Hiss Residence (Umbrella House) | |
Location in Florida | |
Location | 1300 Westway Dr., Sarasota, Florida |
---|---|
Coordinates | 27°19′44″N82°35′01″W / 27.32889°N 82.58361°W |
Built | 1953 |
Architect | Paul Rudolph |
Architectural style | Modern, Sarasota School |
Restored | 2005, 2016 |
MPS | Sarasota School of Architecture MPS |
NRHP reference No. | 100003417 [1] |
The Hiss Residence (also known as the Umbrella House) is a mid-century modern home designed by architect, Paul Rudolph. Built as the show home for Sarasota's Lido Shores neighborhood in 1953, the structure blends international style modernism with indigenous tropical design. It is among the preeminent works of the Sarasota School of Architecture and considered “one of the most remarkable homes of the twentieth century.” [2] [3] [4]
Architect Paul Rudolph was approached by entrepreneur Philip Hanson Hiss III in 1952 to design a prototype home that would serve as a model for his Lido Shores real estate development, located on a small sand-covered spit of land between St. Armands Key and Longboat Key. Hiss was an enthusiastic supporter of mid-century modern architecture. He hoped that a radical new design might “catapult his Lido Shores development into the international spotlight.” [5] Rudolph was launching his own independent architecture practice in Sarasota at the time and was willing to work on the project. [6] [7]
Rudolph was aware of Hiss’ interest in site-specific architecture (designed to integrate into its environment) and set to work on a configuration that was at once geometrically modern and in harmony with its locale. [5] The result was a two-story, open-plan box concept, with operable jalousie windows on all sides to facilitate natural ventilation. Over this box was built a large simple frame with a latticed ‘parasol’ (flat umbrella roof) overlaying the house, the rear patio, and the pool. It served as a tropical pavilion, or pergola, creating patterns of shade over virtually the entire property. Rudolph designed this secondary roof to float slightly above the house roof in order to enable air movement and promote cooling. [5] [8]
The rectangular house was placed lengthwise on a north–south axis, while the pergola was overlaid lengthwise east–west. This positioning maximized interior light in living areas during the day. Despite its diminutive size (less than 1,500 square feet), the interior plan was a complex combination of transparent spaces and opaque walls, creating both privacy and spaciousness. The 17-foot-high vaulted ceiling, with floor-to-ceiling glass (front and back of the house), framed exterior views of both Sarasota Bay and the Gulf of Mexico from the second-floor bridge and bedroom balconies. [9] [10]
Rudolph had recently opened his own architecture practice after a five-year long partnership with Ralph Twitchell, and was beginning to define architecture on his own terms. [11] This meant a departure from organic modernism in favor of more pristine and geometric design. [12] [13] William Rupp assisted Rudolph with a portion of the drafting of interiors for the Umbrella House. He recalled that Rudolph was obsessed with minimizing vertical supports for the stairs and balconies and hiding tension members and bracing connections on the pergola roof. The focus was on purity of design and not so much on practicality of construction. [14] [15]
Hiss located the speculative house on a curve on John Ringling Parkway, where it would be seen by both passers-by and the press. Within weeks of completion, several thousand people had visited the house, with more than twenty-five thousand touring it in the first year. [16] The project was featured in House & Home, [17] [18] House & Garden, [19] Sarasota Review, [20] [21] Architectural Review, [22] Art and Architecture, [23] and L’Architecture D’Aujourd’hul. [24] It was unanimously hailed as a ground-breaking work of modern architecture. [4] [25] The house was also recognized as a significant technical advancement in forward-thinking passive solar engineering and urban design. [26] [27] [28]
Fifty years later, the Umbrella House was recognized by Architectural Digest as one of the most remarkable homes of the twentieth century. [29] [3] The American Institute of Architects designated the Umbrella House as one of the 100 Most Important Buildings In Florida. [30] [31] In 2018, Rudolph's Umbrella House was included in the book, The Iconic House: American Masterworks Since 1900. [32]
The Umbrella House represents one of the earliest and most influential works of the Sarasota School of Architecture movement, and helped pave the way for the development of Lido Shores and the surrounding islands as a hotbed of mid-century modern architecture, that now includes works by Tim Seibert, Gene Leedy, Victor Lundy, Carl Abbott, William Rupp, and Guy Peterson. [33] [34]
In 1966, the pavilion roof was blown off the house by Hurricane Alma, and over the following thirty years, the home slowly fell into disrepair. In 2005, the building was partially restored and auctioned as “a piece of art” with no takers. [35] It was eventually sold to private conservators who professionally restored the house to its original 1953 condition, including most of the pergola roof. The conservation effort received several awards, including the AIA Honor Award of Excellence for Historic Preservation (2016) and Florida Trust for Historic Preservation Outstanding Achievement Award (2016). [36] [37] [38]
In 2005, inspired by the Paul Rudolph Umbrella House, architect Lawrence Scarpa designed and built his own "Solar Umbrella House". It was recognized by the American Institute of Architects as one of their "Top Ten Green Projects" in 2006. [39] [40]
In 2018, the State of Florida Bureau of Historic Preservation nominated the Umbrella House to the U.S. National Register of Historic Places; [41] the listing was approved in 2019. It has been designated as a historic landmark by the City of Sarasota. [42] [43]
The Umbrella House was highlighted as one of fifteen important Paul Rudolph designs to be exhibited as part of the Paul Rudolph At 100 celebration sponsored by the U.S. Library of Congress (September 18 - November 8, 2018). [44]
Architecture Sarasota maintains and supports the Umbrella House through lectures, tours, and other activities, with the goal of preserving it as a landmark work of the Sarasota School of Architecture. [45] [46]
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: CS1 maint: multiple names: authors list (link)Paul Marvin Rudolph was an American architect and the chair of Yale University's Department of Architecture for six years, known for his use of reinforced concrete and highly complex floor plans. His most famous work is the Yale Art and Architecture Building, a spatially-complex Brutalist concrete structure. He is one of the modernist architects considered an early practitioner of the Sarasota School of Architecture.
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was popular in the United States and Europe from roughly 1945 to 1969, during the United States's post–World War II period. The term was used descriptively as early as the mid-1950s and was defined as a design movement by Cara Greenberg in her 1984 book Mid-Century Modern: Furniture of the 1950s. It is now recognized by scholars and museums worldwide as a significant design movement. The MCM design aesthetic is modern in style and construction, aligned with the Modernist movement of the period. It is typically characterized by clean, simple lines and honest use of materials, and it generally does not include decorative embellishments.
Gene Leedy was an American architect based in Winter Haven, Florida. He was a pioneer of the modern movement in Florida and later a founder of the Sarasota School of Architecture, whose members included Paul Rudolph, Victor Lundy, and others. After beginning his career in Sarasota, Leedy moved his practice to Winter Haven in 1954. He is best known for his bold use of exposed structural systems of precast concrete, especially in long-span, "double-tee" structural elements, as well as enclosed courtyards, flat roofs, and floor-to-ceiling sliding glass doors.
Riverview High School is a four-year public high school in Sarasota, Florida, United States. Riverview educates students from ninth grade to twelfth grade. As of the 2022-2023 school year, the school had 2,606 students and 127 teachers. The school's mascot is the ram. As of the 2015-2016 school year, it is the largest school in the county.
The Sanderling Beach Club is a historic Sarasota School of Architecture building in Sarasota, Florida, United States. It was designed in 1952 by architect Paul Rudolph.
The Sarasota School of Architecture, sometimes called Sarasota Modern, is a regional style of post-war modern architecture (1941–1966) that emerged on Florida's Central West Coast, in and around the city of Sarasota, Florida. It is characterized by open-plan structures, often with large planes of glass to facilitate natural illumination and ventilation, that address the unique indigenous requirements of the regional climate. Many of the architects who pioneered this style became world-renowned later in their careers, and several significant buildings remain in Sarasota today.
The Revere Quality House is a house located in Siesta Key, Florida that was designed by architects Paul Rudolph and Ralph Twitchell. It is a breakthrough in twentieth-century residential architecture which blends elements of the International Style with site-sensitive design that is considered one of the notable examples of the Sarasota School of Architecture. The house represents a substantial advancement in how people should live within their environment, and established a new paradigm in tropical home construction.
Lawrence Scarpa is an American architect based in Los Angeles, California. He used conventional materials in unexpected ways and is considered a pioneer and leader in the field of sustainable design.
The Solar Umbrella House is a private residence in Venice, Los Angeles, California, remodeled using active and passive solar design strategies to enable the house to function independent of the electrical grid. The design was inspired by Paul Rudolph’s 1953 Umbrella House for Philip Hanson Hiss III's Lido Shores, Sarasota, development. Originally a small 650-square-foot (60 m2) bungalow, the owners added 1,150 sq ft (107 m2) in 2005, remodeling it in such a way that the house is almost 100% energy neutral.
Ralph Spencer Twitchell was one of the founding members of the Sarasota School of Architecture. He is considered the father of the group of modernist architecture practitioners, that includes Paul Rudolph and Jack West, and other modernist architects who were active in the Sarasota area in the 1950s and 1960s like Ralph and William Zimmerman, Gene Leedy, Mark Hampton, Edward “Tim” Seibert, Victor Lundy, William Rupp, Bert Brosmith, Frank Folsom Smith, James Holiday, Joseph Farrell and Carl Abbott. He bridged the more traditional architecture of his early work in Florida during the 1920s with his modernist designs that began in the 1940s.
William J. Rupp was one of the modernist American architects considered part the Sarasota School of Architecture.
Carl Abbott is a Fellow of the American Institute of Architects and the youngest member of the original Sarasota School of Architecture.
Guy Wesley Peterson is an American architect based in Sarasota, Florida. He has designed more than 200 structures in southwest Florida, including private and public works. Peterson was an adjunct professor of architecture at the University of Florida, College of Design, Construction and Planning, and the author of Naked: The Architecture of Guy Peterson.
Edward John "Tim" Seibert was an architect based in Sarasota, Florida. Seibert was a Fellow of the American Institute of Architects and one of the founders of the modern movement known as the Sarasota School of Architecture.
The Healy Guest House is a small guest cottage located in Siesta Key, Florida, originally built for Mr. and Mrs. W. R. Healy. It was designed in 1948 by Paul Rudolph and Ralph Twitchell during their five-year partnership that sparked a modern architecture movement in Florida; the Sarasota School of Architecture. Its radical shape, featuring an inverted catenary roof, was an experiment in structure and technology. It is considered one of the most significant architectural works of the twentieth-century.
Lamolithic house was the term given by Sarasota concrete businessman John Lambie to describe his unique method of building modern reinforced concrete residential structures. This building technique enabled the fabrication of thin ceiling and wall planes, thus enabling architects to draft efficient and lightweight designs. Several historic lamolithic houses were constructed by renowned architects Paul Rudolph and Ralph Twitchell on Siesta Key, Florida using this technique. These homes were among the earliest examples of reinforced concrete residential construction.
Philip Hanson Hiss III (1910-1988) was an American real estate developer, who supervised the redesign of schools in Sarasota, Florida and helped found New College of Florida there.
The Walker Guest House was a compact modern beach structure originally built on Sanibel Island, Florida, for Dr. Walter Walker. It was designed in 1952 by Paul Rudolph as an architectural response to Mies van der Rohe’s Farnsworth House and Philip Johnson’s Glass House. It is considered a ground-breaking work of environmental design, and one of the most important works of architecture of the twentieth century.
The Zigzag House (1959) is a residential house in Sarasota, Florida, United States. It was designed by architect Tollyn Twitchell in the style of the Sarasota School of Architecture: the style is also referred to as a mid-century modern. The home has been named for its zigzag roofline which resembles saw teeth.
Milam Residence is an oceanfront residence in Ponte Vedra Beach, Florida, United States. It was designed by architect Paul Rudolph in the style of Sarasota Modern. The late modernist home has an unusual facade of large geometrical shapes facing the ocean. Completed in 1961, it was one of Architectural Record's 20 "Record Houses" of 1963. In 2016, it was added to the National Register of Historic Places.
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