The Hofje van Mevrouw van Aerden is a museum and former hofje in Leerdam, Netherlands, on the Kerkstraat (numbers 57 and 89).
A hofje is a Dutch word for a courtyard with almshouses around it. They have existed since the Middle Ages.
Leerdam (Dutch: [leːrˈdɑm]; is a city and former municipality in the western Netherlands, in the province of Utrecht. The municipality was merged with the municipalities of Vianen and Zederik on January 1, 2019. The name of the new municipality is Vijfheerenlanden which is a part of the province Utrecht. The former municipality Leerdam was a part of the province South Holland.
The Netherlands is a country located mainly in Northwestern Europe. The European portion of the Netherlands consists of twelve separate provinces that border Germany to the east, Belgium to the south, and the North Sea to the northwest, with maritime borders in the North Sea with Belgium, Germany and the United Kingdom. Together with three island territories in the Caribbean Sea—Bonaire, Sint Eustatius and Saba— it forms a constituent country of the Kingdom of the Netherlands. The official language is Dutch, but a secondary official language in the province of Friesland is West Frisian.
It was built during the years 1770-1772 on the former location of the "Kasteel van Leerdam", a castle that was destroyed by the Spanish in 1574. [1] The hofje was founded by Maria Ponderus, the daughter of a surgeon who at 20 married the 50-year-old widower Pieter van Aerden, notary in The Hague. She lived to 92, surviving her husband and three children, who also had no issue. She decided to leave her fortune to a hofje for women of the Protestant faith. Though she had intended her hofje for the poor of The Hague, by the time she died the most of her poor relations were living in Leerdam. Through connections with the House of Orange, the site of the old castle of Leerdam was chosen to build the hofje. [2]
Mevrouw van Aerden, née Maria Ponderus, was an 18th-century art collector and hofje founder from the Northern Netherlands.
The Hague is a city on the western coast of the Netherlands and the capital of the province of South Holland. It is also the seat of government of the Netherlands.
The Linge is a river in the Betuwe that is 99.8 km long, which makes it one of the longest rivers that flow entirely within the Netherlands.
A large collection of paintings was also left to the hofje, including paintings by leading 17th-century Dutch painters such as genre pieces by Frans Hals (1x), Cornelis de Man (1x), Dirck van der Lisse (2x), and Theodoor van Thulden (1x); portraits by Adriaen Hanneman (1x), Hendrick Cornelisz van Vliet (2x), Gerard ter Borch (2x), and Mattheus Verheyden (2x); still lifes by Pieter Claesz (1x), Cornelis de Heem (2x), Ottomar Elliger (1x), and Laurens Craen (1x); and landscapes by Hendrick Jacobsz Dubbels (2x), Philips Koninck (1x), and Jacob Salomonsz van Ruysdael (1x). These hang in the regent's rooms.
Frans Hals the Elder was a Dutch Golden Age painter, normally of portraits, who lived and worked in Haarlem. He is notable for his loose painterly brushwork, and he helped introduce this lively style of painting into Dutch art. Hals played an important role in the evolution of 17th-century group portraiture.
Cornelis de Man was a Dutch Golden Age painter.
Dirck van der Lisse was a Dutch Golden Age painter.
Willem Jacob Herreyns was a Flemish painter of history subjects and portraits. He is regarded as one of the last painters in the tradition of the Flemish Baroque and the last follower of Peter Paul Rubens.
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy.
On 28 May 2011 the paintings Two laughing boys with mug of beer by Hals and Wooded landscape by Jacob van Ruysdael were stolen. [3] On 2 November 2011 they were recovered. [4]
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Wikimedia Commons has media related to Hofje van Mevrouw Van Aerden . |
The Frans Hals Museum is a museum located in Haarlem, the Netherlands.
Cornelis Hendriksz Vroom was a Dutch Golden Age landscape painter.
Floris van Dyck, also called Floris van Dijck or Floris Claesz. van Dyck was a Dutch Golden Age still life painter.
Salomon de Bray was a Dutch Golden Age architect and painter.
The Proveniershuis is a hofje and former schutterij on the Grote Houtstraat in Haarlem, Netherlands.
The Hofje van Codde en Beresteyn is a hofje in Haarlem, Netherlands. The current building is from 1968 and is located on the J. Cuyperstraat, which is named for the architect who designed the Cathedral of Saint Bavo next door, Joseph Cuypers. This hofje is the wealthiest hofje foundation in Haarlem with the most modern facilities for its inhabitants. Poor (devote) Catholic women of Haarlem 60 years and older are still welcome to live there for free.
Pieter Claesz Soutman was a Dutch Golden Age painter and printmaker from Haarlem.
The Haarlem Guild of Saint Luke was first a Christian, and later a city Guild for a large number of trades falling under the patron saints Luke the Evangelist and Saint Eligius.
Theodorus Schrevelius was a Dutch Golden Age writer and poet.
Pieter Jacobsz Olycan, was a Dutch brewer, magistrate, and later mayor of Haarlem, best known today for his portraits by Frans Hals, as well as for the portraits of his wife Maritge Claesdr. Voogt.
Tieleman Roosterman, was a Dutch cloth merchant and friend of Willem van Heythuysen who is best remembered today for his portrait painted by Frans Hals.
The Officers of the St Adrian Militia Company in 1633 refers to the second schutterstuk painted by Frans Hals for the Cluveniers, St. Adrian, or St. Hadrian civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.
The Officers of the St George Militia Company in 1639 refers to the last and largest schutterstuk painted by Frans Hals for the St. George civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.
Gijsbert Claesz van Campen, was a Dutch cloth merchant of Haarlem who is most famous today for his family portrait painted by Frans Hals. The sitters in this painting have been identified by Pieter Biesboer as the family of Gijsbert Claesz. van Campen and is today split into three parts; the left half is in the collection of the Toledo Museum of Art, with an extra baby lower left added by Salomon de Bray in 1628, the center half is in the collection of the Royal Museums of Fine Arts of Belgium, Brussels, and a third fragment on the far right from a European private collection make up the three known surviving pieces of the original portrait. These three segments were reunited at the Toledo Museum of Art for an exhibition October 18, 2018 – January 6, 2019. The exhibition is scheduled to travel to the RMFAB in Brussels from February 2 to April 28, 2019 and the Collection Frits Lugt in Paris, June 8 to Aug. 25, 2019.
Hendrick Sorgh was a broker and art collector in Amsterdam.
Coordinates: 51°53′25.29″N5°5′30.20″E / 51.8903583°N 5.0917222°E