017, and widened her repertoire from coloratura roles to leading characters such as Puccini's Madama Butterfly. She has been praised for her convincing acting as well as the expressiveness of her lyric voice, with performances including the Royal Opera House in London, the Bolshoi Theatre and Oper Frankfurt.
Claudia Barainsky is a German operatic soprano. She has performed internationally, and won awards for her roles in contemporary operas such as Bernd Alois Zimmermann's Die Soldaten and Aribert Reimann's Medea.
Caroline Stein is a German operatic coloratura soprano and an academic voice teacher. She has appeared internationally, including contemporary opera, creating the Angel in Dusapin's Faustus, the Last Night at the Berlin State Opera.
Catherine Gayer is an American coloratura soprano, violinist, musicologist, and academic voice teacher. She made a career in Germany. A member of the Deutsche Oper Berlin for more than four decades, she is known for her performance in premieres of contemporary operas, such as Luigi Nono's Intolleranza 1960 at La Fenice in Venice, the title role in Aribert Reimann's Melusine at the Schwetzingen Festival, and Josef Tal's Die Versuchung at the Bavarian State Opera.
Ursula Wendt-Walther was a German operatic soprano. She was a member of the Staatstheater Nürnberg for decades, where she performed leading roles by Mozart, Strauss and Wagner. In contemporary opera, she appeared as Marie in Bernhard Zimmermann's Die Soldaten, and created the role of Marei in Zemlinsky's Der Traumgörge.
Hans-Peter Lehmann is a German opera and artistic director.
Ruth-Margret Pütz was a German operatic coloratura soprano and an academic voice teacher. She was a member of the Staatsoper Stuttgart for many decades, a frequent guest at the Vienna State Opera, and appeared at other major international opera houses and festivals. One of her signature roles was Konstanze in Mozart's Die Entführung aus dem Serail. She is regarded as one of the leading coloratura sopranos of the 1960s.
Ernst Gerold Schramm was a German baritone in opera and concert, and an academic voice teacher. He was a member of the Staatstheater Hannover and Oper Frankfurt ensembles and performed internationally. He taught at the Musikhochschule Frankfurt and the Universität der Künste Berlin.
Ulrike Sonntag is a German operatic soprano and academic voice teacher at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart. She was previously a member of the Staatstheater Stuttgart, Vienna State Opera, and other ensembles, and has performed in operas and concerts, and taught masterclasses, in several countries. Among her recordings are rarely performed oratorios by Fanny Hensel and Paul Hindemith.
Laura Aikin is an American operatic coloratura soprano. She is noted for her portrayal of the title character in Lulu, which has received very positive reviews in the press. She has also appeared as Mozart's Queen of the Night, Zerbinetta by Richard Strauss and in contemporary opera at international opera houses and festivals.
Wulf Konold was a German musicologist, dramaturge and theatre director.
Carmen Anhorn is a Swiss operatic soprano and mezzo-soprano.
The Internationale Musikakademie für Solisten is a music school located in Hanover with master classes for highly talented young soloists who are aiming for an international career. It is one of the leading training centres for soloists in Germany. The offered courses change annually in the fields of piano, violin, singing, violoncello, French horn and Chamber music.
Gotthard Kronstein was a German operatic baritone and theatre director.
Anne Lünenbürger is a German operatic soprano and Bavarian Kammersängerin.
Giedrė Šlekytė is a Lithuanian conductor, who works in Europe with a focus on opera. After she was one of three conductors for the Young Conductor Award of the Salzburg Festival in 2015, she worked at the Stadttheater Klagenfurt for two seasons. She conducted Schreker's Die Gezeichneten at the Opernhaus Zürich, and Poulenc's Dialogues des Carmélites at the Oper Frankfurt in 2021.
Hilde Scheppan was a German operatic soprano and academic teacher. She was engaged for 20 years at the Staatsoper Unter den Linden in Berlin and made guest appearances at the Bayreuth Festival from 1937 to 1958. She performed roles in Wagner's stage works in productions by Heinz Tietjen both in Berlin and Bayreuth. After World War II, she first continued work in Berlin, but then moved to the Staatsoper Stuttgart. She taught as a professor of voice at the Hochschule für Musik Nürnberg and the Musikhochschule München.