| Grimascher och telegram | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1966 | |||
| Genre | Folk music Protest music Swedish folk music | |||
| Length | 34:09 | |||
| Label | Metronome | |||
| Producer | Anders Burman | |||
| Cornelis Vreeswijk chronology | ||||
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Grimascher och telegram (English: Grimaces and telegram) is the third studio album by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. It is a more jazz-oriented album. [1]
Music and lyrics by Cornelis Vreeswijk unless otherwise noted
Cornelis Vreeswijk was a Dutch-born Swedish singer-songwriter and poet.
Ann-Louise Hanson is a Swedish singer who has been involved in the music industry since 1956.
Fred Bo Gunnar Åkerström was a Swedish folk guitarist and singer particularly noted for his interpretations of Carl Michael Bellman's music, and his own work of the typically Swedish song segment named visa. These songs, visor, are traditionally very narrative and the performance is "acted" to some degree. The singer is in context a vissångare, a troubadour character. Åkerström was also known for his actor's interpretations of Bellman's 18th century material, and his unusual ability to reach deep bass notes.
Monica Kristina Ingeborg Törnell is a Swedish singer and songwriter. She was discovered by Cornelis Vreeswijk in 1971, triggering a career spanning several decades in various genres, mainly folk and rock music. With Lasse Holm, she represented Sweden in the Eurovision Song Contest 1986 in Bergen, Norway.
This article presents the Swedish discography of Cornelis Vreeswijk, Dutch-Swedish composer, singer, and guitar player.
Ballader och oförskämdheter is the debut studio album by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. Initially, Vreeswijk's songs were about to be sung by his friend Fred Åkerström, who introduced him to the label Metronom; it was, however, decided that Cornelis Vreeswijk should sing the songs on his own. The album was a success and a good start of his career.
Visor och oförskämdheter is a live album, featuring Swedish folk musicians Cornelis Vreeswijk, Fred Åkerström and Ann-Louise Hanson. It was recorded live in Stockholm's Concert hall in December 1964. Prior to this album, Vreeswijk was forced to decide whether or not to continue his studies or pursue music. He decided to stop studying and embarked on a tour with Fred Åkerström and Ann-Louise Hanson, during which this album was recorded.
Ballader och grimascher is the second studio album by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. The album was recorded in Metronome Studio with producer Anders Burman.
Poem, ballader och lite blues is the sixth studio album by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. All songs from the album were newly recorded in 2007 by other artists, as a homage to Vreeswijk.
Visor, svarta och röda is a studio album by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk. For this recording, Vreeswijk sings songs with lyrics by Swedish writer Lars Forsell.
Linnéas fina visor is a studio album by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk.
Getinghonung is a 1974 album by Dutch-Swedish singer-songwriter Cornelis Vreeswijk.
Movitz! Movitz! is album by Cornelis Vreeswijk from 1977. It is another album of Vreeswijk´s interpretations of the Stockholm troubadour, Carl Michael Bellman.
Bananer – bland annat is a music album recorded by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1980.
Homager och Pamfletter,(English: Homages and Pamphlets) is a music album recorded by the Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1981.
Mannen som älskade träd is a music album recorded by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1985. It was recorded in Tromsø, Norway, four years after his previous album.
I elfte timmen, is a music album recorded by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1986. Contains selection Vreeswijk's older songs, recorded in new, modern versions in attempt to get younger public to the author.
Till Fatumeh - Rapport från de osaligas ängder is the last music album recorded by Swedish-Dutch folk singer-songwriter Cornelis Vreeswijk in 1987. Vreeswijk was very sick during recordings and died one month after it was finished. The album was issued shortly after his death.
Sannex is a dansband from Sweden. The band was formed as a school project in 1977. In the mid-1980s, it was a six-man band, which invested in a professional career. In 1987, Sannex became the backing band for Ann-Louise Hanson, and in November 1987 became a full-time dance band, after working with Ann-Louise for five weeks at Restaurant Cabaret in Stockholm. They participated in Dansbandskampen in 2009.
Nå skruva fiolen is Epistle No. 2 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, Fredman's Epistles. The epistle is subtitled "Till fader Berg, rörande fiolen". It is both about and mimicking the rhythm of playing the violin. The scholar Lars Lönnroth comments that Bellman used the resemblance of a cello to a woman's body, certainly pretending to play it as such for laughs, while the use of words like "screw" in the lyrics was similarly explicitly obscene. The Bellman interpreter Fred Åkerström recorded the song on his 1974 album Glimmande nymf.
