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| Homager och Pamfletter | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1981 | |||
| Recorded | 1981 | |||
| Studio | Mastersound Studios, Skurup | |||
| Genre | Folk music Protest music Swedish folk music | |||
| Label | A-Disc | |||
| Producer | Palle Budtz | |||
| Cornelis Vreeswijk chronology | ||||
| ||||
Homager och Pamfletter,(English: Homages and Pamphlets) is a music album recorded by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1981.
Cornelis Vreeswijk was a Dutch-born Swedish singer-songwriter, poet and actor.
Fred Åkerström was a Swedish folk guitarist and singer particularly noted for his interpretations of Carl Michael Bellman's music, and his own work of the typically Swedish song segment named visa. These songs, visor, are traditionally very narrative and the performance is "acted" to some degree. The singer is in context a vissångare, a troubadour character. Åkerström was also known for his actor's interpretations of Bellman's 18th century material, and his unusual ability to reach deep bass notes.
Cornelis sjunger Victor Jara: rätten till ett eget liv was a music album recorded by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1978.
This article presents the Swedish discography of Cornelis Vreeswijk, Dutch-Swedish composer, singer, and guitar player.
Ballader och grimascher is the second studio album by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. The album was recorded in Metronome Studio with producer Anders Burman.
Grimascher och telegram is the third studio album by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. It is a more jazz-oriented album.
Poem, ballader och lite blues is the sixth studio album by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. All songs from the album were newly recorded in 2007 by other artists, as a homage to Vreeswijk.
Visor, svarta och röda is a studio album by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. On this album, Vreeswijk sings songs with lyrics of Swedish writer Lars Forsell.
Istället för vykort is a studio album by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. It is considered Vreeswijk's most political album.
Linnéas fina visor is a studio album by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk.
Narrgnistor och transkriptioner is album by Cornelis Vreeswijk from 1976.
Movitz! Movitz! is album by Cornelis Vreeswijk from 1977. This is another album of Vreeswijk´s interpretations of the great Stockholm troubadour, Carl Michael Bellman.
Narrgnistor 2, En halv böj blues och andra ballader, rätten till ett eget liv is a music album recorded by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1978.
Felicia's svenska suite, is a music album recorded by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1978. Many of the songs feature Felicia, a woman character from Aksel Sandemose's 1958 novel Varulven.
Turistens klagan,(English: Tourist's lament) is a music album recorded by the Swedish–Dutch folk singer-songwriter Cornelis Vreeswijk in 1980. It is one half of the double concept album Felicia's svenska suite, which was originally issued only in Norway.
Bananer – bland annat is a music album recorded by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1980.
Cornelis sjunger Povel is a music album recorded by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1981. It is an homage to composer and lyricist Povel Ramel.
Mannen som älskade träd is a music album recorded by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1985. It was recorded in Tromsø, Norway, four years after his previous album.
I elfte timmen, is a music album recorded by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1986. Contains selection Vreeswijk's older songs, recorded in new, modern versions in attempt to get younger public to the author.
Till Fatumeh - Rapport från de osaligas ängder is the last music album recorded by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1987. Vreeswijk was very sick during recordings and died one month after it was finished. The album was issued shortly after his death.
