Hindle Wakes is a stage play by Stanley Houghton written in 1910. It was first performed in 1912. [1]
The play is set in the fictional mill town of Hindle in Lancashire in England, and concerns two young persons, Fanny Hawthorn and Alan Jeffcote, who are discovered to have been having what would now be called a "dirty weekend" during their holiday, during the town's wakes week. Class is a major plot point in the play; Fanny is a mill-hand in the factory owned by Alan's father and their respective fathers once worked together before Mr Jeffcote senior rose to owning a mill, while Mr Hawthorn continued as a mill worker.
After initial reluctance on the part of Mr Jeffcote senior, and the outright opposition of his wife (who suspects Fanny of being a gold-digger), the families pressure the couple to get married. Greatly to the surprise of everyone (including Alan) Fanny refuses. She makes it clear that she regarded the dalliance with Alan as "a bit of fun" and considers him a poor choice for a husband. She is disowned by her people but expresses confidence that her skills as a weaver will allow her to support herself in the future. [2] [3]
It was first performed in 1912 by Annie Horniman's Gaiety Theatre company, originally in Manchester and then in London and on Broadway. The character Fanny Hawthorn was played by Edyth Goodall in the original production. It was a controversial piece at the time it was first produced, and provoked a prolonged correspondence in the Pall Mall Gazette in which both the author, Stanley Houghton, and the original actress participated, with many correspondents questioning whether the play's treatment of non-marital sex would set a bad example. The Vice-Chancellor of the University of Oxford placed all the theatres performing it out of bounds to students. [4]
It was the play in performance at the Royal Exchange Theatre during the 1996 Manchester bombing and the play with which the theatre reopened in December 1998 after almost two-and-a-half years of repair works following the bomb damage. Both productions were directed by Helena Kaut-Howson with Ewan Hooper as Mr Jeffcote, Sue Johnston as Mrs Jeffcote, Colin Prockter as Mr Hawthorn, Nicholas Gleaves as Alan Jeffcote and Sophie Stanton as Fanny Hawthorn. The production won a MEN Award.
The 100th anniversary of Stanley Houghton's Hindle Wakes was marked in 2012. In September 2012, the first London revival in over 30 years took place at Finborough Theatre (Earls Court) from the 11th to the 29th.
It has been filmed four times, twice in the silent era (1918, 1927), and twice in the sound era (1931, 1952) although the film versions have tended to open out the play considerably.
The 1931 film starred Belle Chrystal as the mill girl and John Stuart as the employer's son, with Sybil Thorndike, Edmund Gwenn and Norman McKinnel. Parts of it were filmed in Blackpool.
A version of it featured in the series Laurence Olivier Presents (1976), starring Judi Bowker, Donald Pleasence, Trevor Eve and co-directed by Laurence Olivier and June Howson.
Mint Theater Company produced it in New York City in 2018. [5] This production was nominated for a Drama Desk Award Outstanding Revival of a Play. [6] [7] This was the first time it has been produced in the United States in 95 years. [5]
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Hindle Wakes is a 1927 British silent film drama, directed by Maurice Elvey and starring Estelle Brody and John Stuart. The film is adapted from Stanley Houghton's 1912 stage play of the same name, and reunites Brody and Stuart following their hugely popular pairing in the previous year's Mademoiselle from Armentieres. The film was also released under the title Fanny Hawthorne.
Hindle Wakes is a 1931 British drama film directed by Victor Saville for Gainsborough Pictures and starring Belle Chrystall and John Stuart. The film is adapted from Stanley Houghton's 1912 stage play of the same name, which had previously been filmed twice as a silent in 1918 and 1927. Saville had been the producer on the highly regarded 1927 version directed by Maurice Elvey. Both Stuart and Norman McKinnel returned in 1931 to reprise their roles from the 1927 film.
Hindle Wakes is a 1918 British silent film drama, directed by Maurice Elvey and starring Colette O'Niel and Hayford Hobbs. It is the first of four screen versions of the celebrated and controversial 1912 play by Stanley Houghton. It which was a sensation in its time for its daring assertions that a woman could enjoy a sexual fling just as much as a man, without feeling any guilt or obligation to explain herself, and that she was perfectly capable of making her own life decisions without interference from family or the need to bow to social pressures.
Hindle Wakes is a 1952 British drama film, directed by Arthur Crabtree and starring Lisa Daniely, Brian Worth, Leslie Dwyer and Sandra Dorne. The film was the fourth and last screen adaptation of the famous Stanley Houghton play of the 1910s, dealing with an independent-minded young woman insisting on her right to enjoy a sexual flirtation regardless of the disapproval of family or society.
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